Martha Pfannenschmid
Martha Pfannenschmid (1900–1999) was a Swiss illustrator. A secretary, laboratory assistant, and technical aide at the Institute of Forensic Medicine at the University of Basel, she later became known for her illustrations for the children's books, Heidi and Pinocchio.
Martha Pfannenschmid

Armin und Käthi Wolf-Zahnd, CH-Oberwil BL · Universitätsbibliothek, NL 283 (Nachlass Martha Pfannenschmid), E 1, Bl. 1r · CC BY-SA 4.0
- Name
- Martha Pfannenschmid
- Born
- 22 March 1900
- Birthplace
- Basel, Switzerland
- Died
- 27 March 1999
- Place of death
- Basel
- Known for
- Book illustrations
- Nationality
- Switzerland
- Occupation
- painter · draftsperson · textile artist · illustrator
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Martha Pfannenschmid (1900–1999) was a Swiss illustrator. A secretary, laboratory assistant, and technical aide at the Institute of Forensic Medicine at the University of Basel, she later became known for her illustrations for the children's books, Heidi and Pinocchio.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Martha Pfannenschmid (1900–1999) was a draftsperson, illustrator and painter, among other activities, of Swiss nationality. The draftsperson was born and died in Basel. Martha Pfannenschmid worked in Basel.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Martha Pfannenschmid. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q28025984 · wikipedia · Martha Pfannenschmid
In this article
Key facts
Key facts
• Name — Martha Pfannenschmid • Born — 22 March 1900 • Birthplace — Basel, Switzerland • Died — 27 March 1999 • Place of death — Basel • Known for — Book illustrations
Early life and education
Early life and education
Pfannenschmid was born on 22 March 1900, in Basel, Switzerland and spent most of her life in that city. Her mother was born Ida Tschumi, from Wolfisberg in the Canton of Bern. Her father, Amadeus Rudolf Pfannenschmid, came from an old Basel family and worked for the finance department of the canton of Basel-Stadt. He was the son of a well-known Basel frame maker and gilder. In his youth, he had stayed at the Nymphenburg Palace in Munich, Germany because the King of Bavaria admired his drumming skills. Pfannenschmid's elder sister died of diphtheria in 1905. She also had a brother. After her father's death in 1923, when he drowned himself in the river Rhine, her mother remarried twice more, which strained the relationship between mother and daughter. Pfannenschmid developed a talent for drawing and painting at an early age, which her father encouraged. She attended the Basel School of Applied Arts and received training in graphic design, art, and modelling. As part of her studies, she spent an extended period in Tuscany, which also influenced her later illustrations.
Career
Career
She was supported and inspired by friendships with painters such as Werner Neuhaus and Niklaus Stoecklin, along with Stoecklin's wife and daughter. Her interests included the poetic, humanistic, and scientific works of the German writer, Johann Wolfgang von Goethe and of the Austrian philosopher, Rudolf Steiner. She sketched theatrical performances staged at the Goetheanum in Dornach, Switzerland. With a strong connection to Basel, she also created sketches of the Basel Carnival. Close ties to her hometown are also evident in her later illustrations. Pfannenschmid initially specialised in microscopic drawing at the Zoological Institute of Basel University, working with the Swiss zoologist, Adolf Portmann. Between 1925 and 1960 she was employed at the Institute of Forensic Medicine of the university, where she created large-format lecture charts (approximately 1.50 × 3.50 metres), which were used to teach students the fundamentals of forensic medicine. Coverage of the 53 teaching charts included blunt and sharp force trauma, traffic accidents, gunshot wounds, death by electrocution, burning, poisoning, drowning, hanging, infanticide and abortion, as well as blood sampling, bloodstains, coagulation, vasoconstriction, sperm and blood alcohol content, and the structure of an expert report. These schematic representations made it possible to avoid the information overload provided by photographs, and ideal cases rather than individual cases could be discussed in classes. For the Institute of Pathology at the University of Basel, Pfannenschmid also drew microscopic slides that were reproduced in textbooks. • Illustration — Pfannenschmid celebrating her 90th birthday
Exhibitions
Exhibitions
Pfannenschmid's work has been shown in various exhibitions in Switzerland including at the Kunsthalle Basel, as well as outside Switzerland. In early 1937, her work was among those shown at Les femmes artistes d'Europe, the international exhibition of art by women held at the Jeu de Paume in Paris. On the occasion of her 80th birthday in 1980, her work was exhibited at the Galerie Münsterberg and, to celebrate her 90th birthday, it was exhibited at the University Library of Basel, which displayed her illustrations for Heidi and Pinocchio. These and other works are part of her estate held in the university library. Other works are in public collections, in the collections of major corporations, and in private hands.
Death
Death
Pfannenschmid died on 27 March 1999 in Basel. She was buried in the Hörnli cemetery.
Book Illustrations
Pfannenschmid worked on a part-time basis as a book illustrator for various publications and children's books. From 1929 to 1951, she illustrated the children's supplement of the National Zeitung, known as Der kleine Nazi (The Little Nazi), most of which survives in her estate. The name had nothing to do with national socialism but reflected the slang term for the National Zeitung in Basel. She also created illustrations for the Schweizerischer Beobachter (Swiss Observer) and the Gute Schriften (Good Writings). She also worked artistically for the Swiss Youth Literature Foundation. From 1939 to 1945, she illustrated children's books by Johanna Spyri, including the Heidi books and Moni der Geissbub (Moni the Goat Boy). In Heidi, Pfannenschmid's illustrations were delicately watercoloured. Her drawings of the Swiss Alpine child with dark, curly hair and rosy cheeks shaped the image of Heidi around the world and even inspired the 1974 Japanese anime series. After retiring in 1960, she also illustrated the children's story Pinocchio by the Italian writer Carlo Collodi, among other activities. These illustrations show a brightening of her colour palette and an increase in expressiveness. The illustrations for both the Heidi books and Pinocchio were drawn in a small format (16 × 12.5 cm) so that they could be printed at their original size to preserve quality. For the illustrations of Pinocchio, Pfannenschmid drew, among other things, on the drawings she had made in Italy.
Primary material
Documents and archives
reference work
- “Martha Pfannenschmid”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q28025984: Martha Pfannenschmid
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Martha Pfannenschmid. Weber Verlag AG.
- 2.Vuilleumier, Ruth. Zeichnungen von Leben und Tod. Senior Web.
- 3.Lehninger, Anna. Heidi, Pinocchio und der Tod: die Bilderwelt von Martha Pfannenschmid (1900–1999). Schwabe Verlag. 160. September 2024. 978-3-7965-5169-7.
- 4.Die Illustratorin Martha Pfannenschmid und ihre rechtsmedizinischen Vorlesungstafeln. University of Basel.
- 5.Musée du Jeu de Paume. "Les Femmes Artistes d'Europe exposent au Musée du Jeu de Paume" : catalogue d'exposition, Paris, Jeu de Paume des Tuileries, février 1937. February 1937.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Marla FrazeeIllustrator
- Marlene ReidelIllustrator
- Marshall ArismanIllustrator
- Marshall RogersIllustrator
- Martha RichlerIllustrator
- Martha Van CoppenolleIllustrator
- Martial RaysseIllustrator
- Martin BayntonIllustrator
Best supported in this field
For owners
Own a work by Martha Pfannenschmid?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.