Rose Clark
Harriet Candace "Rose" Clark (1852 – November 28, 1942) was an early 20th-century American painter and pictorial photographer. She is best known for the photographs she exhibited with Elizabeth Flint Wade under their joint names, either as "Rose Clark and Elizabeth Flint Wade" or as "Misses Clark and Wade".
Also recorded as Harriet Candace "Rose" Clark
Rose Clark

Rose Clark and Elizabeth Flint Wade · Camera Notes, Vol 4 No 4 1901 · Public domain
- Name
- Rose Clark
- Birth Name
- Harriet Candace Clark
- Born
- 1852
- Birthplace
- La Port, Indiana
- Died
- 28 November 1942
- Place of death
- Buffalo, New York
- Education
- Saint Margaret’s School
- Field
- Painting, Photography
- Nationality
- United States
- Occupation
- painter · photographer
- Fields
- painting
Reference Check
Propose documentary evidence for Rose Clark. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q2780287 · wikipedia · Rose Clark
VALÉORINE Encyclopedia
The documentary record
Statements marked “Documentary record” are set in the article beside the passage they confirm. Each is read from the authority records of the institutions named here; select “Prove” to see the record it was read from, where in that record, and when.
Institutions cited
Deutsche Nationalbibliothek · Getty Union List of Artist Names
Complete reading chain (JSON)In this article
Key facts
Key facts
• Name — Rose Clark • Birth Name — Harriet Candace Clark • Born — 1852 • Birthplace — La Port, Indiana • Died — 28 November 1942 • Place of death — Buffalo, New York • Education — Saint Margaret’s School • Field — Painting, Photography • Illustration — "Miss M., of Washington", by Rose Clark and Elizabeth Flint Wade. Photogravure published in Camera Notes, Vol 4 No 4, 1901
Life
Life
Harriet Candace "Rose" Clark was born in 1852 in La Port, Indiana. She was trained as a painter and taught painting and drawing in the 1880s at Saint Margaret’s School in Buffalo, New York. One of her students was Mabel Dodge Luhan, and Clark later designed and restored Luhan’s villa in Florence, Italy. Beginning in 1890, she became active as a photographer and worked independently until 1898. Sometime in the late 1890s, she met Wade, and the two began their twelve-year collaboration. In about 1900, she began corresponding with Alfred Stieglitz, who encouraged and counseled her in her art. Stieglitz cited her, along with Gertrude Käsebier, Eva Watson-Schütze, and Mary Devens, as one of the ten most prominent American pictorial photographers currently working in an article in Century Magazine in 1902. Clark apparently learned some of her photographic artistry from Käsebier; later in her life she said she owed Käsebier for "any success she had with a camera". About 1920, she moved from Buffalo to New York City, where she advertised her portraits and other paintings for substantial amounts (up to $2,000 for full-length portraits). She returned to Buffalo in 1926. Clark never married and little is known about her private life. She died in Buffalo on November 28, 1942 and was buried in La Porte. Her obituary focused on her work as a painter and did not mention anything about her photography.
Documentary record
Rose Clark, a painter and photographer, was born in 1852 in La Porte and died in 1942 in Buffalo. Both events are recorded by the Deutsche Nationalbibliothek and the Getty Union List of Artist Names.
Misses Clark and Wade
Misses Clark and Wade
• Illustration — "Annetje", an 1898 platinum print by Clark and Wade, with both of their initials in the bottom corner. For reasons that have never been explained, Clark and Wade began exhibiting and publishing photos under their joint names beginning in 1899. For many years, it was assumed that Clark was the artist who took all of the photographs and Wade was the technician who developed and printed them. Clark herself alluded to this type of arrangement in a letter to Stieglitz in 1900: “Mrs. Wade is very dilatory – and in order to get the photographs you ask for… I will have to prod her daily.” However, in a letter to Frances Benjamin Johnston that same year, Clark said “Both Miss Wade and myself have used cameras for perhaps ten years or more, but it is only two years ago that we took up portrait work as a business.” The concept of the artist/technician split in their partnership also might have come from the fact that Clark also had several solo exhibitions while Wade exhibited very little under her own name. There are, however, indications that Wade made aesthetic decisions as well as technical ones. She clearly had interest in and knowledge of aesthetics, and in several of her articles she gives advice on artistic direction. In addition, at least one article featured work under her name alone along with others under their joint names. Clark and Wade first exhibited under their joint names at shows at the Buffalo Society of Artists and the New York Camera Club in 1899. Over the next decade their photos were featured in major exhibitions around the world, including the Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Photo-club de Paris, Pan-American Exposition, Corcoran Gallery of Art and the Louisiana Purchase Exposition. In 1902, Stieglitz included a print by Clark and Wade in Series 2 of the landmark portfolio American Pictorial Photography. Printed in a limited edition of 150 copies, the portfolio was intended to show only the best photography according to Stieglitz’s discerning eye. Their collaboration apparently ended around 1910. The reason for the dissolution of their joint effort is not known, although it might have been due to a change in the health of Wade, who died five years later.
Identity and origins
Identity and origins
She also worked under the name Harriet Candace Clark. The authorities additionally record the heading Harriet Candace "Rose" Clark.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1852
Rose Clark born at La Porte.
1942
Rose Clark died at Buffalo.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
La Porte.
Birth place
Buffalo.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q2780287: Rose Clark
General reference · Wikidata
reference work
- “Rose Clark”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Rose Clark, revision 1343418856 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Dyer, William B. The Chicago Salon. Brush and Pencil. 6. 2. 54. 1900. 1932-7080.
- 2.Burnside, Maud. Artistic Photography in Portraiture. Brush and Pencil. 6. 3. 122–127. 1900. 1932-7080.
- 3.MacKenzie, Allan C. American Pictorial Photography at Glasgow. Brush and Pencil. 8. 3. 176. 1901. 1932-7080.
- 4.Photographic Society of Philadelphia. Catalogue of an Exhibition of Salon Photographs: December 1st to December 30th, 1903. 4. 1903.
- 5.Artist Info - Elizabeth Flint Wade. National Gallery of Art.
- 6.Bronwyn A. E. Griffith. Ambassadors of Progress: American Women Photographers in Paris, 1900-1901. Hanover: University Press of New England. 147–148. 2001.
- 7.Bannon, Anthony. The Photo-Pictorialists of Buffalo. Buffalo: Media Study. 90, 99. 1981.
- 8.Alfred Stieglitz. Modern Pictorial Photography. Century Magazine. 44. 822–825. 1902.
- 9.Barbara L. Michaels. Gertrude Käsebier, The Photographer and Her Photographs. NY: Abrams. 64. 1992.
- 10.Weston Naef. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. NY: Metropolitan Museum of Art. 298–99. 1978.
- 11.Christian A. Peterson. Alfred Stieglitz's Camera Notes. NY: Norton. 40–41. 1993.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
- Rosalyn DrexlerArtist
- RosalysArtist
- Rosario CabreraArtist
- Rosario de VelascoArtist
- Rose Maynard BartonArtist
- Rose PiperArtist
- Rose WylieArtist
- Rose-Adélaïde DucreuxArtist
Best supported in this field
For owners
Own a work by Rose Clark?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.