Willem van de Velde the Elder

Willem van de Velde the Younger is recorded as having studied under Willem van de Velde the Elder. The recorded working language is Dutch. The field of work recorded is marine art, visual arts and painting. Subjects and genres recorded for the work are marine. Works named in the authority record are Episode from the Four Days Battle at Sea, 11-14 June 1666, in the Second Anglo-Dutch War (1665-67), The Battle of Dunkirk, The Battle of the Downs and Three Representations of Ships. Work by Willem van de Velde the Elder is recorded in the collections of Museum Boijmans Van Beuningen, J. Paul Getty Museum, Palais des Beaux-Arts de Lille, Museum of Fine Arts Ghent (MSK) and Amsterdam Museum.

• Name — Willem van de Velde the Elder • Birth Name — Willem van de Velde • Born — 1610/11 • Birthplace — Leiden, Holland, Dutch Republic • Died — 13 December 1693 • Place of death — Sackville Street, London, England. • Known for — Marine painting Willem van de Velde the Elder (1610/11 – 13 December 1693) was a Dutch Golden Age seascape painter, who produced many precise drawings of ships and ink paintings of fleets, but later learned to use oil paints like his son.

Willem van de Velde, known as the Elder, a marine draughtsman and painter, was born in Leiden, the son of a Flemish skipper, Willem Willemsz. van de Velde, and is commonly said to have been bred to the sea. He married Judith Adriaens van Leeuwen in Leiden in 1631. His three known legitimate children were named Magdalena, born 1632; Willem, known as the Younger, also a marine painter, born 1633 in Leiden; and Adriaen, a landscape painter, baptized in 1636 in Amsterdam. Meanwhile, the family lived Korte Koningstraat, close to the harbour, an area known as the Lastage. • Illustration — Eugène Lepoittevin, Van de Velde studying the effect of the cannon his friend Ruyter fired for this purpose, 1845, engraving c. 1854 by C.W. Sharp. His marriage was stormy, at least in its later years. David Cordingly relates that Willem the Elder fathered two children out of wedlock in 1653, one “by his maidservant, and the other by her friend. Nine years later the Elder and his wife went through a legal separation, ‘on account of legal disputes and the most violent quarrels’. The immediate cause of the dispute was his affair with a married woman.” Michael S. Robinson noted that “on 17/27 July 1662, he and his wife agreed to part. A condition of the separation was that the Elder could recover from his son Adriaen ‘two royal gifts’, presumably gifts from Charles II for work done in England.” Cordingly’s account further relates that the dispute was still continuing after another ten years, since “in the autumn of 1672 Judith complained to the woman’s husband.” Robinson adds that by 1674 the couple “must have been reconciled”, for at a chance meeting with Pieter Blaeu in Amsterdam in July the Elder explained that he was only visiting for a few days “in order to fetch his wife”. His son, Adriaen, had died in Amsterdam early 1672, and Willem the Elder was also fetching his grandson, similarly named Adriaen, who was then aged two. After his move to England, the exact date of which is uncertain, but reportedly at the end of 1672 or beginning of 1673, he is said to have lived with his family in East Lane, Greenwich, and to have used the Queen's House, now part of the National Maritime Museum in Greenwich, as a studio. Following the accession of William III and Mary II as King and Queen of England, it appears that this facility was no longer provided, and by 1691 he was living in Sackville Street, now close to Piccadilly Circus. He died in London, and was buried in St James's Church, Piccadilly, at the south end of the street. A memorial to him and his son lies with in the church. • Illustration — A memorial to Willem van de Velde the Older and the Younger in St James's Church, Piccadilly.

He was the official artist of the Dutch fleet for a period, being present at the Four Days Battle, 1–4 June 1666, and the St James's Day Battle, 25 July 1666, to make sketches. In his work on the biographies of artists, Arnold Houbraken quotes Gerard Brandt's biography of Admiral Michiel de Ruyter, relating the anecdote where Willem van de Velde asked Admiral de Ruyter permission to have a galley row him around for a good view of the proceedings on the evening of the Four Days battle in 1666. He wasn't the only artist to paint the scenes of this battle, his son, Ludolf Bakhuysen and Pieter Cornelisz van Soest also made paintings of it. This act later was the reason that van Velde gained his marine commission in London. The date, 1672, commonly given for his entry into the service of Charles II of England, was at a time when the Dutch Republic was at war with England (Third Anglo-Dutch War). According to the inventory Bartholomeus van der Helst owned or stored many paintings by Van de Velde. They lived close to each other (near Nieuwmarkt) and must have been friends.

• Illustration — The Battle of Terheide (1657), commemorating the Battle of Scheveningen on 10 August 1653 • Illustration — The Battle of Scheveningen, 10 August 1653. Willem painted himself into the scene on a galliot, left foreground, he is the seated figure, drawing the action on his right • Illustration — The surrender of the Prince Royal 3 June 1666 • Illustration — Battle council on the De Zeven Provinciën, 10 June 1666 • Illustration — Gallery and transom, 1667, from Sweden's Maritime Museum • Illustration — The Battle of Schooneveld (1674), commemorating the Battle of Schooneveld on 7 June 1673