Emmanuel Tzanfournaris
Emmanuel Tzanfournaris (1570–1630), also known as Emmanouil Manos, was a Greek painter. He was a painter in Corfu and Venice. He was taught by famous painter Thomas Bathas.
Also recorded as Emmanouil Tzanfournaris
Emmanuel Tzanfournaris

Emmanuel Tzanfournaris · http: eib.xanthi.ilsp.gr/gr/icons.asp · Public domain
- Name
- Emmanuel Tzanfournaris
- Born
- 1570
- Birthplace
- Corfu, Republic of Venice
- Died
- 1631
- Place of death
- Venice, Republic of Venice
- Known for
- Iconography and hagiography
- Training
- Apprentice to Thomas Bathas
- Movement
- Cretan school
- Spouse
- Eleni Soderini
- Occupation
- painter · iconographer · vicar · poet · scribe
- Languages
- Greek · Italian
Reference Check
Propose documentary evidence for Emmanuel Tzanfournaris. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q107303517 · wikipedia · Emmanuel Tzanfournaris
In this article
Biography
Biography
Emmanuel's father Georgios was also a famous painter. Emmanuel was active within the Greek Community of Venice until 1625. Some of his paintings are in the church of San Giorgio dei Greci. He was influenced by Michael Damaskinos and other Venetian painters. Tzanfournaris adopted the Venetian school but also stayed loyal to the maniera greca. He influenced the works of countless painters namely Emmanuel Tzanes, Franghias Kavertzas, Philotheos Skoufos and his son Theofilakto Tzanfournaris. Tzanfournaris artwork can be found all over the world. Sixteen of his paintings have survived.
Key facts
Key facts
• Name — Emmanuel Tzanfournaris • Born — 1570 • Birthplace — Corfu, Republic of Venice • Died — 1631 • Place of death — Venice, Republic of Venice • Known for — Iconography and hagiography • Training — Apprentice to Thomas Bathas • Movement — Cretan school • Spouse — Eleni Soderini • Children — Theofilakto Thomas Andrew Roza
History
History
Emmanuel was born in Corfu. His father was Georgios Tzanfournaris. He was a famous painter. His father painted the church Pantokratoras in the town of Zigos in Corfu. Emmanuel's teacher was the famous Cretan painter Thomas Bathas. Around 29 years of age Emmanuel moved to Venice. He stayed in Venice for twenty-eight years. While in Venice he married Eleni Soderini in 1605. They had four children. Theofilakto, Thomas, Andrew, and Roza. Theofilakto was a priest and a painter. His brother Thomas became a lawyer. Emmanuel's signature is present within the Greek community from 1611-1629. In 1623 he was elected Vicar. He was the representative of a bishop. By 1625, someone else was elected Vicar. He also paid his dues as a member of the Greek Community every year. He died at 61 years old in 1631. In Venetian public records, he is known as Manuel Zanfornari da Corfou. Some of his icons can be found in the Greek church in Venice San Giorgio dei Greci. His son inherited two of his icons. A will executed on February 14, 1651, in Venice outlined Theofilakto as the receiver of two paintings. The Kimisis of Saint Spyridon and the Feast of Orthodoxy. On March 1, 1658, Theofilakto gave the icons to the Greek Church in Venice San Giorgio dei Greci. Tzanfournaris became an extremely popular painter. His signature was forged as was the case with many popular artists. His style evolved. His early works exhibited the traditional Cretan School while his later works evolved because of his exposure to the art of Venice. Many artists were influenced by Tzanfournaris namely: Emmanuel Tzanes and Franghias Kavertzas. Emmanuel Tzanes was the priest of San Giorgio dei Greci. Philotheos Skoufos was also briefly in Venice.
Gallery
Gallery
• Illustration — Assumption of St. Spyridon 1595 • Illustration — The Annunciation • Illustration — The Ascension • Illustration — Triumph of Orthodoxy
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Corfu.
Birth place
Venice.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Emmanuel Tzanfournaris, revision 1317742586 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hatzidakis, Manolis. Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. 429–430. 1997.
- 2.Eugenia Drakopoulou. Tzanfournaris Emmanouil (Manos). Institute for Neohellenic Research. June 20, 2021.
- 3.James, Liz. Women, Men, and Eunuchs: Gender in Byzantium. Rutledge Publishing. 46. 1997. 978-0-415-14685-2.
- 4.Evans, Helen C. Byzantium: Faith and Power (1261-1557). Metropolitan Museum of Art. 155. 1997. 978-1-58839-113-1.
- 5.Hatzidakis, 1997, pp 429-430
- 6.Hatzidakis, 1997, pp 429-430
Bibliography printed in the source article · 3
- Hatzidakis, Manolis. Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 1: Αβέρκιος - Ιωσήφ. Center for Modern Greek Studies, National Research Foundation. 1987. 960-7916-01-8.
- Hatzidakis, Manolis. Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος. Center for Modern Greek Studies, National Research Foundation. 1997. 960-7916-00-X.
- Drakopoulou, Evgenia. Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 3: Αβέρκιος - Ιωσήφ. Center for Modern Greek Studies, National Research Foundation. 2010. 978-960-7916-94-5.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Emmanuel KaviArtist
- Emmanuel Mané-KatzArtist
- Emmanuel SkordilisArtist
- Emmanuel TzanesArtist
- Emmanuel ViérinArtist
- Emmanuil Dmitriev-MamonovArtist
- Emmy BridgwaterArtist
- Emmy GotzmannArtist
Best supported in this field
For owners
Own a work by Emmanuel Tzanfournaris?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.