Virgilio Ripari
Virgilio Ripari (1843 – 11 April 1902)) was an Italian painter, mainly depicting genre scenes of women and flowers. His style is described as a late Romantic, often depicting nuns and scene galanti (antique costume genre).
Virgilio Ripari

Virgilio Ripari · facebook.com · Public domain
- Born
- 1843 · Bozzolo.
- Died
- 1902 · Milan.
- Nationality
- Kingdom of Italy
- Occupation
- painter
- Fields
- genre · landscape
- Education
- Brera Academy
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wikidata · Q16030666 · wikipedia · Virgilio Ripari
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Biography
Biography
Ripari was born in Bozzolo, but moved to Asola, Province of Mantua as an infant. He was born to a peasant family so financially constrained, that they had to place him in an orphanage. Aided by local figures, the town of Asola granted him a stipend to attend the Brera Academy, where he won a number of medals. There he studied under Giuseppe Bertini and Raffaele Casnedi. In 1866, he volunteered for the Italian armies under Garibaldi, and fought in the Tyrol. After the war, he displayed at the Exhibition una prima volta and two portraits painted al vero, and a larger than life canvas: Il bagno pompeiano (The Pompeian Bath). He resided in Milan as an adult. He painted a number of paintings in oil and watercolors for the Queen of the United Kingdom. In 1872 at the Exposition of Milan, he displayed: Passeggio nel giardino; Le rose; and a portrait. In 1883 at Milan, he exhibited: Buon giorno; I fiori for the sacra; Prima neve (First Snow); and Per l'onomastico of the padrona. In 1884 at the Exposition of Turin, he displayed Peccato e preghiera. Ripari sent to the 1886 Exhibition of Milan: Studio; Venditori di frutta; Pittrici moderne; Furto innocente. To the 1887 Exposition of Venice, Ripari sent: Prima of the Scuola; Fiori per tutti (Flowers for All). At the 1889 Exposition of Fine Arts in Milan, he displayed: Dalle valli al monte; Al fonte; Amenità; and Portrait of a young Girl. The Galleria d'Arte Moderna of Milan has a number of his works, including Alla finestra (At the Window) 1850; Il mese di Maria (1875); Il getto dei fiori (1850); Linda e Peo (1850); Peccato e preghiera (1882); Ricordi (1850); Il giorno (1850); Fiori (1850). The contemporary critic, Virgilio Colombo, noted in Ripari the influence of Tranquillo Cremona, but with less iridescence and a more delicate brushstroke, and sharing more with Mosè Bianchi. Later in life he focused on painting portraits. A retrospective of his work and influences was held in 2018-2019 in Asola and titled VIRGILIO RIPARI. Un pittore a Milano nel secondo Ottocento. He died in Milan on 11 April 1902.
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Bozzolo.
Birth place
Milan.
Death place
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Virgilio Ripari, revision 1365097240 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Galleria d'Arte Moderna, Milan dates.
- 2.Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti, by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 417-418.
- 3.L'Asolano article on Ripari.
- 4.GAM Milan .
- 5.Angelo de Gubernatis.
- 6.Fondazione Tortona biography.
- 7.Exhibit of Ripari at Museo Civico Bellini of Asola, 2018-2019.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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