Firmin Massot

Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Geneva. Work by Firmin Massot is recorded in the collections of Hermitage Museum, Musée national de Malmaison et Bois-Préau, Museum of Fine Arts of Lyon, Museum of Art and History Geneva and Historical Museum of Bern.

His father was a master watchmaker. He began his studies in 1778 at the "School of Drawing", then attended classes at the "Société des arts de Genève", where he studied with Jean-Étienne Liotard, among others. A trip to Italy from 1787 to 1788 had a lasting effect on his style. He had his first showing in 1789 at the Salon of Geneva, where he presented an Étude d'après nature (Study from Nature). At the next Salon, he won the Grand Prize. In 1794, he was invited to Lausanne to work for Madame de Staël. In 1799, he was named Director of the "Écoles de dessin de la ville de Genève" and, the following year, became a member of the art society. Amélie Munier-Romilly became his student in 1805 and after teaching her to draw and paint he encouraged her to move to Paris in 1813. From 1807 to 1813, he travelled throughout France, making contacts with fellow artists. From 1828 to 1829, he toured England and Scotland, receiving many commissions along the way and becoming enamored of the English "conversation pieces". He also favored a style known as "jusqu'aux genoux" (as far as the knees). After 1820, he eschewed detailed backgrounds in favor of simple tones that emphasized the face. Until then, however, many of his portraits were done in collaboration with the landscape painter Wolfgang-Adam Töpffer and the animal painter Jacques-Laurent Agasse. Created mostly for wealthy patrons, Massot would paint the figures while his associates would fill in the backgrounds with various props that symbolized the sitter. Perhaps because of this, very few of his paintings are signed and attribution is often difficult. It is believed that approximately 250 works are authentically his. Many prominent women were among his sitters, including Madame Recamier, the Empress Josephine and Queen Hortense. His sister Pernette was also a painter and engraver and is sometimes cited as his first teacher.

• Illustration — Portrait of a lady, 1815/1820 • Illustration — John Campbell, 2nd Marquess of Breadalbane, 1849 • Illustration — Elizabeth Patterson Bonaparte, 1823 • Illustration — Joséphine de Beauharnais, 1812 • Illustration — A nude at her bath, 1849 • Illustration — Nancy Mérienne, 1846