Henry Benbridge

The recorded working language is English. The field of work recorded is painting. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Charleston. Work by Henry Benbridge is recorded in the collections of Art Institute of Chicago, National Gallery of Canada, Metropolitan Museum of Art, Fine Arts Museums of San Francisco and Smithsonian American Art Museum.

He was born in Philadelphia, the only child of James and Mary (Clark) Benbridge. When he was seven years old, his mother, who had been left a widow, was married to Thomas Gordon, a wealthy Scot. The boy's artistic talent was encouraged. He made decorative designs for his stepfather's drawing-room which were much admired. When he was fourteen years old he may have watched John Wollaston paint Gordon's portrait. It has been plausibly argued that young Benbridge had instruction from Wollaston, since his earliest known portrait, that of his half-sister Rebecca Gordon, "seems to hark back to Wollaston." When he was 21, Benbridge was sent to Italy, where he studied with Pompeo Batoni and Anton Raphael Mengs.

In 1769, on commission from James Boswell, biographer of Dr. Samuel Johnson, he made a portrait of Pasquale Paoli in Corsica which he took to London. It was exhibited (1769) at the Free Society of Artists, and from it three mezzotints were scraped and published with the artist's name signed "Bembridge." Like other young Americans he was encouraged by Benjamin West. He wrote, on December 7, 1769, to his stepfather: "Upon my arrival I waited upon Mr. West who received me with a sort of brotherly affection, as did my cousin, Mrs. West." Impelled, apparently, by a longing to rejoin his family, he left England in 1770, bearing from West the following note of recommendation to Francis Hopkinson: "By Mr. Benbridge you will receive these few lines. You will find him an Ingenous artist and an agreeable Companion. His merit in the art must procure him great incouragement and much esteem. I deare say it will give you great pleasure to have an ingenous artist resident amongst you."

In Philadelphia Benbridge married Hetty Sage and was admitted on January 18, 1771, to membership in the American Philosophical Society, of which Benjamin Franklin was a founder. He painted the large portrait of the Gordon family, with six figures, one of his masterpieces. Suffering, however, from asthma, he sought a more congenial climate and moved to Charleston, South Carolina, where he succeeded Jeremiah Theus (d. May 18, 1774) as the popular portrait painter of South Carolina. There he made many likenesses of southern men and women, several of which have been popularly attributed to John Singleton Copley, an artist who never painted in the South and who left America in 1774. Around 1800 Benbridge settled in Norfolk, Virginia, whence he made frequent visits to his native city. At Norfolk he gave to Thomas Sully his first lessons in oil painting. He had previously instructed Thomas Coram of Charleston. Sully describes his master as "a portly man of good address–gentlemanly in his deportment." Benbridge's health is said by Hart to have declined in middle age. Dunlap's assertion that his last years were passed "in obscurity and poverty" has been disputed.

• Illustration — "Enoch Edwards Family 1779" by Henry Benbridge. Benbridge is seated at left. His half-sister, Frances Gordon, at right, is shown with her husband Dr. Enoch Edwards. The dark haired woman is Enoch Edwards' niece. Philadelphia Museum of Art • Illustration — Dr. Jonathan Potts (1745-1781), oil on canvas of 1770/1776, in the Art Institute of Chicago • Illustration — Charles Cotesworth Pinckney by Benbridge • Illustration — The Archibald Bulloch Family, c. 1775 • Illustration — Mrs. William Allston, Jr., oil on canvas, circa 1784, Museum of Early Southern Decorative Arts • Illustration — Elizabeth Ann Timothy (Mrs. William Williamson), watercolor on ivory of 1775 • Illustration — Captain John Purves and His Wife, Eliza Anne Pritchard, oil on canvas, 1775, Winterthur Museum • Illustration — Thomas Middleton of Crowfield and His Daughter Mary, oil on canvas, c. 1776, Historic Charleston Foundation • Illustration — Aaron Burr with his wife Theodosia Bartow Burr, oil on canvas, c. 1780s or 1790s