Gioacchino Assereto

The authorities additionally record the headings Gioacchino Axareto, Giovacchino Assereto, Giovacchino Asserto, Gioachino Assereto and Giovacchino Axareto. His recorded language was Italian.

One child is recorded: Giuseppe Assereto.

Work by Gioacchino Assereto is held by Minneapolis Institute of Art, Museo del Prado, Nationalmuseum and Palais des Beaux-Arts de Lille.

33 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1620 to 1700.

Moses Striking the Rock, dated 1630, held by Los Angeles County Museum of Art, inventory M.91.267. Saint Augustine and Saint Monica, dated 1650, held by Minneapolis Institute of Art, inventory 60.35. The Angel appears to Hagar and Ishmael, dated 1640, held by National Gallery, inventory NG6621. Isaac Blessing Jacob, dated 1640, held by Hermitage Museum, inventory ГЭ-1457. Mocking of Christ, dated 1644, held by Hermitage Museum, inventory ГЭ-4359. Portrait of Giovanni Battista Panese., dated 1620, held by National Museum in Warsaw, inventory M.Ob.671. Moses striking the Water from the Rock, dated 1640, held by Museo del Prado, inventory P001134. Christ Healing the Blind Man, dated 1640, held by Carnegie Museum of Art, inventory 90.10. The Philistines Gouging out Samson's Eyes, dated 1650, held by Museu Nacional d'Art de Catalunya, inventory 069998-000. Death of Cato, dated 1640, held by Musei di Strada Nuova, inventory PB1909. Mocking of Job, dated 1647, held by Museum of Fine Arts, Budapest, inventory 783. Diogenes with his Lantern, dated 1634, held by National Trust, inventory 108830. David with the Head of Goliath, held by Norton Simon Museum, inventory P.1979.10. St. Francis of Assisi in Ecstasy before a Cherub with a Violin, dated 1628, held by Detroit Institute of Arts, inventory 1990.10. Circe Mulling Wine, dated 1630, held by Dayton Art Institute. The Guardian Angel, dated 1627, held by Birmingham Museums Trust, inventory 1948P35. Tobie restoring the sight to his father, held by Musée des beaux-arts de Marseille, inventory L. 85.10. Jehoram saved from Athaliah's wrath. Christ among the Doctors, held by Nationalmuseum, inventory NM 66. Le Songe de Jacob, dated 1700, held by Museum of Grenoble, inventory MG 2011-6-1. Alexander and Diogenes, dated 1630, held by Gemäldegalerie Berlin, inventory 84.2. The Rising of Lazarus, held by Nationalmuseum, inventory NMH 1331/1863. Judith with the head of Holofernes, dated 1625, held by Führermuseum, inventory 3508. Prometheus, held by Perth Art Gallery, inventory 1/32. Rinaldo stopping Armida from taking her life, dated 1634. The lamentation over the dead Christ, dated 1640, held by Cummer Museum of Art and Gardens. St. Francis comforted, held by Palazzo Bianco. Samson  und  Delilah, dated 1630, held by Fondazione Roberto Longhi. The Finding of Moses, dated 1640, held by http://www.wikidata.org/.well-known/genid/20823c24122b03d041b2c9657d690640. Cain killing Abel, dated 1640, held by Herzog Anton Ulrich Museum, inventory GG 490. Hagar and the Angel, held by Musei di Strada Nuova. Martyrdom of Saint Bartholomew, held by Accademia Ligustica di Belle Arti. Virgin and Child with Saint Bernard, dated 1630/35, etching on ivory laid paper, held by The Art Institute of Chicago, inventory 2024.510.

Work associated with this heading is recorded in 11 named public collections.

Hermitage Museum: 2 recorded objects, read from the institution's own published catalogue. National Museum in Warsaw: 2 recorded objects, read from the institution's own published catalogue. Museo del Prado: 2 recorded objects, read from the institution's own published catalogue. Musei di Strada Nuova: 2 recorded objects, read from the institution's own published catalogue. Nationalmuseum: 2 recorded objects, read from the institution's own published catalogue. Gemäldegalerie Berlin: 2 recorded objects, read from the institution's own published catalogue. Führermuseum: 2 recorded objects, read from the institution's own published catalogue. Munich Central Collecting Point: 2 recorded objects, read from the institution's own published catalogue. http://www.wikidata.org/.well-known/genid/681c3f0410a7a3f8c3609bf5b792d6c4: 2 recorded objects, read from the institution's own published catalogue. Los Angeles County Museum of Art: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Assereto, Gioacchino, Oxford Art Online, 2003. Assereto, Gioacchino, Benezit Dictionary of Artists, 2011. Assereto, Giuseppe, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 13 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

the recorded working language is Italian.

Places of work recorded in the authority are Genoa.

Works named in the authority record are Hagar and the Angel, Martyrdom of Saint Bartholomew and St. Francis comforted.

Work by Gioacchino Assereto is recorded in the collections of Minneapolis Institute of Art, Museo del Prado, Nationalmuseum, Palais des Beaux-Arts de Lille and Norton Simon Museum.