William Henry Hunt

His work was extensively collected in his lifetime, particularly his genre pictures of children, often in humorous situations, and his detailed, naturalistic still lifes of fruit, flowers, and birds' nests that earned him the nickname ‘Bird’s Nest’ Hunt."

The recorded working language is English. Subjects and genres recorded for the work are portrait. Work by William Henry Hunt is recorded in the collections of Art Institute of Chicago, Tate, Metropolitan Museum of Art, National Portrait Gallery and Carnegie Museum of Art.

Hunt was born at 8 Old Belton Street, now 7 Endell Street, near Covent Garden. His father, John Hunt, was a tin-plate worker, making and selling small containers, such as canisters and boxes, which he also decorated. Hunt's uncle, a butcher, is recorded as having said of the artist, "He was always a poor cripple, and as he was fit for nothing, they made an artist of him." This is at least partially true, as Hunt had deformed legs that hampered his movement and may well have contributed to his eventual abandonment of landscape work in favor of still life and figures. In 1806 Hunt persuaded his father to allow him to train as an artist, becoming apprenticed for a term of seven years to John Varley, the watercolorist, drawing master, astrologer, and a close friend of William Blake. Apparently Hunt made good progress under Varley's tutelage, as he exhibited three oil paintings at the Royal Academy in 1807 and continued to exhibit there for several years following. In 1808 he was admitted as a student to the Royal Academy Schools. Through Varley, Hunt was introduced into the circle of the collector, amateur, and patron of artists Dr. Thomas Monro, Principal Physician of Bethlem Hospital, whose informal drawing academy attracted many gifted young artists. Artists met at the doctor's home in Adelphi Terrace on winter evenings and also at his country home at Bushey, Hertfordshire The doctor often invited Hunt to Bushey for extended periods, to paint from nature under the doctor's instruction. According to Martin Hardie, "Some of [Hunt's] most charming outdoor drawings were made round about Bushey, 'where he was trundled on a sort of barrow with a hood over it...while he made sketches'.". Dr. Munro's patronage proved critical to Hunt's progress as an artist.

Hunt's early work shows the influence of his teacher, John Varley, as well as his patron, Dr. Thomas Munro and Henry Edridge, a close associate of Munro. Architectural subjects and country landscapes dominated his early work. Loose drawing in pencil or pen and fluid, clear color washes are the hallmarks. His subjects, especially those of his later life, are often simple; but, considered technically, his works exhibit all the resources of the watercolour painter's craft, from the purest transparent tinting to the boldest use of gouache, stippling on prepared opaque grounds, use of rough paper, and scraping for highlights and texture. His sense of colour is perhaps as true as that of any English artist. He was, says John Ruskin, all in all, the finest ever painter of still life. Several characteristic examples of Hunt's work, as the Boy with a Goat, A Brown Study, Plums, and Primroses and Birds' Nests are in the Victoria and Albert Museum. According to the Redgraves, "The works of Hunt differ widely from his contemporaries: they have a character of their own, and many qualities which place him as an artist, in his somewhat narrow range, on a level with the highest.". • Illustration — Grave of William Henry Hunt in Highgate Cemetery

Hunt died of apoplexy on 10 February 1864. He was buried on the western side of Highgate Cemetery on 15 February 1864, attended to the grave by a number of artist colleagues. The Reader (27 February 1864) opined "we were but faintly beginning to appreciate and understand his genius when he was taken from us--one the greatest artists of the Century."

• Illustration — Lobster, Crab, and a Cucumber by Hunt (1826 or 1827) • Illustration — Chaffinch Nest and May Blossom, c.1845 • Illustration — Exhibited by the artist at the 1834 Spring Exhibition of the Society of Painters in Water-Colours under the title, The Father's Boots (in later years came to be known as Grandfather's Boots). • Illustration — Le Malade Imaginaire, watercolor painting of the artist posing as a hypochondriac, exhibited at the 1855 Spring Exhibition of the Society of Painters in Water-Colours • Illustration — Old William Hunt/The pet of the village (inscribed on label attached to the backboard) • Illustration — Probably exhibited by William Henry Hunt at the 1833 Spring Exhibition of the Society of Painters in Water-Colours under the title A Young Negro. • Illustration — Anticipation, 1830 • Illustration — William Henry Hunt, Bushey Churchyard, c. 1822, Watercolor, pen and brown ink, and graphite • Illustration — Grandfather's Boots, c. 1836–37 • Illustration — alt= The Green Drawing Room of the Earl of Essex at Cassiobury, 1823 • Illustration — A Dead Dove, Aberdeen Archives, Gallery & Museums Collection

• References • Sources *