Tommaso Landolfi
Tommaso Landolfi (9 August 1908 – 8 July 1979) was an Italian writer, translator and literary critic. His numerous grotesque tales and novels, sometimes on the border of speculative fiction, science fiction and realism, place him in a unique and unorthodox position among Italian writers. He won a number of awards, including the prestigious Strega Prize.
Tommaso Landolfi

Tommaso Landolfi / Vallecchi · abebooks.it · Public domain
- Born
- 1908. · Pico.
- Died
- 1979. · Rome.
- Nationality
- Italy and Kingdom of Italy.
- Occupation
- linguist, poet, writer, translator, novelist, critic and literary scholar.
- Education
- University of Florence and Convitto Nazionale Cicognini.
- Known for
- An Autumn Story.
- Honours
- Strega Prize, Bagutta Prize, Viareggio Prize and Premio Selezione Campiello.
- Languages
- Italian.
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Documentary summary
Tommaso Landolfi (9 August 1908 – 8 July 1979) was an Italian writer, translator and literary critic. His numerous grotesque tales and novels, sometimes on the border of speculative fiction, science fiction and realism, place him in a unique and unorthodox position among Italian writers. He won a number of awards, including the prestigious Strega Prize.
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- Identity
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Authority files
wikidata · Q560541 · wikipedia · Tommaso Landolfi
In this article
Life
Life
Tommaso Landolfi studied at University of Florence and Convitto Nazionale Cicognini. The recorded working language is Italian. Works named in the authority record are An Autumn Story. Distinctions recorded are Strega Prize, Bagutta Prize, Viareggio Prize and Premio Selezione Campiello.
He was born in Pico, now in the province of Frosinone (then in province of Terra di Lavoro, the roughly modern-day province of Caserta), to a noble family. In 1932, he graduated in Russian language and literature at the University of Florence. During his time in Florence, he worked on various magazines including Letteratura and Campo di Marte. He later worked on other magazines and newspapers including Oggi, Il Mondo and Corriere della Sera. He focused his translation efforts on Russian and German authors such as Fyodor Dostoevsky, Aleksandr Pushkin, Nikolai Gogol and Hugo von Hofmannsthal. He spent much of his life in Rome and at the family home at Pico, as well as the gaming houses of Sanremo and Venice, where he was an avid gambler. He died in Rome. He was an atheist.
Selected works
Selected works
Dialogo dei massimi sistemi (1937) La pietra lunare (1939) II mar delle blatte e altre storie (1939) Racconto d'autunno, trans. Joachim Neugroschel (An Autumn Story, Eridanos Press, 1989) Cancroregina, trans. Raymond Rosenthal (Cancerqueen The Dial Press, 1971) Le due zittelle (1952) La bière du pêcheur (1953) Ombre (1954) Rien va (1963) Mano rubata (1964) Des mois (1967) A caso (1975) There have been three collections of his short stories in English translation: Gogol’s Wife and Other Stories, trans. Raymond Rosenthal et al. (New Directions, 1963); Cancerqueen and Other Stories, trans. Raymond Rosenthal (Dial Press, 1971); and Words in Commotion and Other Stories, Intro. Italo Calvino, trans. Kathrine Jason (Viking, 1986). The majority of his work is in print, published by Adelphi under the editorship of Landolfi's daughter.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1908
Tommaso Landolfi was born on 9 August 1908.
1979
Tommaso Landolfi died on 8 July 1979.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Pico.
Birth place
Rome.
Death place
Writings
Landolfi is a writer of rare stylistic power. His originality lies principally in his ability to incorporate his wide knowledge of European literature into his Italian inheritance, with a poet's (and translator's) close concern with language. His work reveals the clear influence of writers such as Edgar Allan Poe and Gogol. Susan Sontag saw him as something of a cross between Borges and Isak Dinesen, but thought him probably better than either. Landolfi constantly strives to enrich his own style, drawing on obscure or even archaic formulations and at times creating his own languages. In an almost Pirandellian fashion, Landolfi is constantly haunted by the unresolved conflict between art and life. He wrote a number of short stories and novels, poetry and theatrical pieces, the early work being in general the most significant, particularly the works of his so-called 'youthful maturity', the collection of short stories Dialogo dei massimi sistemi (1937). La pietra lunare (1939), his first novel, opens on a grotesque and almost hallucinatory scene of 'provincial life' from which the main character, Giovancarlo, is possessed by Gurù, the goat-girl, who allures him through a realm of phantasmagorical horror into the bowels of the earth and an erotic initiation. The world seems divided between two opposing realities, between the misery of everyday life and another strange and marvellous world. Racconto d'autunno (1947) is his best-known work outside Italy. Its story is, in more ways than one, a metaphor for an end to the old and the beginning of the new. While ghosts, terror and war dominate the landscape, and a gothic horror story is the main plot, there is nonetheless a sense that this book is a lamentation on an epoch that came to a violent end during World War II. Cancroregina (1950) is a strange science-fiction story, in the form of a diary written by a man who is stuck in orbit in outer space and cannot return to Earth. A caso, a collection of short stories, won him the Strega Prize in 1975. In 1996 his daughter Idolina founded the Centro Studi Landolfiani.
Primary material
Documents and archives
reference work
- “Tommaso Landolfi”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q560541: Tommaso Landolfi
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Cassell Dictionary of Italian Literature, 1996, p.310
- 2.Giovanna Ghetti Abruzzi, L'enigma Landolfi, Bulzoni, 1979, p. 307.
- 3.Alberto Asor Rosa, Storia della letterature italiana (Florence: La Nuova Italia, 1985) p.626
- 4.Alexander Stille, Los Angeles Times, 4 June 1989
- 5.New York Review of Books, 23 January 1964
- 6.Cassell Dictionary of Italian Literature, 1996, p.309
Bibliography printed in the source article · 4
- Bibliographical notes to T. Landolfi, Opere I, (1937–1959) and Opere II, (1960–1971) (Milan: Adelphi, 1994)
- Cassell Dictionary of Italian Literature, (London: Cassell, 1996) p. 309-10
- Ann Hallamore Caesar and Michael Caesar, Modern Italian Literature (Cambridge: Polity, 2007)
- Alberto Asor Rosa, Storia della letterature italiana (Florence: La Nuova Italia, 1985)
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Books
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