Tina Blau
Tina Blau — training under August Schaeffer von Wienwald, Wilhelm Lindenschmit the Younger and Joseph Matthäus Aigner is recorded. Avgusta Šantel is recorded as having studied under Tina Blau. the recorded working language is German. The field of work recorded is painting. Subjects and genres recorded for the work are landscape. The authority associates the name with Atmospheric impressionism. Places of work recorded in the authority are Munich, Paris and Vienna. Employment is recorded with Münchner Künstlerinnenverein. Work by Tina Blau is recorded in the collections of Belvedere, Bavarian State Painting Collections, Moravian Gallery in Brno, Lenbachhaus and Leopold Museum. The heading is also recorded as blau tina, Tina Lang, tina blau and Tina Regina Leopoldine Blau-Lang. Tina Blau is recorded with the citizenship of Austrian Empire and Cisleithania. It is also recorded that tina Blau is recorded as painter.
Works and production
The following works and productions are recorded by name or by count.
Wikidata Query Service catalogues 7 works under this heading. Institutional cataloguing adds that the Metropolitan Museum of Art catalogues 1 work under this heading. The Art Institute of Chicago catalogues 2 works under this heading. Wellcome Collection catalogues 1 work under this heading.
Canal in Holland is dated 1885 and held by Leopold Museum (inventory LM 559). landscape with tree is catalogued and held by Munich Central Collecting Point (inventory 42839). It is also recorded that canal in Dordrecht is dated 1890. It is also recorded that view on Dordrecht is dated 1885.
Cinderella, Prince Charming and Cinderella Ball, Lexington House, Hickory Hills, Illinois is dated 1987 and held by The Art Institute of Chicago (inventory 1989.684.2). The same evidence establishes that bunny Hop, Prince Charming and Cinderella Ball, Lexington House, Hickory Hills, Illinois is dated 1987 and held by The Art Institute of Chicago (inventory 1989.684.1). It is also recorded that dance and other expressive art therapies : when words are not enough / edited by Fran J. Levy, with Judith Pines Fried and Fern Leventhal. is dated 1995 and held by Wellcome Collection.
Collections and holdings
Institutional holdings are recorded as follows.
Wellcome Collection records 1 object associated with this heading. It is also recorded that the Metropolitan Museum of Art records 1 object associated with this name. Belvedere records 1 object associated with this heading. The same evidence establishes that leopold Museum records 1 object associated with this heading.
Bavarian State Painting Collections records 1 object associated with this heading. Munich Central Collecting Point records 1 object associated with this heading. It is also recorded that the Metropolitan Museum of Art records 1 object associated with this heading. The Art Institute of Chicago records 2 objects associated with this heading.
Sources and evidence
This entry is compiled from 7 catalogued sources across 7 independent registers. The registers consulted are Wikipedia, Wikimedia Foundation, The Metropolitan Museum of Art, The Art Institute of Chicago, Internet Archive, Deutsche Nationalbibliothek and Wellcome Collection. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
In detail
training under August Schaeffer von Wienwald, Wilhelm Lindenschmit the Younger and Joseph Matthäus Aigner is recorded. Avgusta Šantel is recorded as having studied under Tina Blau. the recorded working language is German.
The field of work recorded is painting. Subjects and genres recorded for the work are landscape. The authority associates the name with Atmospheric impressionism.
Places of work recorded in the authority are Munich, Paris and Vienna. Employment is recorded with Münchner Künstlerinnenverein.
Work by Tina Blau is recorded in the collections of Belvedere, Bavarian State Painting Collections, Moravian Gallery in Brno, Lenbachhaus and Leopold Museum.
Sources
Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.
- 1.
Gemeinsame Normdatei 10078034-9, Gedächtnis-Ausstellung Emil Orlik Kollektive Tina Blau (1934 : Wien).
authority file · Unverified · Deutsche Nationalbibliothek
Consult the source - 2.
Internet Archive, 1 digitised item catalogued under Tina Blau as creator.
digital repository · Unverified
Consult the source - 3.
The Art Institute of Chicago, collection records associated with Tina Blau.
museum collection · Unverified · The Art Institute of Chicago
Consult the source - 4.
The Metropolitan Museum of Art, collection record associated with Tina Blau (1 object).
museum collection · Unverified · The Metropolitan Museum of Art
Consult the source - 5.
Wellcome Collection catalogue records 1 work naming Tina Blau.
museum collection · Unverified · Wellcome Collection
Consult the source - 6.
“Tina Blau”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 7.
Wikidata, structured authority record Q547655: Tina Blau
authority record · Unverified · Wikidata
Consult the source
Plates
Each plate is reproduced under the terms the holding register itself publishes, with its creator and licence named.

Tina Blau (Detail of a photo made 1869 at Christmas in Munich)
Franz Hanfstaengl · Zdrawka Ebenstein, Heinz Schöny: "Tina Blau 1845-1916". Österreichische Galerie Belvedere, Wien, 1971 (Katalog; Ausstellung 29. Juni bis 17. Oktober 1971) · Public domain
The picture recordElsewhere in Paintings
12,836 published records in this field, each with its sources named.
- TimomachusArtist
- Timoteo VitiArtist
- Timothy BehrensArtist
- Timothy ColeArtist
- Tina MorpurgoArtist
- Tinus de JonghArtist
- TitianArtist
- Tito LessiArtist
Best supported in this field
For owners
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