Morton Feldman

Feldman worked between 1926 and 1987 across composer, university teacher, factory worker and dry cleaner. The registers place that work in experimental music, contemporary classical music and avant-garde music. This article rests on 109 catalogued compositions, 79 published texts, 78 issued recordings, 8 digitised documents and 30 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

Morton Feldman studied at Fiorello H. LaGuardia High School and New York University. Training under Wallingford Riegger and Stefan Wolpe is recorded. Michael von Biel and Tom Johnson are recorded as having studied under Morton Feldman. The recorded working language is English. Subjects and genres recorded for the work are experimental, contemporary classical and avant-garde. Edgard Varèse, Second Viennese School and John Cage are recorded as an influence. Employment is recorded with University at Buffalo. Works named in the authority record are Something Wild in the City, Jackson Pollock, For Samuel Beckett, Piano and String Quartet and Neither. Distinctions recorded are Guggenheim Fellowship and Arts and Letters Award in Music.

• Name — Morton Feldman • Born — 12 January 1926 • Birthplace — New York City, US • Died — 3 September 1987 • Place of death — Buffalo, New York • Works — List of compositions

Morton Feldman was born in Woodside, Queens, New York City, on January 12, 1926. His parents, Irving and Frances Breskin Feldman, were Russian Jews who had emigrated to New York from Pereiaslav (Irving, in 1910) and Bobruysk (Frances, in 1901). His father was a manufacturer of children's coats. As a child he studied piano with Vera Maurina Press, who instilled in him a "vibrant musicality rather than musicianship". Feldman's first composition teachers were Wallingford Riegger, one of the first American followers of Arnold Schoenberg, and Stefan Wolpe, a German-born Jewish composer who had studied under Franz Schreker and Anton Webern. Feldman and Wolpe spent most of their time simply talking about music and art. In early 1950, Feldman heard the New York Philharmonic perform Webern's Symphony. After this work, the orchestra was to perform a piece by Sergei Rachmaninoff, and Feldman left immediately, disturbed by the audience's disrespectful reaction to Webern's work. In the lobby he met John Cage, who was at the concert and had also decided to step out. The two quickly became friends, with Feldman moving into the building Cage lived in. Through Cage, he met sculptor Richard Lippold (who had a studio next door with artist Ray Johnson); artists including Sonja Sekula and Robert Rauschenberg; and composers such as Henry Cowell, Virgil Thomson, and George Antheil. An interview with Feldman was published in the first issue of 0 to 9 magazine in 1967. With Cage's encouragement, Feldman began to write pieces that had no relation to compositional systems of the past, such as traditional tonal harmony or serialism. He experimented with nonstandard systems of musical notation, often using grids in his scores, and specifying how many notes should be played at a certain time but not which ones. Feldman's experiments with notation and indeterminacy inspired Cage to write pieces like Music of Changes, where the notes to be played are determined by consulting the I Ching. Through Cage, Feldman met many other prominent figures in the New York arts scene, among them Jackson Pollock, Philip Guston and Frank O'Hara. He found inspiration in abstract expressionist painting, and in the 1970s wrote a number of pieces around 20 minutes in length, including Rothko Chapel (1971; written for the building of the same name, which houses paintings by Mark Rothko) and For Frank O'Hara (1973). In 1977, he wrote the opera Neither with original text by Samuel Beckett. Feldman was commissioned to compose the score for Jack Garfein's 1961 film Something Wild, but after hearing Feldman's music for the opening scene, in which a character (played by Garfein's wife Carroll Baker) is raped, the director promptly withdrew his commission, opting to enlist Aaron Copland instead. Garfein's reaction was said to be, "My wife is being raped and you write celesta music?" Feldman's music "changed radically" in 1970, moving away from graphic and arhythmic notation systems in favor of rhythmic precision. The first piece of this new period was a short, 55-measure work, "Madame Press Died Last Week at Ninety", dedicated to his childhood piano teacher. In 1973, at age 47, Feldman became the Edgard Varèse Professor of Music Composition (a title of his own devising) at the University at Buffalo in Buffalo, New York; until then, he had earned his living as a full-time employee at the family textile business in Manhattan's Garment District. Feldman also held residencies at the University of California, San Diego in the 1980s. Late in his career, Feldman produced a number of very long works, rarely shorter than half an hour and often much longer. These include Violin and String Quartet (1985, around 2 hours), For Philip Guston (1984, around four hours), and String Quartet II (1983, over six hours long without a break). These pieces typically maintain a very slow developmental pace and a very quiet dynamic range. Feldman said at the time that quiet sounds had become the only ones that interested him; in a 1982 lecture, he asked: "Do we have anything in music for example that really wipes everything out? That just cleans everything away?" Feldman married the Canadian composer Barbara Monk shortly before his death. He died of pancreatic cancer on September 3, 1987, at his home in Buffalo.

• See: List of compositions by Morton Feldman

• 1=Art of the States: Morton Feldman, three works by Feldman • UbuWeb: Morton Feldman, featuring The King of Denmark • Epitonic.com: Morton Feldman, featuring tracks from Only – Works for Voice and Instruments • In Conversation with John Cage, 1966, Part 1, part 2, part 3, part 4, part 5

Morton Feldman was born on 12 January 1926 in New York City. Influenced by: Edgard Varèse, Second Viennese School, John Cage, Persian carpet and 20th-century art.