Jean Dunand
Illustration — Undated portrait photograph of Jean Dunand Jean Dunand (20 May 1877 – 7 June 1942) was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.
Also recorded as John Jules · Jules Dunand · John Dunand
Jean Dunand

Jean Dunand · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy · CC0
- Full name
- Jules-John Dunand.
- Born
- 1877. · Lancy.
- Died
- 1942. · Paris.
- Nationality
- France and Switzerland.
- Occupation
- sculptor, painter, designer, coppersmith, mosaicist, draftsperson and goldsmith.
- Movements
- Art Deco.
- Education
- Ancienne école des arts industriels Genève and École nationale supérieure des arts décoratifs.
- Teachers
- Jean Dampt and Seizo Sugawara.
- Honours
- Officer of the Legion of Honour and Knight of the Legion of Honour.
- Languages
- French.
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Illustration — Undated portrait photograph of Jean Dunand Jean Dunand (20 May 1877 – 7 June 1942) was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.
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wikidata · Q1990069 · wikipedia · Jean Dunand
In this article
Biography
Biography
Jean Dunand studied at Ancienne école des arts industriels Genève and École nationale supérieure des arts décoratifs. Training under Jean Dampt and Seizo Sugawara is recorded. The recorded working language is French. Work by Jean Dunand is recorded in the collections of Minneapolis Institute of Art, Art Institute of Chicago, Design Museum Gent, Metropolitan Museum of Art and Fine Arts Museums of San Francisco. Distinctions recorded are Officer of the Legion of Honour and Knight of the Legion of Honour.
Jules-John Dunand was born on 20 May 1877 in Lancy, Switzerland. He later adopted the French first name of Jean, and became a naturalized French citizen in 1922. At the age of fourteen, he began studying sculpture at the Geneva School of Industrial Arts, where he won several prizes and received his diploma. In 1897 he moved to Paris and began to work as a sculptor and a copper craftsman. He participated in the 1904 Salon of the National Society of Fine Arts, and in 1905 he was selected a member, after completing an interior for the Countess de Bearn. He worked with a very wide range of materials, including steel, copper, pewter and silver, which he worked with hammer and glided, and encrusted with gold or mother-of-pearl, and then often decorated with enamels and patinas. His works included vases, plates, boxes, and jewelry. In about 1912, he began working with Seizo Sugawara, a Japanese lacquer painter who had emigrated to France, and began to use that ancient and almost forgotten technique in his own work, making large decorative panels and screens. He also sometimes decorated pieces of furniture by other designers, including Jacques-Emile Ruhlmann and Pierre Legrain. His themes were greatly varied, from floral and animal designs, to a kind of neo-cubism, to oriental designs. • Illustration — Jean Dunand, Fortissimo (1924–26), screen of lacquered wood, eggshell, mother-of-pear, and gold leaf. (Metropolitan Museum of Art). For the 1925 Paris Exposition of Decorative Arts, he worked on one of his best-known exhibits, a proposal for the interior of an Art Deco French Embassy, creating a smoking room entirely decorated in lacquered panels. He also contributed to Ruhlmann's House of a Collector. He contributed to the interiors of many apartments, and of ocean liners; he decorated the smoking room of the ocean liner Normandie. He died on 7 June 1942 in Paris. His works can be found in museums in Amsterdam, Denver, Detroit, Geneva, Lausanne, Le Havre, London, Miami, Minneapolis, New York, Paris, Pittsburg, Quimper, Reims, Richmond, San Francisco, Tokyo and Zurich.
Gallery
Gallery
• Illustration — Jean Dunand, Peacock tray, nickel and silver in a peacock feather design, (1914), Musée d'Orsay, Paris. • Illustration — Jean Dunand, Tray of copper inlaid with silver, about 1920 (Metropolitan Museum of Art). • Illustration — Jean Dunand, Detail of Decorative panel Fortissimo (1935) (Metropolitan Museum of Art). • Illustration — Jean Dunand, The Hunt, panel (1936), (Wolfsonian-FIU Museum). • Illustration — Jean Dunand, Vase of lacquered metal, c. 1935 (Metropolitan Museum). • Illustration — Jean Dunand, Lacquered vase, c. 1935 (Metropolitan Museum). • Illustration — Jean Dunand and Jean Dupas, Panel of Chariot of Aurora, lacquer and metal, gesso (1935), (Carnegie Museum of Art). • Illustration — Jean Dunand, Easy chair of lacquered wood and goatskin (1927-1928) (Metropolitan Museum).

Madame Agnès porte une robe à décor laqué selon la technique des pochoirs et pinceaux de Jean Dunand
Thérèse Bonney
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Lancy.
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Paris.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Félix Marcilhac, Jean Dunand: His Life and Work, Thames and Hudson, London, 1991
- 2.Dunand, Taming the Horse. Museum of modern art André Malraux - MuMa.
Bibliography printed in the source article · 4
- Cabanne, Pierre. Encyclopédie Art Deco. Somogy. 1986. 2-85056-178-9.
- Félix Marcilhac, Jean Dunand: His Life and Work, London, Thames and Hudson, 1991
- Exhibition Catalogue "Madeleine Vionnet, Puriste de la Mode", Les Arts décoratifs, Paris, 24-06-2009 - 31-01-2010.
- E. Bénézit, "Dictionary of Artists", Paris 2006, Vol. 4, p. 1338–1339.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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