Emmanuel Skordilis
Emmanuel Skordilis (1627–1635 – 1671), also known as Emmanouil Skordilis, was a Greek Renaissance painter. He was active in Crete around the time Emmanuel Tzanes, Elias Moskos, and Philotheos Skoufos were painting in Crete. He belongs to the elite group of Greek painters that followed the Venetian-influenced maniera greca in Crete.
Emmanuel Skordilis

Emmanuel Skordilis · CC BY-SA 4.0
- Name
- Emmanuel Skordilis
- Born
- 1627–1635
- Birthplace
- Heraklion
- Died
- 1671
- Place of death
- Milos
- Known for
- Iconography and hagiography
- Movement
- Cretan school
- Occupation
- painter · iconographer
- Fields
- icon
- Languages
- Greek
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Documentary evidence
Documentary basis
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wikidata · Q108567805 · wikipedia · Emmanuel Skordilis
In this article
Biography
Biography
Sixty eight of his works survived. He is one of few artists to not travel to the Ionian Islands and participate in the Heptanese school. He eventually settled in the Cyclades on the inland of Milos. Christodoulos Kalergis is another prominent Greek artist associated with the Cyclades, he was from Mykonos. Skordilis was influenced by Georgios Klontzas, Michael Damaskinos and Angelos. Skordilis brought the artistic style of Crete to the Cyclades and influenced countless artists in that region.
Key facts
Key facts
• Name — Emmanuel Skordilis • Born — 1627–1635 • Birthplace — Heraklion • Died — 1671 • Place of death — Milos • Known for — Iconography and hagiography • Movement — Cretan school
History
History
Skordilis was born in Crete. He became a priest on the island. Records indicate he was associated with the Chryssopigi Monastery in Chania. Historians have concluded that he had a personal relationship with the Monastery. Around 1645, when the region fell to the Turks, he traveled to the Cyclades. He eventually settled on the island of Milos after 1647. He painted a significant amount of icons during his lifetime. Historians have records from 1647-1671. One of his signatures was Χείρ Εμμανουήλ ιερέως Σκορδίλη. The last name Skordilis was common in Crete. There were many other painters with the same last name. Cretan priest and painter Antonios Skordilis was also associated with the island Milos. His art resembles the Cretan school but he further refined the style. Like many of his contemporaries such as Theodore Poulakis and Franghias Kavertzas. Skordilis painted his own version of the historic In Thee Rejoiceth. Many artists created their own version of the piece. Georgios Klontzas’s painting was popular throughout the artistic community. Skordilis also painted the popular Five Saints of Sebasteia. His works can be found all over the world mainly Greece.
Gallery
Gallery
• Illustration — Christ Pantocrator • Illustration — Saint Onouphrios • Illustration — The Coronation of the Virgin • Illustration — The Divine Liturgy • Illustration — The Five Saints of Sebasteia
Notable works
Notable works
• In The Rejoiceth Monastery of Panagia Chrysoleontissa in Aegina Greece • Coronation of the Virgin Byzantine Museum Athens Greece
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Crete.
Birth place
Milos.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Emmanuel Skordilis, revision 1317742579 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Eugenia Drakopoulou. Skordilis Emmanouil. Institute for Neohellenic Research. August 14, 2021.
- 2.Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. 355–359. 1997.
- 3.Speake, Graham. Encyclopedia of Greece and the Hellenic Tradition. Rutledge Taylor & Francis Group. 444. 2021.
- 4.Glykatzi, Helen. Patmos: Treasures of the Monastery. Metropolitan Museum of Art. 125. 1988.
- 5.Kakavas, George. Post-Byzantium The Greek Renaissance : 15th-18th Century Treasures from the Byzantine & Christian Museum, Athens. Hellenic Ministry of Culture Onassis Cultural Center. 34. 2002.
- 6.Hatzidakis, 1997, pp 355-359
- 7.Hatzidakis, 1997, pp 355-359
Bibliography printed in the source article · 3
- Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume A. Center for Modern Greek Studies E.I.E. 1987.
- Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. 1997.
- Drakopoulou, Eugenia. Greek painters after the fall (1450-1830) Volume C. Center for Modern Greek Studies E.I.E. 2010.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Emmanouil ZairisArtist
- Emmanuel BennerArtist
- Emmanuel KaviArtist
- Emmanuel Mané-KatzArtist
- Emmanuel TzanesArtist
- Emmanuel TzanfournarisArtist
- Emmanuel ViérinArtist
- Emmanuil Dmitriev-MamonovArtist
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