Mosè Bianchi

The authorities additionally record the headings Di Giosue Bianchi, Mose Bianchi, Mose di Giosue Bianchi, Moise Bianchi and Mose Bianchi di Monza. His recorded language was Italian.

He was the child of Giosuè Bianchi.

Mosè Bianchi studied at Brera Academy. He trained under Luigi Bisi, Giuseppe Sogni and Giuseppe Bertini. His recorded influences include Giovanni Battista Tiepolo, Gerolamo Induno, Domenico Induno, Mariano Fortuny Marsal and Jean-Louis-Ernest Meissonier.

As a teacher, Mosè Bianchi is recorded in connection with Plinio Codognato and Emilio Borsa. Each of those relationships is stated by the authority record rather than inferred from style.

Mosè Bianchi worked in painting. His work is associated with Romanticism, Naturalism and Verismo.

Recorded position is director. He worked at Kingdom of Italy, Milan, Venice and Rome.

Work by Mosè Bianchi is held by Minneapolis Institute of Art, Pinacoteca Ambrosiana, Musei Civici di Monza and Reading Public Museum.

What the record establishes about Mosè Bianchi.

Intérieur de l'église à Milan (Interior of a Church in Milan [sic] is dated 1874 and held by Q214867 (inventory 2013.171.11). http://www.wikidata.org/.well-known/genid/a24558f281e3262d6bf05e0021cf3937 records 1 object associated with this heading. Family on a boat is dated 1904 and held by http://www.wikidata.org/.well-known/genid/a24558f281e3262d6bf05e0021cf3937. Eve of the Feast (A Lesson in Choir Singing) is catalogued and held by Reading Public Museum (inventory 1935.207.1). The Return from the Festival is dated 1880 and held by Art collections of Fondazione Cariplo (inventory FCIP 0056). A miracle; the raising of the dead. Etching by M. Bianchi, 1894. is dated 1894 and held by Wellcome Collection.

I Fratelli sono al campo (The Men are in the Field) is dated 1870 and held by Q214867 (inventory 2016.163.1). Portrait of Giuseppe Antonio Fossati is dated 1875 and held by Musei Civici di Monza (inventory DEF 0074). The Violin Lesson (La lezione di violincello) is dated 1874 and held by Q214867 (inventory 2017.38.5). Portrait of Giacinta Galimberti is dated 1861 and held by Musei Civici di Monza (inventory DEF 0468). The Artist's Wife in Profile Facing Right is dated 1880 and held by Q214867 (inventory 2013.171.12). The nun of Monza is dated 1865 and held by Galleria d'arte moderna di Milano (inventory GAM 496).

The Genius of Savoy is dated 1883 and held by Musei Civici di Monza (inventory DEF 1714). In Monza Cathedral is dated 1872 and held by Musei Civici di Monza (inventory DEF 0545). Un Miracle is dated 1878 and held by The Art Institute of Chicago (inventory 1887.390). Woods in the Park near Monza is dated 1895 and held by Q214867 (inventory 2013.115.2). Prints in the National Gallery of Art records 9 objects associated with this heading. After the Duel is dated 1866 and held by Musei Civici di Monza (inventory DEF 0083).

Art collections of Fondazione Cariplo records 1 object associated with this heading. Galleria d'arte moderna di Milano records 2 objects associated with this heading. Portrait of Giuseppe Vago is dated 1868 and held by ASST Monza (inventory 31975).

The Art Institute of Chicago catalogues 1 work under this heading. Wikidata Query Service catalogues 25 works under this heading. Wellcome Collection catalogues 3 works under this heading.

The identifiers under which Mosè Bianchi may be traced in institutional catalogues.

Mosè Bianchi is established in the international name authorities as Wikidata Q1141251.

3 scholarly publications naming this subject were located in the registry of record.

Bianchi, Mosè di Giuseppe, Benezit Dictionary of Artists, 2011. Bianchi, Mosè, Oxford Art Online, 2003. Bianchi, Mosè di Giosue, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 8 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

Mosè Bianchi studied at Brera Academy. training under Luigi Bisi, Giuseppe Sogni and Giuseppe Bertini is recorded. Plinio Codognato and Emilio Borsa are recorded as having studied under Mosè Bianchi. the recorded working language is Italian.

The field of work recorded is painting. Subjects and genres recorded for the work are portrait. The authority associates the name with Romanticism, Naturalism and Verismo. Giovanni Battista Tiepolo, Gerolamo Induno and Domenico Induno are recorded as an influence.

Places of work recorded in the authority are Kingdom of Italy, Milan and Venice. Positions recorded include director.

Works named in the authority record are After the Duel.

Work by Mosè Bianchi is recorded in the collections of Minneapolis Institute of Art, Pinacoteca Ambrosiana, Musei Civici di Monza, Reading Public Museum and Gallerie d'Italia – Milano.