Nikolaos Tzafouris
Nikolaos Tzafouris (1468–1501; also Niccolo, Niccolò, Niccolö, Zafuri, Zafuris) was a Greek Renaissance painter. He was one of the founders of the Cretan school. He was influenced by Angelos Akotantos.
Also recorded as Nikolaos Zafouris · Nicholas Tzafouris · Nikolaos Tsafouris · Nicolaos Tzafouris
Nikolaos Tzafouris

Sailko · Public domain
- Born
- 1468
- Birthplace
- Crete, Greece
- Died
- 1501
- Movement
- Cretan school
- Occupation
- painter
- Fields
- icon
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wikidata · Q18210625 · wikipedia · Nikolaos Tzafouris
In this article
Biography
Biography
His works influenced Emmanuel Tzanes, Elias Moskos, Georgios Klontzas and Theodoros Poulakis. Tzafouris was one of the most respected artists in Crete. His most notable work is Madre della Consolazione. The painting exhibits a combination of Byzantine and Italian styles. Another notable painter in Crete around the same time was Andreas Pavias. According to the Institute of Neohellenic Research, thirteen paintings are attributed to Tzafouris.
Subjects and genres recorded for the work are icon. Places of work recorded in the authority are Crete. Work by Nikolaos Tzafouris is recorded in the collections of Metropolitan Museum of Art, Byzantine and Christian Museum, Musée des Beaux-Arts de la ville de Paris, Kunsthistorisches Museum and National Museum in Warsaw.
Key facts
Key facts
• Born — 1468 • Birthplace — Crete, Greece • Died — 1501 • Place of death — Crete, Greece • Movement — Cretan school
History
History
• Illustration — Deposition, Lamentation and Resurrection triptych by Nikolaos Tzafouris, National Museum, Warsaw, between 1489 and 1501 Nikolaos was born in Crete. He was influenced by Angelos Akotantos. The artist traveled to Venice to continue his painting education. He was exposed to the works of Giovanni Bellini and may have trained with him. He returned to Crete towards the end of his life where he had a successful workshop. His workshop mass-produced icons. • Illustration — icon Christ Bearing the Cross by Nikolaos Tzafouris, Metropolitan Museum of Art, New York City He painted a new style Madonna called Madre della Consolazione which was considered the Italian style and was the standard for the next hundred years. He also emulated Bellini's Pieta which was also heavily copied. Historians have records of the painter's activities in Crete between 1487 and 1501 involving economic affairs. In 1492, he worked with famous Greek painter Georgios Vlastos and the sculptor Nikolaos Varvarigos. The artists worked on a Catholic church in Nafplio called Pala D'altare. Regrettably, nothing from the church survived. The existing documents notate Tzafouris had a workshop in Heraklion. Tzafouris painted religious themes for local churches. He died in Heraklion around 1501. Tzafouris was mentioned in a will found in Venetian archives on February 23, 1537. Five of his signed icons survive. His works followed the maniera greca tradition but also exhibited qualities of Byzantine paintings and frescos. Many Cretan painters began to adopt a style mixing Byzantine and Italian techniques. One work executed by Nikolaos Tzafouris was a triptych Pietà with Saints Francis and Mary Magdalen which can be found at the Ashmolean Museum. Another example of signed icon from Nikolaos Tzafouris, Christ Bearing the Cross, is in the collection of Metropolitan Museum of Art NYC.
Gallery
Gallery
• Illustration — Pietà after Bellini • Illustration — triptych Resurrection • Illustration — triptych Lamentation • Illustration — Lamentation of Jesus • Illustration — Virgin and Child and St Francis • Illustration — Pietà • Illustration — Pietà • Illustration — Virgin and Child
Life and career
Dated record
Life and career
The full dated record · 2 entries
1468
Nikolaos Tzafouris born at Crete.
1501
Nikolaos Tzafouris died at Crete.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Nikolaos Tzafouris, revision 1343412204 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hatzidakis, Manolis. Greek painters after the fall (1450–1830) Volume A. Center for Modern Greek Studies E.I.E. 292–294. 1987.
- 2.Eugenia Drakopoulou. Ζαφούρης (Τζαφούρης, Zafuri) Νικόλαος (Nicolo). Institute for Neohellenic Research. November 5, 2021.
- 3.Hatzidakis, 1987, p. 292-294
- 4.Hatzidakis, 1987, p. 292-294
- 5.Ashmolean Museum Brief Bio Nikolaos Tzafouris.
- 6.Metropolitan Museum of Art
- 7.Hatzidakis, 1987, p. 292-294
Bibliography printed in the source article · 6
- Hatzidakis, Manolis. Greek painters after the fall (1450–1830) Volume A. Center for Modern Greek Studies E.I.E. 1987.
- Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. 1997.
- Drakopoulou, Eugenia. Greek painters after the fall (1450-1830) Volume C. Center for Modern Greek Studies E.I.E. 2010.
- Voulgaropoulou, Margarita. From Domestic Devotion to the Church Altar: Venerating Icons in Late Medieval and Early Modern Adriatic. Religions. 10. 6. 390. 2020. 10.3390/rel10060390.
- Richardson, Carol M. Locating Renaissance Art. United Kingdom: Yale University Press. 2007. 9780300121889.
- Mantas, Apostolos. Ο Κρητικός Ζωγράφος Νικόλαος Τζαφούρης Ενυπόγραφα και Αποδιδόμενα Εργα. The University of Ioannina Philosophical School. 2018.
References
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References
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Recognition and collections
Work by Nikolaos Tzafouris is
Metropolitan Museum of Art, Byzantine and Christian Museum, Musée des Beaux-Arts de la ville de Paris and Kunsthistorisches Museum
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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