John Walker
John Walker (born 1939) in Birmingham, England is a painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." He currently lives in Maine.
Also recorded as John II Walker · John III Walker · John Walker (1939-) · John II. Walker
John Walker
- Born
- John Walker was born on 12 November 1939. · Birmingham.
- Nationality
- United Kingdom
- Occupation
- painter · artist · draftsperson · printmaker
- Movements
- contemporary art
- Education
- Birmingham Institute of Art and Design · Académie de la Grande Chaumière · Birmingham School of Art · Moseley School of Art and Balsall Heath
- Languages
- English
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Documentary summary
John Walker (born 1939) in Birmingham, England is a painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." He currently lives in Maine.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q324571
In this article
Education and early work
Education and early work
John Walker studied at Birmingham Institute of Art and Design, Académie de la Grande Chaumière and Birmingham School of Art. The recorded working language is English. Places of work recorded in the authority are London, Leeds and Bedford. Employment is recorded with Boston University. Work by John Walker is recorded in the collections of Auckland Art Gallery, Museum of Modern Art, Tate, National Gallery of Victoria and Smithsonian American Art Museum.
Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionism and post-painterly abstraction, and often combined apparently three-dimensional shapes with "flatter" elements. These pieces are usually rendered in acrylic paint.
Career
Career
In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Édouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage – the application of glued-on, separately painted patches of canvas to the main canvas (see the external link below for an example and image). After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker taught painting and was the head of the graduate painting program at Boston University from 1992 -2015. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985.
Life and work
Life and work
John Walker was born on 12 November 1939 in Birmingham. Walker held the nationality of United Kingdom. Walker was educated at Birmingham Institute of Art and Design, Académie de la Grande Chaumière, Birmingham School of Art and Moseley School of Art, Balsall Heath. Walker worked as painter, artist, draftsperson and printmaker, and the authority record catalogues a further 1 occupations under the same name, among them graphic artist. Walker worked in London, Leeds and Bedford. Walker was employed by Boston University. Walker worked in English. Walker is placed by the collections within contemporary art.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
John Walker was born at Birmingham.
Birthplace
Birmingham.
Birth place
Catalogued output
Writings and published texts
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The run opens with Hints for improvement in the art of reading and closes with Extracts from two unpublished letters of Linnaeus. The 1820s are the densest part of the run, with 6 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
29 editions carry dates between 1783 and 1939
The entries follow Open Library
Hints for improvement in the art of reading
1783
A Rhetorical Grammar
1785
The Young gentleman and lady's monitor, and English teacher's assistant
1790
A catalogue of a good collection of books lately purchased.. Which are now selling, 1792, (for ready money)
1792
A critical pronouncing dictionary, and expositor of the English language
1797
A key to the classical pronunciation of Greek, Latin, and Scripture proper names, dated 1807. [A Selection] of parliamentary debates, orations, odes scenes, and speeches from the best writers
1808
The teacher's assistant in English composition; or, Easy rules for writing themes and composing exercises on subjects proper for the improvement of youth of both sexes at school
1808
Elements of elocution
1811
Scott's new lessons in reading and speaking
1816
The United States spelling book, with appropriate reading lessons
1818
The complete catalogue · 24
29 editions carry dates between 1783 and 1939
The entries follow Open Library
Hints for improvement in the art of reading
1783
A Rhetorical Grammar
1785
The Young gentleman and lady's monitor, and English teacher's assistant
1790
A catalogue of a good collection of books lately purchased.. Which are now selling, 1792, (for ready money)
1792
A critical pronouncing dictionary, and expositor of the English language
1797
A key to the classical pronunciation of Greek, Latin, and Scripture proper names, dated 1807. [A Selection] of parliamentary debates, orations, odes scenes, and speeches from the best writers
1808
The teacher's assistant in English composition; or, Easy rules for writing themes and composing exercises on subjects proper for the improvement of youth of both sexes at school
1808
Elements of elocution
1811
Scott's new lessons in reading and speaking
1816
The United States spelling book, with appropriate reading lessons
1818
A critical pronouncin dictionary and expositor of the English language
1823
Cobb's spelling book
1825
A critical pronouncing dictionary
1830
An American dictionary of the English language
1831
The New Testament of our Lord and Saviour Jesus Christ
1836
A new critical pronouncing dictionary and expositor of the English language
1841
A universal and critical dictionary of the English language
1846
A rhyming dictionary
1851
The rhyming dictionary of the English language, in which the whole language is arranged according to its terminations
1888
The rhyming dictionary of the English language
1899
Johnson's English dictionary
1910
Extracts from two unpublished letters of Linnaeus
1939
Paintings, drawings and prints, 1965–1999
Catalogued output
Paintings, drawings and prints, 1965–1999
These are objects catalogued as visual works, each held or recorded by the institution named against it. 67 works carry dates between 1965 and 1999. The 1970s are the densest part of the run, with 28 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 81 titles in all, from 1965 to 2008. A selection is set out below and the complete run may be opened beneath it.
