Guillaume Taraval

Training under Claude Audran III is recorded. The recorded working language is French. Places of work recorded in the authority are Paris and Stockholm. Works named in the authority record are Still Life with a Dead Bird and Hunting Gear. Work by Guillaume Taraval is recorded in the collections of Nationalmuseum and Finnish National Gallery.

Guillaume Thomas Raphaël Taraval was born in France, the son of François Taraval and Catherine Masson. He became orphaned early in life and was raised by his foster-father Henry Guillemard (1665-1728) who also gave him the first lessons in painting and drawing. He continued his education with the artist Claude Audran (1658–1734). Together with other French artists, Taraval arrived in Stockholm in 1732. Taraval was mainly active in the Stockholm Palace. He produced a series of elegant ceiling paintings and introduced the Rococo decorative style to Sweden. He also painted portraits, altarpieces and still lives, and prepared sketches for a chandelier in the chapel, which was then completed by his disciple Johan Pasch. He also played a major part in the Royal Swedish Academy of Arts, becoming its first director on its foundation in 1735. In 1739, he was granted leave to travel to Paris to study the new latest developments in French art, returning to Sweden in 1740. He died during 1750 in Stockholm.

In 1727 married his foster-father's daughter Marie-Anne François Guillemard (b. ca 1705). He had two sons, the French painter Hugues Taraval (1729-1785) and the French architect and engraver Louis Gustave Taraval (1738-1794). The latter's son, Jean-Gustave Taraval (1765-1784) was also a French painter.

The authorities additionally record the headings Guillaume Thomas Taraval, Guillaume Thomas Raphaël Taraval, Guillaume-Thomas-Raphaël Taraval, Guillaume-Thomas Taraval and Guillaxune Thomas Raphael Taraval. His recorded language was French. One child is recorded: Louis Gustave Taraval.