Uwe Wittwer
Illustration — Uwe Wittwer. Ruin, 2005, oil on canvas, 70 x 60 cm • Illustration — Uwe Wittwer. Double Portrait with Dog, 2007, watercolour, 180 x 150 cm • Illustration — Uwe Wittwer.
Uwe Wittwer
- Born
- 1954. · Zurich.
- Nationality
- Switzerland.
- Occupation
- painter.
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Illustration — Uwe Wittwer. Ruin, 2005, oil on canvas, 70 x 60 cm • Illustration — Uwe Wittwer. Double Portrait with Dog, 2007, watercolour, 180 x 150 cm • Illustration — Uwe Wittwer.
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Uwe Wittwer (born 1954) is a painter, of Swiss nationality. The painter was born in Zurich. Uwe Wittwer worked in Zurich. Works are held at Kunsthaus Zürich.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q121975 · wikipedia · Uwe Wittwer
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Life and work
Life and work
Ruin, 2007, watercolour, 180 x 150 cm Uwe Wittwer (born 1954) is a Swiss artist. He lives and works in Zürich, Switzerland. The media he uses include watercolor, oil painting, inkjet prints and video.
Uwe Wittwer is an autodidact. Born 1954 in Zurich where he went to school, he originally trained as a social worker (Bern, 1974–1977). In 1979 he rented his first studio. His early works were colourful abstract expressive oil paintings. The change towards figurative painting took place during the mid 80s. His first solo exhibition was at Galerie Walcheturm, Zurich in 1983. In 1989 he spent time in London on a studio grant (Binz 39 Foundation, Zurich). In 1994 studied in Paris for a year, financed by a grant by the Canton Zurich. In the same year, he received the Swiss federal scholarship for the arts. 1998 solo exhibition at Helmhaus Zurich, the first time his digitally edited photographs were shown. Since then, digitally manipulated images are part of his work. He works with images downloaded from the internet. 'Uwe Wittwer is a painter with a restricted, a ritualised vocabulary'; his motifs consist of four main subjects: landscapes, cities, still lifes and portraits, - later condensed into three main themes: idyll, referential work and the theme of violence. The works of reference encompass interiors and still lifes of Dutch Masters, such as Pieter de Hooch or Willem Kalf and works by French and British masters like Jean Siméon Chardin, Nicolas Poussin, Thomas Gainsborough. Another recurring image is that of Charon in his boat, based on Arnold Böcklin's Isle of the Dead. The theme of violence covers subjects like 'free time' of American soldiers in the Vietnam War, ruins of bombed out cities or scorched family homes. Uwe Wittwer's work is underlined by 'the question of what a picture is' and the question how memory affects images. Uwe Wittwer was guest tutor at the Witten/Herdecke University, Germany (1998–2000) and at the Zeppelin University, Friedrichshafen, Germany (2010) In 2008 he was voted into The 50 most important artists of Switzerland List by Bilanz Magazine. In 2013 two of his works were added to the collection of the Metropolitan Museum of Art, New York.
