Pierre Rouvier
Pierre Rouvier (born 8 September 1741, in Aix-en-Provence – died 19 October 1818, in Perpignan) was a French miniature portrait painter.
Also recorded as Pierre Rouviére · Pierre Rouvière · Pierre Rouviere · Rouvier
Pierre Rouvier

Pierre Rouvier · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy · CC0
- Name
- Pierre Rouvier
- Born
- 8 September 1741
- Birthplace
- Aix-en-Provence, France
- Died
- 19 October 1818 (aged 77)
- Place of death
- Perpignan, France
- Known for
- Miniature portrait painting
- Nationality
- France
- Occupation
- painter
- Languages
- French
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Documentary evidence
Documentary basis
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wikidata · Q3386879 · wikipedia · Pierre Rouvier
In this article
Key facts
Key facts
• Name — Pierre Rouvier • Born — 8 September 1741 • Birthplace — Aix-en-Provence, France • Died — 19 October 1818 (aged 77) • Place of death — Perpignan, France • Known for — Miniature portrait painting
Biography
Biography
• Illustration — Portrait of Ursula Funguerlin, née Scherer (watercolor on ivory, 1781, signed), formerly in the Erika Pohl collection, present location unknown. Originally from Provence, Rouvier moved to Paris and was admitted to the Académie royale de peinture et de sculpture in January 1770, under the patronage of the painter and teacher François d'André-Bardou (1700–1783),and was recommended by the Marquis de Marigny. Influenced by Pierre Adolphe Hall, he exhibited portraits and genre scenes in the form of miniatures at the Salon de la Correspondance in 1779 and 1782, organized by Pahin de La Blancherie. His style subsequently evolved to become closer to that of Louis Marie Sicard. After 1786, his works became rarer and allowed the artist to express himself in a freer style, introducing more ambitious compositions with accessories. At the time of the French Revolution, he supplied designs engraved by Charles-Ange Boily, including the frontispiece for Benjamin-Sigismond Frossard's essay La Cause des esclaves negres et des habitans de la Guinée (Lyon, 1789). The Courrier patriotique des départements de l'Isère... reported that he was living in Lyon in January 1793, where he appears to have had significant connections, including the miniature painter Louis-Marie Dulieu de Chenevoux, who painted his portrait. He should not be confused with the Swiss painter Daniel Jean Louis Rouvière (1750–1825).
Family
Family
Pierre Rouvier was baptized at the Church of Sainte-Madeleine in Aix-en-Provence on 8 September 1741. He was the son of Pierre Rouvier and Louise Salomon, who were married in the same parish on 10 February 1739. The couple had other children: Marthe-Pauline the following year, on 9 August 1742; Joseph-Louis on 20 August 1744; and Laurent-Toussaint on 31 October 1747. In 1773, he married Rose Gaudin in Chambéry, a native of that city. The marriage record indicates that he was then residing in Grenoble. On May 11, 1774, their first son of Pierre and Rosa, named Étienne, was baptized in the parish of Saint-Hugues in Grenoble. The child died a few days later. Another son, Pierre-Ambroise-Hippolyte, was born on August 7, 1775.Rouvier probably settled in Paris around 1776 or 1777. Another of his children, Antoine-Charles Rouvier, died in Paris in May 1778 in the Petit-Montrouge district; he was nine months old at the time.The Grenoble archives do not record his baptism in the parish of Saint-Hugues during the summer of 1777, suggesting that Rouvier was already in the capital. Another child was born in Paris in 1779, named Antoine-Denis. From the latter's marriage in Perpignan in 1815,it is known that his parents were living in Villeurbanne, where Rouvier had acquired a plot of land as early as 1793. Pierre Rouvier and his wife later moved closer to this son and settled in Perpignan, where Pierre died on October 19, 1818, aged 77, followed by Rose on August 2, 1825
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Aix-en-Provence.
Birth place
Perpignan.
Death place
Collections
• Louvre Museum • Portrait de femme au corsage bleu clair décolleté (Portrait of a Woman in a Light Blue Low-Cut Bodice), 1781. • Portrait d'Armand Scipion Urbain, Marquis de Pujol (Portrait of Armand Scipion Urbain, Marquis de Pujol), 1781. • Une mère et ses deux enfants (A Mother and Her Two Children) • Portrait d'un petit garçon [attrib.] (Portrait of a Little Boy), miniature on ivory mounted on a dance card case.; • Metropolitan Museum of Art • Boîte avec portrait dit de Mme Bailly (Box with Portrait Known as Madame Bailly) c. 1780–1789. • Napoléon Museum, Arenenberg Castle • Eugène de Beauharnais, c. 1810.
