Eleanor Vere Boyle

• Illustration — The Boyle Cross in Frome, Somerset was designed by Boyle. Her fascinations and their influence were clear in her illustrations she created for the poet Tennyson's May Queen in 1852. Such fascinations were even more evident in her illustrations for Hans Christian Andersen’s fairy tales in 1872, which was one of the earliest editions illustrated by an English person. It included twelve full color images and many other line drawings. Andersen had a definite dark side to many of his stories. With Boyle's ability to translate it into visual form with her own slightly sinister taste, this edition was made to be one of the most cohesive between illustration and writing. This cohesiveness set a new standard for the future illustration in Hans Andersen’s work. Some of the most highly acclaimed illustrations from this book include: "The Snow Queen," The Wild Swans," "The Ugly Duckling," "The Little Mermaid," "Thumbkinetta," "The Garden of Paradise," "The Fellow Traveller" (which inspired Tolkien's The Hobbit) and "The Angel." Three years later, in 1875, Boyle created what is considered one of her greatest works, a retelling and illustration of the story Beauty and the Beast. This book includes ten full colour images. She is praised most for her unique take on the Beast. While this story has been illustrated many times, Boyle's version seems to be the first and only to be reminiscent of a sea-creature, with walrus-like tusks and flippers. This is different from the usual humanistic portrayal. Boyle veers away from all normalities of the character, lacking an upright position, human facial features and clothes. Other notable works by Boyle are her illustrations in The Story Without an End and Child’s Play, as well as her illustrations and writings in Ros Rosarum Ex Horto Poetarum (1885). The Story Without an End is originally a German story by Friedrich Wilhelm Carové. It was later translated by Sarah Austin into English, and illustrated by Boyle. On the other hand, Child’s Play and Ros Rosarum ex Horto Poetarum were written by Boyle herself. In Child’s Play, she matched famous nursery rhymes with her illustrations, and in Ros Rosarum ex Horto Poetarum she wrote poems and created illustrations for them. Ros Rosarum Ex Horto Poetarum is subtitled "Dew of the Ever-living Rose, Gathered from the Poets' Gardens of Many Lands". It is one of the most highly acclaimed works by scholars and claimed to be culturally important. Boyle continued to write, with a focus on nature, as she wrote and illustrated garden books. In the last thirty-two years of her life, she wrote and illustrated four: Days and Hours in a Garden (1884), A Garden of Pleasure (1895), Seven Gardens and a Palace (1900), and Garden Colour (1905). Her last work came eight years prior to her death: The Peacock's Pleasaunce (1908), a collection of twelve essays (considered belles-lettres) accompanied by eight of her own illustrations.