Valerio Castello

The recorded working language is Italian. Places of work recorded in the authority are Genoa. Works named in the authority record are Moses Striking the Rock. Work by Valerio Castello is recorded in the collections of Museo del Prado, Art Institute of Chicago, National Gallery of Victoria, Fine Arts Museums of San Francisco and Hermitage Museum.

He was the youngest son of Bernardo Castello, who died when Valerio was six years old. Valerio and his brothers were attached to the noble family of Torquato. While it had been the original intention for him to study a literary profession, he showed an affinity for drawing. This was noted by his patrons, who arranged his apprenticeship with Domenico Fiasella. Later, he studied with Giovanni Andrea de’ Ferrari. To seek new inspiration, he travelled to Milan and then to Parma, probably between 1640 and 1645. In Milan, he admired the work of Camillo Proccacini. From there, he traveled to Parma. He excelled in painting battle scenes. He was also quite prolific within Genoa during his short life. He painted the Rape of the Sabines, now in the Palazzo Brignole Sale, Genoa, and decorated the cupola of the Basilica della Santissima Annunziata del Vastato in the same city. For the house of Francesco Maria Balbi, he collaborated with the quadraturista from Bologna, Andrea Sghizzi to fresco the palace. In his works, he is regarded by his admirers as combining the fire of Tintoretto with the general style of Paolo Veronese. Castello influenced the work of young Domenico Piola. He also admired the work of Anthony van Dyck, who had spent a long time in Genoa and whose paintings could be seen all over the city. Among his pupils were Bartolomeo Biscaino, Giovanni Paolo Cervetto, and Stefano Magnasco (the father of Alessandro).