Stephanos Tzangarolas
Stephanos Tzangarolas (1660-1675 – 1710) also known as Stephano Tzangarola. He was a Greek painter during the late Cretan Renaissance. He migrated from Crete to the island of Corfu.
Stephanos Tzangarolas

Tzangarolas Stephanos (1688 - 1710) Details on Google Art Project · oQHsqkzypQ-kFw at Google Cultural Institute maximum zoom level · Public domain
- Name
- Stephanos Tzangarolas
- Born
- 1660-1675
- Birthplace
- Crete, Greece
- Died
- 1710
- Place of death
- Corfu
- Known for
- Iconography and hagiography
- Movement
- Cretan School Heptanese School
- Occupation
- painter · priest
- Fields
- iconography
- Languages
- Modern Greek
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Documentary evidence
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wikidata · Q107985224 · wikipedia · Stephanos Tzangarolas
In this article
Biography
Biography
He is a member of the Heptanese School and the Cretan Renaissance. His contemporaries at the time were Panagiotis Doxaras, Theodore Poulakis and Elias Moskos. His artwork began to reflect the transition of the classical maniera greca of Crete to the more refined style of the Ionian Islands. His style resembles the transition of Gentile da Fabriano and Fra Angelico from the maniera greca to their respective styles. Tzangarolas paintings influenced countless artists both Italian and Greek. Some artists that reflect his style include Spyridon Sperantzas and Georgios Kastrofylakas. His paintings can be found all over Greece mainly Athens and the Ionian Islands. Some of his work is in Cairo and London. His student was famous Greek painter Andreas Karantinos.
Key facts
Key facts
• Name — Stephanos Tzangarolas • Born — 1660-1675 • Birthplace — Crete, Greece • Died — 1710 • Place of death — Corfu • Known for — Iconography and hagiography • Movement — Cretan School Heptanese School
History
History
Tzangarolas was born on the island of Crete. He was from a wealthy Cretan family. He migrated to Corfu. He was a priest. Records indicate the first church he worked at was Holy Trinity Church in 1680. He signed most of his paintings. Historians used his work to establish a timeline. By 1688, he was a Deacon, and in 1700, he was ordained a priest. Records exist until 1710. He also taught famous painter Andreas Karantinos. His style evolved and Tzangarolas was a member of the Heptanese School while Greece was undergoing the Greek Rococo and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. According to the Institute of Neohellenic Research twenty-two of his paintings have survived and most of them are signed. Here are some examples of his signature: χειρί Σπυρίδωνος Τζακαρόλου, ποίημα ιεροδιακόνου Στεφάνου Τζανκαρόλα. His most notable painting was the Virgin and Child painted in 1700 and featured twenty-four stanzas of the Acathist Hymn around a central image of the Madonna. It is located at the Monastery of St. Andrew and Ecclesiastical Museum, Thessaloniki Greece
Gallery
Gallery
• Illustration — Saint Alexis • Illustration — Saint Alexis Detail • Illustration — Saint Alexis Detail • Illustration — St James • Illustration — Archangel Michael
Notable works
Notable works
• Jesus Behold the Man, Cairo, Egypt • Holy Trinity Cairo, Egypt • Adoration of the Shepherds, Athens, Greece
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Crete.
Birth place
Corfu.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Stephanos Tzangarolas, revision 1343427463 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Eugenia Drakopoulou. Tzankarolas Stefanos. Institute for Neohellenic Research. August 7, 2021.
- 2.Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. 426–428. 1997.
- 3.Acheimastou Potamianou, Myrtalē. Icons of the Byzantine Museum of Athens. Ministry of Culture. 276. 1998. 9789602149119.
- 4.Cone, Steven D. Theology from the Great Tradition. Bloomsbury Publishing. Figure 33.4. 2018. 9780567670014.
- 5.Hatzidakis, Nano M. Icons, the Velimezis Collection: Catalogue Raisonné. Museum Benaki. 265. 1998. 9789608452473.
- 6.Hatzidakis, 1997, pp 426-428
- 7.Hatzidakis, 1997, pp 426-428
- 8.Birnbaum, Henrik. Byzantine Studies Essays on the Slavic World and the Eleventh Century. Aristide D. Caratzas. 103, 105. 1992. 9780892415175.
Bibliography printed in the source article · 3
- Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume A. Ανοικτή Βιβλιοθήκη - Ελεύθερα ψηφιακά βιβλία // Ελληνικά δωρεάν e-books. Center for Modern Greek Studies E.I.E. 1987.
- Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Ανοικτή Βιβλιοθήκη - Ελεύθερα ψηφιακά βιβλία // Ελληνικά δωρεάν e-books. Center for Modern Greek Studies E.I.E. 1997.
- Drakopoulou, Eugenia. Greek painters after the fall (1450-1830) Volume C. Ανοικτή Βιβλιοθήκη - Ελεύθερα ψηφιακά βιβλία // Ελληνικά δωρεάν e-books. Center for Modern Greek Studies E.I.E. 2010.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
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