The run opens with Study and closes with The Witness
Study
1965
Anguish
1965
Tense Study 1
1966
Shelter
1967
Tense
1967
Lesson I
1968
Lesson II
1968
Three Reds
1968
Seven
1969
Touch
1970
Juggernaut II, 1973
1973
The complete catalogue · 60
The run opens with Study and closes with The Witness
Study
1965
Anguish
1965
Tense Study 1
1966
Shelter
1967
Tense
1967
Lesson I
1968
Lesson II
1968
Three Reds
1968
Seven
1969
Touch
1970
Juggernaut II, 1973
1973
Abstract Series 4*
1973
Abstract Series 3*
1973
Abstract Series 2*
1973
Abstract Series 5*
1973
Abstract Series 1*
1973
Abstract Series 6*
1974
For Hannah (Juggernaut Series)
1975
Untitled Collage (NYC No
5)
1975
NYC VIII
1975
Untitled 1975
1975
New Haven No
Untitled
1976
Hannah's Blues, 1976
1976
A Letter
1976
Study for Luke's blue
1976
NYC X
1976
Ostraca V
1976
Untitled (Oxford)
1977
Ostraca II
1977
Study VII
1977
Conservatory I / Manon
1978
Numinous VII
1978
Labyrinth II
1979
Labyrinth III
1979
The Shape and the Disgruntled Oxford Philosopher
1979
Roundout Alba III
1980
Study for Alba at Roundout II
1980
Kew
1980
Study for Martyr II
1981
Red Strand Infanta II
1981
Cultures Oceania VII
1982
Study for Oceania
1982
The Form..Skull..The Fall
1982
Oceania - My Dilemma
1983
Conversation
1984
Kata Tjuta No
Provincetown #1
1992
Serenade
1994
Passchendaele 1
1996
The Blue Cloud (polyptych, panel 15 of 15)
1996
The Blue Cloud (polyptych, panel 4 of 15)
1996
The Blue Cloud (polyptych, panel 10 of 15)
1996
The Blue Cloud (polyptych, panel 5 of 15)
1996
The Blue Cloud (polyptych, panel 9 of 15)
1996
The Blue Cloud (polyptych, panel 6 of 15)
1996
The Blue Cloud (polyptych, panel 7 of 15)
1996
The Blue Cloud (polyptych, panel 14 of 15)
1996
A further 8 recorded entries stand behind this article and are held on the record.
Paintings, drawings and prints, 2000–2008
Catalogued output
Paintings, drawings and prints, 2000–2008
6 works carry dates between 2000 and 2008.
The run opens with October Low Tide, Maine and closes with North Branch
October Low Tide, Maine
2000
March Light
2001
16)
2001
Diagonal Hollyhocks
2003
North Branch
2008
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
8 further works are catalogued under Walker's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
The guardians - Centre and Ferrars
Carlton Infanta II. Form & Maprik
Form and gem
Exhibitions and collections
Exhibitions and collections
In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. Walker has a 2008 Landscape Painting on display at the National Gallery in Washington, D.C. in the Modern Section. He also has work in the following public collections: Ackland Art Museum, The University of North Carolina at Chapel Hill; Art Gallery of New South Wales, Sydney Australia; The Art Institute of Chicago, Illinois; Arts Council, England; Birmingham Museum and Art Gallery, England; The British Museum, London, England; City Art Gallery, Leeds Museums and Galleries, England; The Cleveland Museum of Art, Ohio; Farnsworth Art Museum, Rockland, Maine; Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Imperial War Museum, London, England; Irish Museum of Modern Art, Dublin; Iziko Museum of Cape Town, South Africa; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; The Fred Jones Jr. Museum of Art, University of Oklahoma, Norman; Joslyn Art Museum, Omaha, Nebraska; The Metropolitan Museum of Art, New York; Middlesbrough Institute of Modern Art, England; MIT-List Visual Arts Center, Cambridge, Massachusetts; Museum am Ostwall, Dortmund, Germany; Museum Neuhaus—Sammlung Liaunig, Austria; Museum of Contemporary Art, Chicago, Illinois; The Museum of Contemporary Art, Los Angeles; Museum of Fine Arts, Boston, Massachusetts; The Museum of Modern Art, New York; Brooklyn College Library, New York, National Gallery of Art, Washington, D.C.; National Gallery of Australia, Canberra; Neuberger Museum of Art, Purchase College, State University of New York; The Phillips Collection, Washington, D.C.; Portland Museum of Art, Maine; Scottish National Gallery of Modern Art Gallery, Edinburgh; Southampton City Art Gallery, England; Tate Gallery, London, England; Ulster Museum, Belfast, Northern Ireland; The University of Michigan Museum of Art, Ann Arbor; Victoria and Albert Museum, London, England; Virginia Museum of Fine Arts, Richmond; The Walker Art Gallery, Liverpool, England; Whitney Museum of American Art, New York; Yale Center for British Art, New Haven, Connecticut. In 2010, Walker had a solo exhibition at Tsinghua University in Beijing. John Walker monograph written by Catherine Lampert and Alex Bacon has been published by Thames & Hudson 2025.
Documents and archives
Primary material
Documents and archives
scholarly publication
- Walker, John, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
institutional register
- Wikidata, structured authority record Q324571: John Walker
General reference · Wikimedia Foundation
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.McQuaid, Cate. BU's abstract ace shows his stripes. Boston Globe. 3 December 2014.
- 2.Grimley, Terry. Art school draws on past strengths. The Birmingham Post. 22 May 2003.
- 3.John Walker » College of Fine Arts | Boston University.
- 4.Postel, Louis. Pigments of Imagination. New England Home Magazine. 2011-02-18.
- 5.Einspruch, Franklin. Abstract Romanticism on the Atlantic. The New Criterion. 2022-09-14.
- 6.MFA Painting College of Fine Arts. www.bu.edu.
- 7.John Moores Prize
- 8.Tate. Turner Prize 1985 artists: John Walker.
- 9.Channeling American Abstraction, Karen Wilkin, Wall Street Journal. Retrieved 7 October 2010
- 10.NY Times, exhibition review. Retrieved 15 December 2010
- 11.VISUAL ART CENTER-AADTHU. www.enad.tsinghua.edu.cn.
- 12.Making a Case for the Artist Abroad BU Today. Boston University.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Walker, John, Benezit Dictionary of Artists, 2011Crossref registry
Institutional witnessinstitutional register
Wikidata, structured authority record Q324571: John WalkerWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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