Thomas Stuart Smith

• Name — Thomas Stuart Smith • Born — 1815 • Birthplace — Scotland • Died — 1869 • Place of death — Avignon • Known for — philanthropy

Thomas Stuart Smith was born in 1815 as the secret illegitimate nephew of Alexander Smith, who had the estate at Glassingall, Dunblane, Scotland. Alexander's brother, the father, sent Thomas to a school in France whilst he conducted his business in Canada and the East Indies. In 1831 no fees were paid and Thomas thought his father must have died. He returned to England, when he and his uncle learned of each other for the first time. They did not meet, but Alexander advanced sums to him from time to time. Smith started working as a tutor. He later became interested in painting from an Italian master painter whom he met whilst serving as a traveling tutor to a British family. His uncle Alexander supplied funding so that he could travel and paint in Italy starting in 1840. By the end of that decade, Smith was having his work accepted by both the Salon des Beaux Arts in Paris and the Royal Academy in London. His first painting at the Royal Academy was bought by Professor Owen, an acquaintance of Edwin Landseer, who was said to have admired it repeatedly.

• Illustration — The Pipe of Freedom, 1869, Stirling Smith Art Gallery and Museum In 1849 Alexander Smith died intestate. Thomas took possession of the family's estate in 1857 after vying at great expense with eighteen other aspirants. During the eight years that he had waited in hope of his inheritance, he taught art at the Nottingham School of Design. James Orrock, the collector and watercolourist, was one of his pupils; he commented on how Smith could paint anything. Smith was known to the Barbizon School of realistic painting, including the animal painters Constant Troyon and John Phillip RA. Having gained the estate, he kept it just six years. He sold it and used the funds to move to London. His legal costs had been high. His new fortune enabled him to create an art collection at a studio in Fitzroy Square that included his own work. He decided to create an Institute in Stirling to house his new collection. He drew up plans for a library, museum, and a reading room and he offered £5,000 to the council if they could donate a site within two years. He signed the trust into existence in November 1869 with himself, James Barty, the Provost of Stirling and A.W.Cox, a fellow artist, as trustees. He did not see his plans fulfilled as he died the next month in Avignon.