Mary Sargant Florence
Emma Mary Sargant Florence (21 July 1857 – 14 December 1954) was a British painter of figure subjects, mural decorations in fresco and occasional landscapes in watercolour and pastel.
Also recorded as Mary Sargant · Miss Mary Sargant · Mary Florence · Mary Florence (nee Sargant)
Mary Sargant Florence

Public domain
- Name
- Mary Sargant Florence
- Birth Name
- Emma Mary Sargant
- Born
- 21 July 1857
- Birthplace
- London, United Kingdom
- Died
- 14 December 1954
- Place of death
- Twickenham, United Kingdom
- Education
- Slade School of Art
- Occupation
- Painter, suffragette
- Nationality
- United Kingdom
- Fields
- painting
- Movements
- Arts and Crafts movement · Society of Painters in Tempera
- Languages
- English
VALÉORINE Encyclopedia
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Documentary summary
Emma Mary Sargant Florence (21 July 1857 – 14 December 1954) was a British painter of figure subjects, mural decorations in fresco and occasional landscapes in watercolour and pastel.
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Note VALÉORINE
Mary Sargant Florence (1857–1954) was a British illustrator, painter and suffragette, among other activities. Born in London, the illustrator died in Twickenham.
Mary Sargant Florence studied at Slade School of Fine Art. The illustrator was active in painting. Mary Sargant Florence was associated with Arts and Crafts movement and Society of Painters in Tempera.
Languages used include English. Works by the illustrator are held at National Gallery and Tate.
Composed from admitted, traceable facts · 27 September 2026
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Documentary evidence
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wikidata · Q6780677 · wikipedia · Mary Sargant Florence
In this article
Key facts
Key facts
• Name — Mary Sargant Florence • Birth Name — Emma Mary Sargant • Born — 21 July 1857 • Birthplace — London, United Kingdom • Died — 14 December 1954 • Place of death — Twickenham, United Kingdom • Education — Slade School of Art • Occupation — Painter, suffragette
Biography
Biography
• Illustration — A badge of the Women's Tax Resistance League, with the slogan "No vote, no tax", as designed by Margaret Sargant Florence Emma Mary Sargant was born in London. Her father was Henry Sargant, a barrister, and her mother was Catherine Emma Beale. Her siblings included the judge Charles Henry Sargant, the botanist Ethel Sargant, the headmaster Walter Lee Sargant and the sculptor Francis William Sargant. She studied in Paris under Luc-Olivier Merson, and, at the Slade School under Alphonse Legros. She was a member of the New English Art Club and the Society of Painters in Tempera. In 1888, she married Henry Smyth Florence, an American musician. They had two children: Philip Sargant Florence, the economist, and Alix Strachey, the psychoanalyst and translator of Freud. She lived in Nutley, New Jersey in a carriage house that became a studio used by other local artists. After her husband drowned in 1891, she moved to Marlow, Buckinghamshire, and had her house, "Lord's Wood" (1899–1900), built, where she lived until 1940. The interior has been altered but was originally designed to have bare brick walls, no doors and no plumbing. She is known for her works Children at Chess (c.1903), Suffer Little Children to Come unto Me (1913) and Pentecost (c.1913). She painted true fresco decorations at the Old School, Oakham, Rutland (c.1909–14), and at Bournville Junior School near Birmingham (1912–14). Her frescoes at Oakham School were commissioned by the headmaster, her brother Walter Lee Sargant, and illustrate the Arthurian story of Gareth. She was a suffragist, a supporter of the Women's Tax Resistance League, and a member of the committee for the Hague Peace Congress of 1915. With the Cambridge scholar and editor Charles Kay Ogden, she published the book Militarism versus Feminism (1915) which argued that women had the prerogative and responsibility to combat international militarism. It traced the historical connections between and among militarism, imperialism, slavery, and women's subjection. Militarism, it argued, was the predominant factor in the political, economic, and sexual subjugation of women across a wide swath of human history and the late emergence of demands for women's rights. In 1940, she wrote Colour Co-Ordination, a work on the history, theory and aesthetics of colour. She edited two volumes of the papers of the Society of Painters in Tempera. She died at Twickenham, Middlesex.
Identity and origins
Identity and origins
Her recorded language was English. She married Henry Smythe Sargant-Florence. 2 children are recorded: Alix Strachey and Philip Sargant Florence.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1857
Mary Sargant Florence born at London.
1954
Mary Sargant Florence died at Twickenham.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
London.
Birth place
Twickenham.
Death place
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q6780677: Mary Sargant Florence
Scholarly · Wikimedia Foundation
reference work
- “Mary Sargant Florence”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Frances Spalding. 20th Century Painters and Sculptors. Antique Collectors' Club. 1990. 1-85149-106-6.
- 2.Chlak, Victoria. "Nutley opinion: Artist's work shows up across the pond", Nutley Sun, March 31, 2016. Accessed July 31, 2019. "The Enclosure was known for being an artists' colony during the years, but it wasn't the only place in town that has been the home of painters and 'etchers.' Several blocks away, tucked almost out of view on Vreeland Avenue, sits a tiny carriage house that served as a studio for many Nutley artists.... In the late 1800s, an Englishwoman named Mary Sargant Florence was the first artist to live there."
- 3.1332156. Lord's Wood.
- 4.The quest for the Grail: Arthurian legend in British art, 1840-1920 (pp. 68-69) by Christine Poulson
- 5.Sharon Ouditt. Fighting forces, writing women: identity and ideology in the First World War, Routledge, 1993
- 6.C.K. Ogden and Mary Sargant Florence. Militarism versus Feminism: An Enquiry and a Policy Demonstrating that Militarism involves the Subjection of Women, London: Allen and Unwin, 1915
- 7.Ogden and Florence, "Militarism versus Feminism"
- 8.M. Sargant Florence. Colour Co-ordination, London: John Lane, 1940
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q6780677: Mary Sargant FlorenceWikimedia Foundation
Institutional witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Mary Sargant Florence worked in painting. Her work is associated with Arts and Crafts movement and Society of Painters in Tempera. Recorded as illustrator, painter, writer and suffragette.
Career and activity
Children at Chess
1903 · National Gallery
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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