John Robinson Tait
John Robinson Tait (January 14, 1834 – July 29, 1909) was an American landscape painter, art critic, and travel writer. He spent many years in Germany, where he was associated with the Düsseldorfer Malerschule and the Munich School.
John Robinson Tait

G. A. Overbeck (firm) · Department of Image Collections, National Gallery of Art Library, Washington, DC •Catalog · Public domain
- Name
- John Robinson Tait
- Born
- 13 January 1834
- Birthplace
- Cincinnati, Ohio
- Died
- 29 July 1909
- Place of death
- Baltimore, Maryland
- Education
- Bethany College
- Movement
- Düsseldorfer Malerschule and the Munich School
- Nationality
- United States
- Occupation
- painter
Reference Check
Propose documentary evidence for John Robinson Tait. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q24695417 · wikipedia · John Robinson Tait
In this article
Key facts
Key facts
• Name — John Robinson Tait • Born — 13 January 1834 • Birthplace — Cincinnati, Ohio • Died — 29 July 1909 • Place of death — Baltimore, Maryland • Education — Bethany College • Notable Works — * Dolce Far Niente • European Life, Legend, and Landscape • Reminiscences of a Poet-Painter • Movement — Düsseldorfer Malerschule and the Munich School
Biography
Biography
John Robinson Tait was born in Cincinnati on January 14, 1834. He received his higher education at Bethany College, where he published a student magazine called The Stylus. In 1853, he made his first trip to Europe (primarily Italy) in the company of his teacher, William Louis Sonntag. He paid a short visit to Düsseldorf to see an old acquaintance, Worthington Whittredge. During his stay, he met Emmanuel Leutze and his student, fellow American William Washington, who encouraged Tait to study there. In 1855, he returned to the United States in the company of his childhood friend, Thomas Buchanan Read, whom he had met in Florence. Four years later, he wrote a book describing his experiences and, that same year, returned to Düsseldorf, where he remained until 1870 as a student of August Weber and Andreas Achenbach. He married Anna D. Tiernan in 1872. He worked with Rudolf Wiegmann at the Kunstakademie Düsseldorf and, between 1873 and 1876, took further lessons with Adolf Heinrich Lier in Munich. He took two trips to the United States during this time, in 1866 and the early 1870s, where he exhibited at the "Cincinnati Industrial Exposition" of 1871 and was awarded first prize. He eventually settled in Baltimore and wrote art criticism for the New York Evening Mail. Most of his extant paintings are in Europe. He died at his home in Baltimore on July 29, 1909.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Cincinnati.
Birth place
Baltimore.
Death place
Writings
• Dolce Far Niente, Parry and McMillan, Philadelphia 1859 (Poetry, Online) • European Life, Legend, and Landscape, James Challen & Son, Philadelphia 1859 (Online) • Reminiscences of a Poet-Painter. In: Lippincott's Magazine of Popular Literature and Science, XIX, 17, March 1877, pg.307 ff. (Memories of his friend, Thomas Read, Online)
Selected paintings
• Illustration — Torrent (date unknown) • Illustration — Nonnewerth at the Drachenfels (1866) • Illustration — Evening at the Lake Shore (1876)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article John Robinson Tait, revision 1366255663 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.John Robinson Tait: European Life, Legend, and Landscape. Philadelphia 1859, S. 93, 94 (Digitalisat)
- 2.John Robinson Tait: Reminiscences of a Poet-Painter. In: Lippincott’s Magazine of Popular Literature and Science, XIX, 17, März 1877, S. 308 ff., 320 (Digitalisat)
- 3.Bettina Baumgärtel, Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Verzeichnis der ausländischen Künstler und Künstlerinnen. Nationalität, Aufenthalt und Studium in Düsseldorf. In: Bettina Baumgärtel (Hrsg.): Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918. Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9, Band 1, S. 441
- 4.John Robinson Tait: Sanguinetto Battlefield of Trasimene, Webseite im Portal ashevilleart.org, abgerufen am 18. Juni 2016
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 26 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- John RadeckiArtist
- John RegisterArtist
- John Reinhard WeguelinArtist
- John RileyArtist
- John Roddam Spencer StanhopeArtist
- John Rogers CoxArtist
- John Rogers HerbertArtist
- John RossArtist
Best supported in this field
For owners
Own a work by John Robinson Tait?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.