Jan Vermeyen
Illustration — The Imperial Crown of Rudolph II designed and executed by Jan Vermeyen Jan Vermeyen (before 1559 – 1606) was a goldsmith of the Renaissance Mannerism. Jan Vermeyen was born in Brussels, the son of a Flemish painter Jan Cornelisz Vermeyen in Brussels. He was educated in goldsmithery and started his career between 1580 - 1590 in Antwerp, where he married, too.
Also recorded as Hans Vermeyen · Hans Vermeiden · Hans Vermayen · Johan Vermeyen
Jan Vermeyen

Attributed to Johannes Wierix · Public domain
- Born
- the 16th century. · Brussels.
- Died
- 1606. · Prague.
- Occupation
- sculptor, goldsmith, painter, jeweler and medalist.
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Illustration — The Imperial Crown of Rudolph II designed and executed by Jan Vermeyen Jan Vermeyen (before 1559 – 1606) was a goldsmith of the Renaissance Mannerism. Jan Vermeyen was born in Brussels, the son of a Flemish painter Jan Cornelisz Vermeyen in Brussels. He was educated in goldsmithery and started his career between 1580 - 1590 in Antwerp, where he married, too.
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wikidata · Q1682314 · wikipedia · Jan Vermeyen
In this article
Identity
Identity
Jan Vermeyen is recorded as sculptor, goldsmith, painter, jeweler and medalist.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1501
Jan Vermeyen born at Brussels.
1606
Jan Vermeyen died on 1 January 1606.
Places
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Places
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Brussels.
Birth place
Prague.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q1682314: Jan Vermeyen
Reputable secondary · Wikimedia Foundation
- “Jan Vermeyen”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
Literature
Literature
In 1592 he was inscribed as a member of the goldsmith' guild in Frankfurt on the Main. From 1600 he lived and worked in Prague, Lesser Town, district of St. He was one of the favorite court artists of Emperor Rudolph II. According to inventories he made more than 10 existing masterworks. They are usually dishes from exotic organic materials as bezoar or rhinoceros horn, or from colorful precious stones (cut by the Prague workshop of Ottavio Miseroni) set with cameos (by Alessandro Masnago), all mounted in gold, for Emperor's Kunstkammer of the Prague Castle. Today some of them are exhibited in Kunsthistorisches Museum in Vienna. His most famous work is the golden private crown of the emperor, which came later into use as Imperial Crown of Austria, is shown in the Treasury of the Hofburg Castle. He died in Prague.
• Rudolf DISTELBERGER, Die Kunstkammerstücke, in: Prag um 1600, Kunst und Kultur am Hofe Rudolfs II.. Katalog der Ausstellung in Essen und Wien, Freren 1988, pp. 449 - 452. • Dana STEHLÍKOVÁ: Encyklopedie českého zlatnictví, stříbrnictví a klenotnictví (Encyclopaedia of the Czech goldsmithwork, silwersmithwork and jewellery). Prague Libri 2003, p. 526;.
Literature
Literature
Literature
Vermeyen, Jan Cornelisz
"Plus Oultre"-Gedanken über die Tunis-Tepppichserie nach Jan Vermeyen, 2008
Una tabla de Jan Vermeyen identificada enel Museo del Prado, 1984
Scholarly footprint
Literature
Scholarly footprint
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References
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scholarly publication
Institutional witnessreference work
Wikidata, structured authority record Q1682314: Jan VermeyenWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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