Guillaume Vogels

Guillaume Vogels studied at Royal Academy of Fine Arts of Brussels. The recorded working language is French. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Brussels, Dordrecht and Antwerp. Works named in the authority record are The Grote Zavel (Grand Sablon), Brussels. Work by Guillaume Vogels is recorded in the collections of Royal Museums of Fine Arts of Belgium, Royal Museum of Fine Arts Antwerp, Museum of Fine Arts Ghent (MSK), Fin-de-Siècle Museum and Rijksmuseum.

• Name — Guillaume Vogels • Birth Name — Guillaume Vogels • Born — 9 June 1836 • Birthplace — Brussels, Belgium • Died — 9 January 1896 • Place of death — Ixelles, Belgium • Occupation — Painter • Education — Barbizon school • Illustration — Dusk Over the Pool

He was the son of a laborer. After his primary education, he was apprenticed to the Bellis Brothers, a house painting and decoration firm, and received a master certificate in 1855. He later owned his own decorating company in Brussels. One of his employees there was the Greek painter Périclès Pantazis, who became his lifelong friend, introducing him to the works of Gustave Courbet and Édouard Manet and showing him the techniques of painting with the palette knife. In 1870, he went to Paris, where he came under the influence of the Barbizon school. His first exhibition was at Ghent in 1874, but his work was not well received by the critics. He achieved a career breakthrough only in 1880, when he participated in the Paris Salon. In 1884, he became a member of Les XX, a secessionist group. This led to a meeting with James Ensor. The two apparently travelled together on study tours to England and the Netherlands and some critics cite Vogels as a significant influence on Ensor. After Les XX was disbanded in 1893, he participated in the creation of a new group called La Libre Esthétique. He kept no written records and left his works undated, which makes it difficult to establish a chronology showing the development of his style. Some influence from the Old Masters seems to mark his later paintings, although many display a loose brushwork that appears to anticipate Expressionist techniques.