Mikhail Ivanovich Belsky
Mikhail Ivanovich Belsky (1753 — 29 May 1794) was a Russian painter, active in St. Petersburg during Catherine the Great's reign, commonly known for his portraits.
Mikhail Ivanovich Belsky

Mikhail Ivanovich Belsky · former image source [1] · Public domain
- Born
- 1753 · Saint Petersburg.
- Died
- 1794 · Saint Petersburg.
- Nationality
- Russian Empire
- Occupation
- painter
- Fields
- portrait
- Education
- Imperial Academy of Arts · Royal Academy of Arts
- Teachers
- Jean-Baptiste Greuze
- Known for
- Dmitry Bortniansky
- Honours
- Large gold medal of the Imperial Academy of Arts
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Authority files
wikidata · Q56750840 · wikipedia · Mikhail Ivanovich Belsky
In this article
Biography
Mikhail Ivanovich Belsky studied at Imperial Academy of Arts and Royal Academy of Arts. Training under Jean-Baptiste Greuze is recorded. Subjects and genres recorded for the work are portrait. Works named in the authority record are Dmitry Bortniansky. Work by Mikhail Ivanovich Belsky is recorded in the collections of Tretyakov Gallery. Distinctions recorded are Large gold medal of the Imperial Academy of Arts.
• Illustration — Mr. Baudouin with Academical Pupils, 1773; Russian Museum, acquired in 1910 • Illustration — Dmitry Bortniansky, signed and dated 1788; Tretyakov Gallery, acquired by Pavel Tretyakov in 1896 His father, Ivan Ivanovich Belsky, was a history painter and Academician at the Imperial Academy of Arts. In 1770, the Academy awarded him a silver medal for his outstanding classwork. His primary instructors there were Anton Losenko and Dmitry Levitzky. In 1773, together with the fellow alumni, engraver Gavriil Skorodumov, he was awarded a travel grant to study abroad, in London. They received 300 Rubles per year, and letters of recommendation. When they arrived, they were placed under the patronage of Count Alexei Semyonovich Musin-Pushkin, the Russian Envoy. Classes at the Royal Academy of Arts were open to them, they were able to copy the Old Masters, attend lectures and travel throughout the provinces. In 1776, they were scheduled to continue their travels, but Skorodumov chose to remain in London. Belsky went to Paris and became a student of Joseph Duplessis, at his father's expense. Very little is known of his life beyond that point, except that he returned to Russia and worked as a portrait painter in St. Petersburg; in 1787, he was elected an Academician Canditate for his portrait, likely lost, of historian Alexei Ivanovich Musin-Pushkin. Few of his paintings have been identified with any certainty and most are believed to be in the possession of their subject's families. As of the early 21st century, Belsky's surviving body of work consists of only a small number of works present in public museums across post-Soviet nations. Among these, the 1788 portrait of composer Dmitry Bortniansky, in the Tretyakov Gallery, is the most notable, for it was acquired by Pavel Tretyakov. The Russian Museum, St. Petersburg holds Belsky's diploma work of 1773, the portrait of the certain Baudouin with two academical pupils, as well as some drawings from academical years. In Kyiv, the Picture Gallery, Kyiv owns a large painting of the siege of Ochakov, signed and dated 1794, reported to be a loose copy after the 1790 piece by Francesco Casanova.

Mikhail Ivanovich Belsky, Михаил Бельский - Портрет Дмитрия Бортнянского
Mikhail Ivanovich Belsky

Выполнен по заданной 24 января 1773 программе «написать поколенный портрет учителя при двух воспитанниках первого и третьего возраста во упражнении учения Истории и Географии и представить учителя сидящего и упражняющегося в истолковании наук третьему возрасту. А мальчику первого возраста быть в объятии одной руки учительской с подражательным и внимательным лицом». После награждения автора большой
Mikhail Ivanovich Belsky (1753–1794) · Портрет учителя истории и географии Бодуэна с двумя воспитанниками Академии художеств первого и третьего возраста - Виртуальный Русский музей Template:Ref-ru
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Botkina, Aleksandra P. Павел Михайлович Третьяков в жизни и искусстве. Iskusstvo. 213, 334. 1995. 5-210-01313-8.
- 2.Profile of М. I. Belsky @ the Russian Academy of Arts.
- 3.Biography from the Русский биографический словарь @ Russian WikiSource
- 4.A claim of Belsky working under Jean-Baptiste Greuze, first brought by the Polovtsov Dictionary author and later found in subsequent sources, is not to be believed.
- 5.Grabar, Igor E. Моя жизнь: Автомонография. Этюды о художниках. Respublika. 359, 361. 2001. 5-250-01789-4.
- 6.Tretyakov Gallery. Живопись XVIII века. 2. pp. 56–57; cat. no. 43. 2015. 978-5-89580-077-5.
- 7.Andreyeva, Galina B. Русско-английские связи в области живописи второй половины XVIII — первой трети XIX века. Moscow State University. 1998.
- 8.Milner, John. A Dictionary of Russian and Soviet Artists, 1420–1970. Antique Collectors' Club. 70. 1993. 1-85149-182-1.
- 9.Tyurina, Nataliya A. Bel'skij (Belski; Bjelsky). Allgemeines Künstlerlexikon. Saur. 8. 546. 1994. 3-598-22748-5.
Bibliography printed in the source article · 5
- Petrov, Pyotr N. Сборник материалов для истории Императорской Санкт-Петербургской академии художеств за сто лет ее существования. Gogenfelden and Co. 1. 126, 132, 133, 296, 297. 1864. 676719786.
- Cross, Anthony Glenn. "By the Banks of the Thames": Russians in Eighteenth-Century Britain. Oriental Research Partners. 211, 212, 213, 217, 218, 219, 306. 1980. 0-89250-085-9.
- Moiseyeva, Svetlana V. Художники Бельские. Palace Editions. 2019. 978-5-93332-666-3.
- Nikulina, N. I. «Портрет учителя с учениками» и его автор. Iskusstvo. Iskusstvo Publishing House. 51–54. May 1969.
- Iskusstvo. Бельский, Михаил Иванович. Художники народов СССР. 1. 352. 1970.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
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