Pierre Subleyras

Pierre Subleyras — training under Antoine Rivalz is recorded. Joseph-Siffred Duplessis is recorded as having studied under Pierre Subleyras. the recorded working language is French. Subjects and genres recorded for the work are history. Places of work recorded in the authority are Toulouse, Paris and Rome. Membership is recorded of Académie royale de peinture et de sculpture. Works named in the authority record are The annunciation. Work by Pierre Subleyras is recorded in the collections of Städel Museum, Minneapolis Institute of Art, Nationalmuseum, Metropolitan Museum of Art and National Galleries Scotland. Distinctions recorded are first Prix de Rome for painting. The heading is also recorded as Pierre Hubert Subleyras, Pierre Sublerns, Hubert Subleyras and Pietro Subleiras. Pierre Subleyras is recorded in the structured authority under the identifier Q464898. It is also recorded that pierre Subleyras was born in 1699 at Saint-Gilles. It is also recorded that pierre Subleyras died in 1749 at Rome. It is also recorded that pierre Subleyras is recorded with the citizenship of France.

Contents

Identity and overview

The following is established of the heading itself.

Pierre Subleyras is recorded in the structured authority under the identifier Q464898. Institutional cataloguing adds that pierre Subleyras is recorded with the citizenship of France.

Works and production

The following works and productions are recorded by name or by count.

Wikidata Query Service catalogues 40 works under this heading. The Metropolitan Museum of Art catalogues 2 works under this heading. The Art Institute of Chicago catalogues 6 works under this heading. It is also recorded that the Cleveland Museum of Art catalogues 1 work under this heading.

Wellcome Collection catalogues 2 works under this heading. Institutional cataloguing adds that the annunciation is dated 1722 and held by Musée des Augustins (inventory 2004 1 278). The same evidence establishes that the circumcision is dated 1722 and held by Musée des Augustins (inventory 2004 1 280). Institutional cataloguing adds that okänd kvinna is dated 1800 and held by Nationalmuseum (inventory NMGrh 1209).

The Meal at the House of Simon is dated 1737 and held by Department of Paintings of the Louvre (inventory INV 8000). It is also recorded that the Mass of Saint Basil is dated 1746 and held by Metropolitan Museum of Art (inventory 2007.166). Institutional cataloguing adds that the Artist's Studio is dated 1740 and held by Academy of Fine Arts Vienna (inventory 844 recto). It is also recorded that brother Luce, the Hermit, with the Widow and her Daughter is dated 1745 and held by Museum of Fine Arts Boston (inventory 1983.592).

Head of an Apostle (Youthful Self-Portrait, or Portrait of a Man) is catalogued and held by Philadelphia Museum of Art (inventory 2009-204-1). Institutional cataloguing adds that scene from La Fontaine's Fable 'The Mare of Peasant Pierre' is dated 1732 and held by Hermitage Museum (inventory ГЭ-4703). The record continues: emperor Valens before Bishop Basil (The Mass of St Basil) is dated 1743 and held by Hermitage Museum (inventory ГЭ-1169). The same evidence establishes that scene from La Fontaine's Fable 'The Pack Ass' is dated 1732 and held by Hermitage Museum (inventory ГЭ-4704).

Diana and Endymion is dated 1740 and held by National Gallery (inventory NG6592). Institutional cataloguing adds that the Crucifixion of Saint Peter is dated 1740 and held by National Galleries Scotland (inventory NG 2635). The Serpent of Airain is dated 1727 and held by Department of Paintings of the Louvre (inventory INV 7999). Institutional cataloguing adds that the Holy Family with Saint Elizabeth and Saint Zacharias with their Infant Saint John is catalogued and held by Fitzwilliam Museum (inventory PD.7-2013).

The pack saddle is dated 1732 and held by http://www.wikidata.org/.well-known/genid/5cb7cca431e509d4179d938613693c9a. The same evidence establishes that the Feast in the House of Simon is dated 1738 and held by Q214867 (inventory 2015.193.1). Institutional cataloguing adds that horatio Walpole (1723–1809), 1st Earl of Orford (Second Creation) is dated 1746 and held by Leeds Art Gallery (inventory 1957.15). It is also recorded that portrait de Madame Poulhariez et de sa fille Anne - Pierre Hubert Subleyras is dated 1720 and held by Musée des Beaux-Arts de Carcassonne (inventory 845.66.88).

