Pierre Soubeyran

Jean-Jacques Burlamaqui (1694-1748) encouraged him to train as etcher in Paris, where from 1742 to 1749 he was a member of the French Academy of Sciences. At times, he also received lessons by Georg Friedrich Schmidt. In Paris, he acquired a solid reputation. Soubeyran soon became one of the most qualified engravers of his time. On 14 May 1748, he was appointed as Head of the Public Drawing School in Geneva, École de Dessein de Genève (later known as École Supérieure des Beaux-Arts, Genève). Soubeyran wrote the article "Montre" for the Encyclopédie by Denis Diderot and d’Alembert. Often mistaken with his cousin, Jean-Pierre Soubeyran (1708–1774), a miniaturist.

Training under Daniel Gardelle and Georg Friedrich Schmidt is recorded. The recorded working language is French. Places of work recorded in the authority are Paris. Work by Pierre Soubeyran is recorded in the collections of Nationalmuseum, Art Institute of Chicago and Philadelphia Museum of Art.

Pierre Soubeyran was the son of the locksmith Pierre Soubeyran, a Huguenot refugees from Sauve, Languedoc and his wife Pernette de Bourdeau. He received his first graphic training by Daniel Gardelle (1679-1753) from Geneva, the brother of the painter and engraver Robert Gardelle. His protectors sent him in Paris to further training in 1730. Jean-Jacques Burlamaqui (1694-1748) encouraged him to train as etcher in Paris, where from 1742 to 1749 he was a member of the French Academy of Sciences. At times, he also received lessons by Georg Friedrich Schmidt. In Paris, he acquired a solid reputation. Soubeyran soon became one of the most qualified engravers of his time. On 14 May 1748, he was appointed as Head of the Public Drawing School in Geneva, École de Dessein de Genève (later known as École Supérieure des Beaux-Arts, Genève). Soubeyran wrote the article "Montre" for the Encyclopédie by Denis Diderot and d’Alembert. Pierre Soubeyran is often mistaken with his cousin, Jean-Pierre Soubeyran (1708–1774), a miniaturist.

His primary prints are: • la Conversion de saint Bruno, after Le Sueur • la Belle villageoise, by Boucher • Portrait de Pierre le Grand, after Caravaggio • Une jeune fille devant son miroir, by Natoire • Six Paysages, by Lucas van Uden. • Most boards of the Traité des pierres antiques, by Mariette, after Bouchardon • Vignettes for the Hall of Mirrors of Versailles, by Massé