Exhibitions
Exhibitions
Solo exhibitions (a selection) Kunsthalle Bern, CH (1991); Museum Schloss Morsbroich, Kunstverein Leverkusen, GER (1997); Helmhaus Zurich, CH (1998); University Art Gallery, Pittsburgh PA, USA (2000); Kunstmuseum Solothurn, CH (2005); Ludwig Forum für Internationale Kunst, Aachen, GER (2005); Haunch of Venison, Zurich (2007); Cohan and Leslie, New York (2008); Nolan Judin, Berlin (2009); Fred Jahn, Munich (2009); Haunch of Venison, London (2009); Lullin + Ferrari, Zurich (2010); Haunch of Venison, London; Nolan Judin, Berlin (2011); Haunch of Venison, London (2011); Void, Derry (2012), SMAC Gallery, Cape Town (2012), Abbot Hall Art Gallery, Kendal (2013); Nolan Judin, Berlin (2013), Lullin + Ferrari, Zurich (2013); Parafin, London (2015), Judin Gallery, Berlin (2016), Lullin + Ferrari Gallery, Zurich (2017), Judin Gallery, Berlin (2018), Peter Kilchmann Gallery, Zurich (2019), Kunsthaus Grenchen, Grenchen (2019) Group exhibitions (a selection) Tatort London, Galerie Schübbe, Düsseldorf, GER (1996); Die Schärfe der Unschärfe, Kunstmuseum Solothurn (1998); Swiss Contemporary Art, Sungkok Art Museum, Seoul (1998); Schafft Land!, Stadtmuseum Siegburg, GER (2000); L'Imagine ritrovata Museo cantonale d'Arte, Lugano, CH (2002); Big is beautiful Musée d'art et d'histoire de la Ville de Neuchâtel, CH (2002); Flower Myth - van Gogh to Jeff Koons, Fondation Beyeler, Basel, CH (2005); Reprocessing Reality, P.S.1 MoMA, New York (2006); Fade Away and Radiate, Cohan and Leslie Gallery, New York (2007); Mythologies, Haunch of Venison Burlington Gardens, London (2009); Courtauld Institute of Art, London (2010); Watercolour, Tate Britain, London (2011); Haunch of Venison, Eastcastle Street, London (2012); Das Doppelte Bild, Kunstmuseum Solothurn (2013), Abraham. Ovid. Das Andere, with Slawomir Elsner, at Lullin + Ferrari, Zurich (2015); Die Augen der Bilder – Porträts von Fragonard bis Dumas, Museum Langmatt, Baden (2017); Peter Kilchmann Gallery, Zurich (2018); Journeys with ‘The Waste Land’, Herbert Art Gallery, Coventry (2018); No use-by date, Museum of Fine Arts Bern, Bern (2019)
Life and career
Dated record
Life and career
The full dated record · 1 entries
1954
Uwe Wittwer was born on 4 August 1954.
Primary material
Documents and archives
reference work
- “Uwe Wittwer”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q121975: Uwe Wittwer
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Kraft, Martin (1998). Biografisches Lexikon der Schweizer Kunst, Zurich und Lausanne: Schweizerisches Institut für Kunstwissenschaft, Verlag Neue Zürcher Zeitung
- 2.Lienhard, Marie-Louise (1998). 'Uwe Wittwer', Zurich: Helmhaus Zurich.
- 3.Sarah Kent (2007): 'Public Pictures, Private Lives', in Uwe Wittwer - Hail and Snow. Haunch of Venison, Zurich / London,
- 4.Kunde, Harald (2005). 'Conjectures About What Is Possible', in Uwe Wittwer - Geblendet/Dazzled, Heidelberg: Kehrer Verlag.
- 5.Also termed Appropriation Art. Vögele, Christoph (2005). The Double Image - Uwe Wittwer and Appropriation Art, Heidelberg: Kehrer Verlag, page 35.
- 6.Uwe Wittwer - Paintings (2013), Ostfildern: Hatje Cantz Publishers.
- 7.Rogers, Nick (2013). 'In the Middle Distance', exhibition brochure, Lakeland Arts Trust, Abbot Hall, Kendal
- 8.Adrian Nicole LeBlanc (2005). Sidelines in 'Uwe Wittwer - Geblendet/Dazzled', Heidelberg: Kehrer Verlag
- 9.Stegmann, Markus (2005). Uwe Wittwer - Monsun I-III. Édition Idéal, Zurich
- 10.Tobler, Konrad (2005). 'Uwe Wittwer - Geblendet/Dazzled', Heidelberg: Kehrer Verlag, page 48.
- 11.Tobler, Konrad (2002). Painting As Forward Recollection, 'Musterbuch II', Galerie Fabian & Claude Walter, Basel and Zurich
- 12.The Metropolitan Museum of Art Collections. Recalled 09. July 2019.
References
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