Kanō Masanobu
Kanō Masanobu was a Japanese painter. He was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas.
Also recorded as Masanobu · Hakushin · Shōgen · Yūsei
Kanō Masanobu

Attributed to Kanō Masanobu · The Japanese book "Nichiren, art and belief", Sankei Shimbun-sha, 2003 · Public domain
- Name
- Kanō Masanobu
- Born
- c. 1434
- Died
- c.
- Occupation
- Painter
- Known for
- Founder of the Kanō school
- Nationality
- Japan
- Movements
- Kanō school
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Documentary summary
Kanō Masanobu was a Japanese painter. He was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas.
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Note VALÉORINE
Kanō Masanobu (1434–1530) was a Japanese painter. Born in Kazusa Province, the painter died in Kyoto. Kanō Masanobu was associated with Kanō school. Works include Zhou Maoshu Admiring Lotuses.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q28931 · wikipedia · Kanō Masanobu
In this article
Key facts
Key facts
• Name — Kanō Masanobu • Born — c. 1434 • Died — c. August 2, 1530 (aged 95–96) • Occupation — Painter • Known for — Founder of the Kanō school • Relatives — Kanō Muneshige (ancestor) • Illustration — Zhou Maoshu Appreciating Lotuses, a hanging scroll by Kanō Masanobu
Life and work
Life and work
Masanobu's father had been a samurai and amateur artist named Kanō Kagenobu. Masanobu would start the line of professional artists of the Kanō family. As an artist, Masanobu, like many in his day, was influenced by the priest-painter Tenshō Shūbun, and some sources indicate that he may have received the bulk of his artistic education under Shūbun. Masanobu worked in the suiboku ink and wash style, derived from Chinese painting, but brought a Japanese touch to the style with more defined forms. Very few of his works survive with Zhou Maoshu Appreciating Lotuses being an exception. Kanō Masanobu would serve the Ashikaga shogunate as an official painter (御用絵師, goyō eshi), succeeding Sōtan to the post. Although Masanobu's father was a samurai, the family was provincial and therefore he did not hold a court rank. Instead of a rank, he had gained his position in service due to a mix of both achievement and social capital. This led to some criticism as aristocrat Shūzan Tōki expressed disdain towards Masanobu stating he was not a "born court painter." • Illustration — Shogun Ashikaga Yoshihisa • Illustration — Landscape, Kyushu National Museum • Illustration — Landscape, Kyushu National Museum
Genealogy
Genealogy
Masanobu is said to be a descendant of Kanō Muneshige, a samurai of the Kamakura period of the Kanō clan, through his father, Kanō Kagenobu. Through this lineage, Masanobu would descend from the Fujiwara clan through the Kudō clan.

Kanō Masanobu, Ashikaga Yoshihisa
Kanō Masanobu · The Japanese book "Kanō Masanobu, Motonobu (Nihon Bijutsu Kaiga Zenshū, vol.7)", Shuei-sha, 1978

Landscape by Kanō Masanobu, Kyushu National Museum
Kanō Masanobu · http: d-archive.kyuhaku.jp/da/collection/info/id/2/
Legacy
The Kanō school would maintain its dominance as the dominant painting style for over 400 years from Masanobu's time up through the Meiji Restoration (1868). However, the school's style is neither purely nor mainly Masanobu's legacy, as the distinct Kanō style is linked more to Masanobu's son Kanō Motonobu, who took over as head of the school after Masanobu.
Primary material
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reference work
- “Kanō Masanobu”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q28931: Kanō Masanobu
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Art, Authors: Department of Asian. The Kano School of Painting | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History. The Met’s Heilbrunn Timeline of Art History.
- 2.The Art and Architecture of Japan, edited by Robert Treat Paine and Alexander Coburn Soper, pp 177–180 and 205
- 3.Phillips, Quitman E. The Practices of Painting in Japan, 1475-1500. Stanford University Press. January 2, 2000.
- 4.Deal, William E. Handbook to Life in Medieval and Early Modern Japan. Oxford University Press. 292. January 2, 2007.
- 5.Shizuoka Prefectural Museum of Art. 狩野派の巨匠たち. 開館三周年記念展. 39. 1989.
- 6.Toyoda, Takeshi. 家系. 東京堂出版. 293. 1993.
- 7.Agency for Cultural Affairs Tokyo / Kyoto / Nara National Museum. 日本の美術 第 13~18 号. 至文堂. 95. 1967.
- 8.Ota, Akira. 姓氏家系大辞典 第1巻. 姓氏家系大辞典刊行会. 1618. 1934.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Paintings
18,717 published records in this field, each with its sources named.
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