Marshall Arisman
Marshall Arisman (October 14, 1938 – April 22, 2022) was an American illustrator, painter, storyteller, and educator.
Marshall Arisman
- Name
- Marshall Arisman
- Born
- 1938
- Education
- San Francisco Art Institute (1988–1991)
- Occupation
- Painter
- Known for
- Labor-intensive oil painting; layered sanding technique
- Died
- 2022
- Nationality
- United States
- Fields
- painting · graphic design · illustration · advertising
- Languages
- French · English
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Marshall Arisman (October 14, 1938 – April 22, 2022) was an American illustrator, painter, storyteller, and educator.
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wikidata · Q6773474 · wikipedia · Marshall Arisman
In this article
Biography
Biography
Marshall Arisman studied at Pratt Institute. The recorded working language is French and English. The field of work recorded is painting, graphic design and illustration. Work by Marshall Arisman is recorded in the collections of Smithsonian American Art Museum and National Portrait Gallery.
Key facts
Key facts
• Name — Marshall Arisman • Born — 1938 • Education — San Francisco Art Institute (1988–1991) • Occupation — Painter • Known for — Labor-intensive oil painting; layered sanding technique
Biography
Biography
Arisman was born in Jamestown, New York, on October 14, 1938, where he grew up on a dairy farm. He studied advertising art at the Pratt Institute, graduating in 1960. He received an Ida Gaskell Grant to travel and study in Europe after graduating. He completed military service, then began his career as a graphic designer, working for General Motors.
Career
Career
While working as a graphic designer for General Motors, Arisman took evening courses in figure drawing. He went on to produce illustrations for major American periodicals including The New York Times, Mother Jones, The Nation, OMNI, Time, and Penthouse. He has also illustrated books, including Fitcher's Bird (1983), and Frozen Images (1974), published by Visual Arts Press. Arisman created a multimedia installation work titled The Last Tribe (2009). An exploration of the theme of nuclear annihilation, the work incorporates painting, sculpture, and video. The video can be viewed online. Arisman's paintings have been exhibited in a number of one-man shows in the United States, Europe, and Japan. Permanent collections that include Arisman's paintings include the Brooklyn Museum, the Smithsonian, and the Museum of American Art. His show Sacred Monkeys was the first American exhibit to be shown in Mainland China, and his work is included in a permanent collection in China. More recently, he has exhibited the Ayahuasca Series, a series of oil paintings, which is in part based on the religious rituals of the Quechua people. His Ayahuasca Series was on exhibit at the Zadok Gallery in Miami, Florida, from January 1 to May 1, 2012. Arisman released an album of his own stories, Cobalt Blue, in 2008. He was chair of the degree program "Illustration as Visual Essay" at the School of Visual Arts in New York City.
Identity
Identity
Marshall Arisman is recorded as painter, graphic artist, illustrator, pedagogue and advertising person.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1937
Marshall Arisman born at Jamestown.
2022
Marshall Arisman died.
Publications
Arisman has published several books, including: • Frozen Images (1973) • Art of the Times • Artists' Christmas Cards • Images of Labor • Fitcher's Bird • The Wolf Who Loved Music (2003) • Heaven Departed • The Cat Who Invented Bebop (2009) • Divine Elvis • A Postcard from Lilydale Arisman has also co-authored Inside the Business of Illustration and co-edited The Education of an Illustrator, Teaching Illustration.
Themes and influences
Violence and predation are central themes in many of Arisman's works. His early work, Frozen Images (1974), was a reflection on "personal, environmental, and media-driven" violence. Arisman's illustrations and paintings are characteristically dark, expressionistic depictions of figures in tortured postures; torn flesh, blood, and violent force recur throughout his works, depicted with smeared brush strokes against black shadowy backgrounds. Other works, such as Charging Buffalo (2008), while remaining expressionistic in style, are less menacing, and may be interpreted as reflections on primal connections with the environment and with a regenerative life force. As influences, he has cited André François, Goya, Velázquez, Francis Bacon, Lucian Freud, and primitive art. In his illustration work, Arisman approaches each piece without making a distinction between commercial or fine art. The barrier is one that he has been confronted with throughout his career: "the fine art world stigmatizes people for illustrating [...] Every gallery tells me to quit illustration".
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.In Remembrance: Marshall Arisman (1938 – 2022)
- 2.Kraus, Jerelle. All the art that's fit to print (and some that wasn't): inside the New York Times op-ed page. Columbia University Press. 29. 2009. 9780231138246.
- 3.Souter, Nick and Tessa. The Illustration Handbook: A guide to the world's greatest illustrators. Oceana. 288. 2012. 9781845734732.
- 4.Marshall Arisman, Youtube. The Last Tribe.
- 5.Omni Publications International. The Marshall Arisman Exhibition.
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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