Nikolay Bakhmetev
Nikolai Ivanovich Bakhmetev (scientific transliteration: Nikolaj Ivanovič Bachmetev; 1807–1891) was a Russian soldier, composer, violinist and long-serving director of the Imperial Court Capella in Saint Petersburg.
Also recorded as Nikolaĭ · N. Bakhmetʹev · Nikolay Ivanovich Bakhmetev · Nikolai Bakhmetev
Nikolay Bakhmetev

С фотографии Клювера рисовал П. Ф. Борель, гравировал И. И. Матюшин · Всемирная иллюстрация: журнал. — 1876. — Т. 15. — № 390. — С. 472. · Public domain
- Name
- Nikolai Ivanovich Bakhmetev
- Born
- 1807
- Died
- 1891
- Birthplace
- Russian Empire
- Place of death
- Saint Petersburg, Russian Empire
- Occupation
- Military, composer, violinist, director of the Imperial Court Capella
- Fields
- music
- Education
- Page Corps
- Honours
- Order of Saint Anna, 1st class · Order of Saint Anna, 3rd class · Order of Saint Anna, 4th class · Order of the White Eagle · Order of Saint Stanislaus, 1st class · Order of St. Vladimir and 2nd class
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Documentary summary
Nikolai Ivanovich Bakhmetev (scientific transliteration: Nikolaj Ivanovič Bachmetev; 1807–1891) was a Russian soldier, composer, violinist and long-serving director of the Imperial Court Capella in Saint Petersburg.
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Note VALÉORINE
Nikolay Bakhmetev was choir director, composer and violinist of Russian Empire nationality. Nikolay Bakhmetev was born in 1807 at Penza. Death followed in 1891 at Saint Petersburg. Training included Page Corps. Honours include Order of Saint Anna, 1st class, Order of Saint Anna, 3rd class and Order of Saint Anna, 4th class.
Composed from admitted, traceable facts · 26 September 2026
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- Identity
- resolved
- Independent source families
- 0
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Authority files
wikidata · Q4079836
In this article
Key facts
Key facts
Nikolay Bakhmetev studied at Page Corps. The field of work recorded is music. Distinctions recorded are Order of Saint Anna, 1st class, Order of Saint Anna, 3rd class, Order of Saint Anna, 4th class and Order of the White Eagle.
• Name — Nikolai Ivanovich Bakhmetev • Native Name — Николай Иванович Бахметев • Native Name Lang — ru • Born — 1807 • Died — 1891 • Birthplace — Russian Empire • Place of death — Saint Petersburg, Russian Empire • Occupation — Military, composer, violinist, director of the Imperial Court Capella • Works — Obikhod notnovo tserkovnovo peniya (Lvov-Bakhmetev, eds.) Nikolai Ivanovich Bakhmetev (scientific transliteration: Nikolaj Ivanovič Bachmetev; 1807–1891) was a Russian soldier, composer, violinist and long-serving director of the Imperial Court Capella in Saint Petersburg.
Biography
Biography
Bakhmetev was born in 1807 in the Russian Empire. He served in the military before devoting himself to music. In 1861 he succeeded Alexei Lvov as director of the Imperial Court Capella. He remained in the position until 1883, overseeing repertoire, performance practice and the publication of official choral editions.
Works
Works
Bakhmetev edited and published the two-volume Obikhod notnovo tserkovnovo peniya (Common Book of Musical Church Singing, 1869–1879), which became the standard liturgical collection of the Imperial Court. Under his supervision, three further volumes of sacred choral compositions were issued, and his editorial revisions of traditional chants had lasting influence on Russian Orthodox church music.
Controversy with Tchaikovsky
Controversy with Tchaikovsky
Bakhmetev is noted for a legal dispute with Pyotr Ilyich Tchaikovsky and publisher Pyotr Jurgenson. Exercising censorship privileges historically granted to the Capella by Catherine the Great and previously used by Dmitry Bortniansky, he banned the performance of Tchaikovsky’s newly published Liturgy of St. John Chrysostom during services. The prohibition was overturned in court, establishing a precedent that allowed greater freedom in publishing sacred music in the Russian Empire. • Illustration — N. Bakhmetev
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Penza.
Birth place
Saint Petersburg.
Death place
Legacy
Lvov-Bakhmetev’s Obikhod became the most widely used “court” edition of its time and influenced later four-part choral arrangements. Iakov Tichai for example adapted it extensively for Orthodox services in Japan under St. Nicholas of Japan. The term obikhod (обиход) literally means “standard” or “common,” and Bakhmetev’s version set the template for Russian liturgical singing in the late 19th century. Bakhmetev died in Saint Petersburg in 1891. His editorial work remains an important part of the Russian Orthodox choral tradition, and performances of his Obikhod continue to appear in modern church repertoire.
Literature
• Carolyn Cairns Ritchie: The Russian Court Chapel Choir: 1796 - 1917. University of Glasgow 1994 (Ph.D. dissertation) - Appendix 11: Sacred Compositions by N. I. Bakhmetev • John Nelson: The significance of Rimsky-Korsakov in the development of a Russian national identity. Studia Musicologica Universitatis Helsingiensis, Volumes 25, 2013 (dissertation) • РБС/ВТ/Бахметев, Николай Иванович - RBD (in Russian) • Vladimir Morosan: Choral Performance in Pre-revolutionary Russia. UMI Research Press, 1986 (3 The Emergence of a National Choral Style)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.J. Engel: Kratkij muzykal'nyj slovar’. Moscow: P. Jurgenson, 1907, p. 12.
- 2.Musicarussica.com: Nikolai Bakhmetev
- 3.P. I. Tchaikovsky, Letter to Nadezhda Filaretovna von Meck, 13 June 1879, in Modest Tschaikowsky: Das Leben Peter Iljitsch Tschaikowsky's [The Life of Peter Ilich Tchaikovsky]. P. Moscow/Leipzig: P. Jurgenson, 1901, p. 49.
- 4.Maria Junko Matsushima, “St. Nikolai of Japan and the Japanese Church Singing”.
References
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
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