Timoteo Viti
Timoteo Viti (Urbino, 1469 – 1523, Urbino), sometimes called Timoteo della Viti or Timoteo da Urbino, was an Italian Renaissance painter, who was closely associated with Raphael, who was fourteen years his junior.
Also recorded as Timoteo Vito da Urbino · Timoteo Viti da Urbino · Timotio Vite of Urbino · Timottei
Timoteo Viti

Timoteo Viti · Public domain
- Born
- 1469 · Urbino.
- Died
- 1523 · Urbino.
- Occupation
- painter
- Movements
- Umbrian school
- Teachers
- Francesco Francia
- Languages
- Italian
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Documentary summary
Timoteo Viti (Urbino, 1469 – 1523, Urbino), sometimes called Timoteo della Viti or Timoteo da Urbino, was an Italian Renaissance painter, who was closely associated with Raphael, who was fourteen years his junior.
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Authority files
wikidata · Q1709100 · wikipedia · Timoteo Viti
In this article
Biography
Biography
Training under Francesco Francia is recorded. Raphael is recorded as having studied under Timoteo Viti. The recorded working language is Italian. Work by Timoteo Viti is recorded in the collections of Städel Museum, Minneapolis Institute of Art, Nationalmuseum, Philadelphia Museum of Art and Hermitage Museum.

oratorio di San Giuseppe (edificio religioso di Urbino) - Ritratto di Timoteo Viti
Accurimbono
Key facts
Key facts
• Illustration — St. Thomas Becket and St. Martin of Tours with Archbishop Giovanni Pietro Arrivabene
Career
Career
Born in Urbino, Viti was the grandson of the painter Antonio Alberti; his father was also a painter. According to Vasari and Malvasia, Viti was apprenticed to Francesco Francia in Bologna between 1490 and 1495; aspects of Viti's style would seem to confirm an apprenticeship in Bologna. In 1495 he returned to Urbino and replaced Giovanni Santi, the recently deceased father of Raphael, as painter to the small but brilliant court there. He completed paintings of the Muses in the Ducal Palace that Santi had left unfinished. The precocious Raphael, who was eleven at his father's death, continued to run his father's workshop with help from his family. It has often been speculated that Viti contributed to Raphael's training. In any case they remained friends, and Viti obtained or inherited the most important group of Raphael's studio drawings, which his descendants sold to Pierre Crozat in the 17th century. Drawings have often been disputed between the two artists in the past, and Viti has also been accused of forging some Raphael drawings (though it seems now accepted this was someone else). In 1503 Viti was painting banners for Cesare Borgia, who had expelled Duke Guidobaldo da Montefeltro as lord of the city. Guidobaldo regained Urbino in 1504 and Viti, along with Girolamo Genga, was commissioned by Bishop Arrivabene to decorate the chapel of S Martino in the cathedral. He continued to work successfully in the Marches for the rest of the decade, and as far south as Siena, where he and Genga collaborated on paintings in the Palazzo Petrucci in about 1508. • Illustration — A possible portrait of Viti at the far right of this detail from Raphael's The School of Athens: Strabo or Zoroaster, Ptolemy, Raphael as Apelles and Perugino, Il Sodoma or Timoteo Viti as Protogenes Around 1514, Viti formed part of the large team assembled by Raphael and worked on the frescoes Raphael designed in the Chigi Chapel in Santa Maria della Pace in Rome. It has been suggested that he is depicted (as the Ancient Greek painter Protogenes) in The School of Athens, Raphael's most famous work, standing next to Raphael's self-portrait, although Vasari does not mention this identification. • Illustration — Altarpiece in Cagli Raphael's mature style influenced him for a period afterwards, as can be seen in the large altarpiece depicting Noli me Tangere, and in the foreground the Archangel Michael defeating Satan and St Anthony Abbot (c. 1512) for the church of Sant'Angelo Minore in Cagli (Pesaro). In later works he rejected Raphael's influence and looked back to the art of the late 15th century. In his last paintings (such as the Mary Magdalene of 1521 in Gubbio Cathedral) his style became heavier, possibly as a result of the increasing intervention of pupils. According to Vasari, Timoteo was an artist, a poet, and a musician. He was also politically active in Urbino. He served as magistrate in 1508 and chief magistrate in 1513.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1469
Timoteo Viti born at Urbino.
1523
Timoteo Viti died at Urbino.
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q1709100: Timoteo Viti
Reputable secondary · Wikimedia Foundation
- “Timoteo Viti”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.These names are used, and variants - Vito, Vite, etc. Getty Union Artist Name Index
- 2.J.M. Wood in: Marcia B. Hall (ed), The Cambridge Companion to Raphael, p. 18, 2005, Cambridge University Press,
- 3.Roger Jones and Nicholas Penny, Raphael, p.8, Yale, 1983,
- 4.Catherine Whistler, Drawings by Michelangelo and Raphael, p.7, 1990, Ashmolean Museum, . Many of the group are now in the Ashmolean
- 5.Timoteo Viti. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, at Answers Art Encyclopedia. Retrieved Jan. 29, 2008.
- 6.Wood, op & page cit
- 7.Christiane L. Joost-Gaugier, Ptolemy and Strabo and Their Conversation with Appeles and Protogenes: Cosmography and Painting in Raphael's 'School of Athens., Renaissance Quarterly, Vol. 51, 1998. Perugino and, less plausibly, Sodoma, are other candidates.
- 8.Concise Grove op cit.
References
Citations
References
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authority file
Partially resolvedreference work
Wikidata, structured authority record Q1709100: Timoteo VitiWikimedia Foundation
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
His recorded language was Italian. Formation and teaching. He trained under Francesco Francia. Each of those relationships is stated by the authority record rather than inferred from style.
Identity and origins
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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