![Benjamin-Sigismond Frossard, La cause des esclaves nègres et des habitans de la Guinée […], Lyon, imprimerie Aimé de La Roche, 1789. "Slaves wearing shackles or manacles kneel before a woman wearing a crown and cloak with fleurs de lis representing the French monarchy. Includes black men, women, and children and chains"](https://thumb.wikimedia.org/wikipedia/commons/thumb/f/f3/Benjamin-Sigismond_Froissard.jpg/1280px-Benjamin-Sigismond_Froissard.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=thumbnail)
Benjamin-Sigismond Frossard, La cause des esclaves nègres et des habitans de la Guinée […], Lyon, imprimerie Aimé de La Roche, 1789. "Slaves wearing shackles or manacles kneel before a woman wearing a crown and cloak with fleurs de lis representing the French monarchy. Includes black men, women, and children and chains"
Charles Boily · John Carter Brown Library

Portrait of a Lady label QS:Lit,"Ritratto di Gentildonna" label QS:Lhu,"Hölgy portréja" label QS:Lpl,"Portret damy" label QS:Lsl,"Portret dame" label QS:Lnl,"Portret van een dame" label QS:Lru,"Портрет дамы" label QS:Les,"Retrato de una dama" label QS:Lde,"Bildnis einer Dame" label QS:Lpt,"Retrato de uma senhora" label QS:Lbe,"Партрэт дамы" label QS:Lfr,"Portrait d'une dame" label QS:Lmk,"Портрет
Pierre Rouvier
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Pierre Rouvier, revision 1354752158 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The Tansey Miniatures Foundation. About the artist: Pierre Rouvier. 23 March 1991.
- 2.Académie des sciences, belles-lettres et arts de Rouen. Histoire de l'Académie. 5. 291–292. 1821.
- 3.Pierre Rouvier: notice œuvre lot 128. Pierre Bergé & Associés.
- 4.Frossard, La Cause des esclaves nègres et des habitans de la Guinée (1789). Christie's.
- 5.Courrier patriotique des départements de l'Isere. 634. January 22, 1793.
- 6.Vente Christie's Londres. Christie's. November 22, 1999.
- 7.Notice œuvre. Louvre Collections.
- 8.Acte de mariage à Aix, Paroisse Sainte-Madeleine, 10 February 1739 (vue 8/47). Archives départementales des Bouches-du-Rhône.
- 9.Paroisse Sainte-Madeleine (vue 28/45). Archives départementales des Bouches-du-Rhône.
- 10.Paroisse Sainte-Madeleine (vue 31/46). Archives départementales des Bouches-du-Rhône.
- 11.Paroisse Sainte-Madeleine (vue 37/45). Archives départementales des Bouches-du-Rhône.
- 12.Acte de mariage dressé à Chambéry, paroisse de Maché, 12 April 1773 (vue 321/477). Archives départementales de Savoie.
- 13.Paroisse Saint-Hugues de Grenoble (vue 97/370). Archives départementales de l'Isère.
- 14.Paroisse Saint-Hugues de Grenoble, burial of 16 May 1774 (vue 98/370). Archives départementales de l'Isère.
- 15.Paroisse Saint-Hugues de Grenoble, baptism of 10 August 1775 (vue 185/370). Archives départementales de l'Isère.
- 16.Fiche extraite des Archives du Fonds Laborde. Geneanet.
- 17.Marriage record of Antoine Rouvier and Brigitte Sarny, Perpignan, 3 November 1815 (vue 353/451). Archives départementales des Pyrénées-Orientales.
- 18.See note 4 above.
- 19.Death record registered in Perpignan (vue 299/509). Archives départementales des Pyrénées-Orientales.
- 20.Death record registered in Perpignan (vue 294/422). Archives départementales des Pyrénées-Orientales.
- 21.Notice œuvre. Département des Arts graphiques – Louvre.
- 22.Collection entry. The Metropolitan Museum of Art.
Bibliography printed in the source article · 2
- Lemoine-Bouchard, Nathalie. Les peintres en miniature: actifs en France, 1650-1850. Les Éditions de l'Amateur. 448-450. 2008. 978-2-85917-468-2.
- Pappe, Bernd. Miniaturen der Zeit Marie Antoinettes: aus der Sammlung Tansey [Ausstellung, Celle, Bomann Museum, 25.1.2013-ca. Ende 2015]. Hirmer Verlag GmbH. 284-299. 2012. 978-3-7774-9021-2.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 05 September 2026.
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