Collections and holdings

Institutional holdings are recorded as follows.

Musée des Augustins records 3 objects associated with this heading. The same evidence establishes that hermitage Museum records 3 objects associated with this heading. Institutional cataloguing adds that musée des beaux-arts de Nîmes records 3 objects associated with this heading. It is also recorded that musée de l'Histoire de France records 3 objects associated with this heading.

Bowes Museum records 3 objects associated with this heading. Metropolitan Museum of Art records 2 objects associated with this heading. Institutional cataloguing adds that museum of Fine Arts Boston records 2 objects associated with this heading. The same evidence establishes that los Angeles County Museum of Art records 2 objects associated with this heading.

Gemäldegalerie Berlin records 2 objects associated with this heading. It is also recorded that the Metropolitan Museum of Art records 7 objects associated with this heading. Institutional cataloguing adds that the Art Institute of Chicago records 6 objects associated with this heading. It is also recorded that the Cleveland Museum of Art records 1 object associated with this heading.

Wellcome Collection records 2 objects associated with this heading. The Metropolitan Museum of Art records 7 objects associated with this name. Institutional cataloguing adds that department of Paintings of the Louvre records 13 objects associated with this heading.

Sources and evidence

This entry is compiled from 11 catalogued sources across 7 independent registers. The registers consulted are Crossref registry, Wikipedia, Wikimedia Foundation, The Metropolitan Museum of Art, The Art Institute of Chicago, The Cleveland Museum of Art and Wellcome Collection. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.

In detail

training under Antoine Rivalz is recorded. Joseph-Siffred Duplessis is recorded as having studied under Pierre Subleyras. the recorded working language is French.

Subjects and genres recorded for the work are history.

Places of work recorded in the authority are Toulouse, Paris and Rome. Membership is recorded of Académie royale de peinture et de sculpture.

Works named in the authority record are The annunciation.

Work by Pierre Subleyras is recorded in the collections of Städel Museum, Minneapolis Institute of Art, Nationalmuseum, Metropolitan Museum of Art and National Galleries Scotland.

Distinctions recorded are first Prix de Rome for painting.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Ercole libera Prometeo di Pierre Subleyras, Römische Historische Mitteilungen, 2024

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    La jument du compère Pierre, conte en vers de La Fontaine et son illustration picturale de Subleyras, ASSOCIATION CULTURELLE FRANC0-COREENNE, 2013

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Subleyras-Tibaldi, Clementina, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    Subleyras, Pierre Hubert, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  5. 5.

    Subleyras, Pierre, Oxford Art Online, 2003

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    Wikidata, structured authority record Q464898: Pierre Subleyras

    Institutional database · Scholarly · Wikimedia Foundation

    Consult the source
  7. 7.

    The Art Institute of Chicago, collection records associated with Pierre Subleyras.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  8. 8.

    The Cleveland Museum of Art, open access collection records associated with Pierre Subleyras.

    museum collection · Unverified · The Cleveland Museum of Art

    Consult the source
  9. 9.

    The Metropolitan Museum of Art, collection records associated with Pierre Subleyras (7 objects).

    museum collection · Unverified · The Metropolitan Museum of Art

    Consult the source
  10. 10.

    Wellcome Collection catalogue records 2 works naming Pierre Subleyras.

    museum collection · Unverified · Wellcome Collection

    Consult the source
  11. 11.

    “Pierre Subleyras”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source

Plates

Each plate is reproduced under the terms the holding register itself publishes, with its creator and licence named.

Martyrdom of Saint Peter. Etching by J. Barbault after P.H. Subleyras., 1700-1799, by Pierre Subleyras

Martyrdom of Saint Peter. Etching by J. Barbault after P.H. Subleyras., 1700-1799, by Pierre Subleyras

Pierre Subleyras · Wellcome Collection, London · Wellcome Collection · Public Domain Mark

The picture record
Martyrdom of Saint Peter. Engraving by A.F. Gelée after S. Coeuré after P.H. Subleyras., 1700-1799, by Pierre Subleyras

Martyrdom of Saint Peter. Engraving by A.F. Gelée after S. Coeuré after P.H. Subleyras., 1700-1799, by Pierre Subleyras

Pierre Subleyras · Wellcome Collection, London · Wellcome Collection · Public Domain Mark

The picture record

Elsewhere in Paintings

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