Alexei Lvov

Alexei Lvov studied at St. Petersburg State Transport University. The recorded working language is Russian. Subjects and genres recorded for the work are opera. Distinctions recorded are Order of Saint Anna, 1st class, Order of Saint Stanislaus, 1st class, Order of St.

• Name — Alexei Fyodorovich Lvov • Born — 5 June 1798 • Birthplace — Reval, Russian Empire • Died — 28 December 1870 • Place of death — Romainiai, Kovno Governorate, Russian Empire • Resting Place — Pažaislis Monastery, Kaunas • Occupation — * Army officer • violinist • composer • conductor

Lvov was born into a family which was very interested in music. He was the son of Feodor Petrovich Lvov, who was Maestro of the Imperial Chapel in St Petersburg from 1826 to 1836 (having succeeded Bortniansky). Lvov codified the traditional Russian liturgical musical style called "Obikhod," which is the standard repertory of most Russian Orthodox churches in the world. It is a simple style. These melodies were later edited and improved by Bakhmetev. Alexei Fyodorovich began violin lessons at a very young age and performed regularly in concerts given at his home: for instance, at 9 he was the soloist in a performance of a violin concerto by Viotti. Although he had a number of teachers in his youth, from the age of 19 onwards he began to study independently, seeking to develop his own personal style through careful attention to the works of such celebrated violinists as Corelli, Tartini, Viotti, Kreutzer, Rode and Paganini. He nevertheless continued to study composition formally under the supervision of I. G. Miller (who was also one of the teachers of Glinka). Outside the world of music, his general education had a technical emphasis. In 1818, he completed his studies at the Institute of Communications, and embarked on a career as a civil engineer in the Imperial Army, eventually attaining the rank of general. In 1828, he was appointed Aide-de-camp to Tsar Nicholas I. Lvov formed a string quartet in St Petersburg, and organised weekly concerts at his private residence, which were attended by members of high society. At these concerts it was quite usual for there to be guest performances by distinguished musicians who were visiting the Russian capital; among these were Liszt, Robert and Clara Schumann, and Berlioz. His quartet undertook a number of tours in Europe, where Lvov was able to perform to public audiences (in his home country he was able to play only to private audiences owing to his elevated social rank). He also counted Mendelssohn, Meyerbeer and Spontini amongst his personal friends. In 1837, Lvov succeeded his father as Maestro of the Imperial Chapel, remaining in the position until 1861. In 1850, he founded the Russian Concert Society (Русское концертное общество), which was among the pioneers of symphonic concerts in Russia. In 1867, with the onset of deafness, he was obliged to withdraw from musical activity. As a composer, Lvov's style was eclectic. He combined the traditions of Russian musical culture with strong Italian and (especially) German influences. Lvov was married, and had a son and two daughters. • Illustration — Alexei Lvov's grave at Pažaislis Monastery in Kaunas, Lithuania. He was entombed in the Pažaislis Monastery, Kaunas (Lithuania).

The authorities additionally record the headings Alexis von Lwoff, Alexei Fyodorovich Lvov, Alexey Lvov and Alexei Fedorowitsch Lvov. His recorded language was Russian. His recorded confession was Eastern Orthodox Church. He was the child of Fjodor Petrovič Ľvov and Nadezhda Ilyinichna Lvova.

Alexei Lvov is recorded as having received Order of Saint Anna, 1st class, Order of Saint Stanislaus, 1st class and Order of St. Vladimir, 4th class.