Edward Goodall

The authorities additionally record the heading Edward A. Goodall. His recorded language was English.

4 children are recorded: Frederick Goodall, Edward Angelo Goodall, Walter Goodall and Eliza Wild.

As a teacher, Edward Goodall is recorded in connection with Jean Outhwaite and Robert Brandard. Each of those relationships is stated by the authority record rather than inferred from style.

Work by Edward Goodall is held by Musée national des beaux-arts du Québec, Hong Kong Baptist University Library Art Collections, Smithsonian American Art Museum and Yale Center for British Art.

52 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and Wellcome Collection. Their recorded dates run from 1823 to 1896.

Fall of the Trees, Yorkshire, dated 1827, held by Yale Center for British Art, inventory B1977.14.13310. Prudhoe Castle, dated 1828, held by Yale Center for British Art, inventory B1977.14.13327. Richmond Hill, dated 1826, held by Yale Center for British Art, inventory B1977.14.13450. Florence, dated 1827, held by Yale Center for British Art, inventory B1977.14.13453. Florence from the Chiesa al Monte, dated 1831, held by Yale Center for British Art, inventory B1977.14.13476. A Village - Evening, dated 1834, held by Yale Center for British Art, inventory B1977.14.13506. The Gipsy, dated 1834, held by Yale Center for British Art, inventory B1977.14.13507. Leaving Home, dated 1834, held by Yale Center for British Art, inventory B1977.14.13508. Greenwich Hospital, dated 1834, held by Yale Center for British Art, inventory B1977.14.13509. Keswick Lake, dated 1834, held by Yale Center for British Art, inventory B1977.14.13510. A Village Fair, dated 1834, held by Yale Center for British Art, inventory B1977.14.13515. Traitor's Gate - Tower of London, dated 1834, held by Yale Center for British Art, inventory B1977.14.13516. St. Anne's Hill, No. I, dated 1834, held by Yale Center for British Art, inventory B1977.14.13517. A Hurricane in the Desert, dated 1834, held by Yale Center for British Art, inventory B1977.14.13518. Valombre, dated 1834, held by Yale Center for British Art, inventory B1977.14.13520. St. Pierre's Cottage, dated 1834, held by Yale Center for British Art, inventory B1977.14.13521. St. Julienne's Chapel, dated 1834, held by Yale Center for British Art, inventory B1977.14.13522. Captivity, dated 1834, held by Yale Center for British Art, inventory B1977.14.13523. An Old Oak, dated 1834, held by Yale Center for British Art, inventory B1977.14.13524. Shipbuilding (An Old Oak Dead), dated 1834, held by Yale Center for British Art, inventory B1977.14.13525. The Boy of Egremond, dated 1834, held by Yale Center for British Art, inventory B1977.14.13526. Bolton Abbey, dated 1834, held by Yale Center for British Art, inventory B1977.14.13527. The Alps at Daybreak, dated 1834, held by Yale Center for British Art, inventory B1977.14.13528. St. Anne's Hill, No. II, dated 1834, held by Yale Center for British Art, inventory B1977.14.13530. Columbus and his son, dated 1834, held by Yale Center for British Art, inventory B1977.14.13531. Columbus Setting Sail, dated 1834, held by Yale Center for British Art, inventory B1977.14.13532. Datur Hora Quieti, dated 1833, held by Yale Center for British Art, inventory B1977.14.13534. Land Discovered by Columbus, dated 1833, held by Yale Center for British Art, inventory B1977.14.13559. The Landing of Columbus, dated 1834, held by Yale Center for British Art, inventory B1977.14.13560. A Tempest - Voyage of Columbus, dated 1834, held by Yale Center for British Art, inventory B1977.14.13561. Cortes and Pizarro, dated 1834, held by Yale Center for British Art, inventory B1977.14.13562. Smailholme Tower (Vignette), dated 1834, held by Yale Center for British Art, inventory B1977.14.13641. HMS Bellerophon, Plymouth Sound, dated 1835, held by Yale Center for British Art, inventory B1977.14.13697. The Fall of the Rebel Angels (Vignette), dated 1835, held by Yale Center for British Art, inventory B1977.14.13732. The Expulsion from Paradise (Vignette), dated 1835, held by Yale Center for British Art, inventory B1977.14.13733. Ludlow Castle - Rising of the Water-Nymphs, dated 1835, held by Yale Center for British Art, inventory B1977.14.13737. Frontispiece (Fisher's `Pilgrim's Progress), dated 1838, held by Yale Center for British Art, inventory B1977.14.13738. Snowy Range, from Tyne or Marma, dated 1838, held by Yale Center for British Art, inventory B1977.14.13741. Rocks at Colgong on the Ganges, dated 1844, held by Yale Center for British Art, inventory B1977.14.13745. Summer Eve - the Rainbow, dated 1837, held by Yale Center for British Art, inventory B1977.14.13746. Hartlepool Harbor, dated 1823, engraving and etching, held by The Metropolitan Museum of Art, inventory 47.100.373. The Bridge at Toledo, from "The Art Journal," opposite p. 54, dated February 1855, etching and engraving on chine collé, held by The Metropolitan Museum of Art, inventory 62.600.748. Tailpiece for Foscari (Samuel Rogers's "Italy"), dated ca. 1830, steel engraving, held by The Metropolitan Museum of Art, inventory 67.689.13. Caligula's Bridge, dated June 23, 1842, etching and engraving on chine collé; first published state, held by The Metropolitan Museum of Art, inventory X.783. Letters to Edward Wilberforce Goodall, dated 1896-1897, held by Wellcome Collection. A palm tree (Bactris species) in Guyana. Watercolour by E.A. Goodall, 1846., dated Oct.r 23rd 1846, held by Wellcome Collection. A palm tree (Geonoma species) in Guyana. Watercolour by E.A. Goodall, 1846., dated Oct.r 14th 1846, held by Wellcome Collection. Murumuru palm tree (Astrocaryum murumuru Mart.) in Guyana. Watercolour by E.A. Goodall, 1846., dated Sept. 1846, held by Wellcome Collection. A palm tree found on the River Wenamu, Guyana. Watercolour by E.A. Goodall, 1846., dated Oct.r 27th 1846, held by Wellcome Collection. A hut and its inhabitants with palm trees in Guyana. Watercolour by E.A. Goodall, 1846., dated Nov.r 12th 1846, held by Wellcome Collection. Two banana plants (Musa species), one with fruit, in Guyana. Watercolour by E.A. Goodall, 1846., dated Oct.r 12th 1846,, held by Wellcome Collection. A palm tree (Socratea exorrhiza (Mart.) H. Wendl.) in Guyana, with aerial roots. Watercolour by E.A. Goodall, 1846., dated Oct.r 15th 1846, held by Wellcome Collection.

Work associated with this heading is recorded in 5 named public collections.

Yale Center for British Art: 116 recorded objects, read from the institution's own published catalogue. Aberdeen Archives, Gallery and Museums collections: 3 recorded objects, read from the institution's own published catalogue. Derwent Collection: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 23 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 75 recorded objects, read from the institution's own published catalogue.

6 scholarly publications naming this subject were located in the registry of record.

Goodall, John Edward, Benezit Dictionary of Artists, 2011. Goodall, Edward, Benezit Dictionary of Artists, 2011. Goodall, Edward, Oxford Art Online, 2003. Goodall, Edward Alfred Angelo, Benezit Dictionary of Artists, 2011. Goodall, Edward (1795–1870), Oxford Dictionary of National Biography, 2018. Embedding the public voice in clinical trials: developing public-informed training for patient data research, Research Involvement and Engagement, 2026.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

Jean Outhwaite and Robert Brandard are recorded as having studied under Edward Goodall. the recorded working language is English.

Places of work recorded in the authority are London.

Work by Edward Goodall is recorded in the collections of Musée national des beaux-arts du Québec, Hong Kong Baptist University Library Art Collections, Smithsonian American Art Museum and Yale Center for British Art.