Suzanne Eisendieck
Suzanne Eisendieck (14 November 1906 — 15 June 1998) was a German Post-Impressionist painter native of Danzig.
Also recorded as Susanne Edzard · Susanne Edzard-Eisendieck · Susanne Eisendieck
Suzanne Eisendieck

Pierre-Yves Beaudouin · Pierre-Yves Beaudouin / Wikimedia Commons · CC BY-SA 4.0
- Name
- Suzanne Eisendieck
- Birth Name
- Suzanne Eisendick
- Born
- 14 November 1906
- Birthplace
- Danzig (now Gdańsk Poland)
- Died
- 15 June 1998
- Place of death
- Paris, France
- Field
- Painting, drawing
- Training
- Berlin State Academy for Fine and Applied Arts
- Movement
- Post-Impressionism
- Spouse
- Dietz Edzard (1893–1963)
- Nationality
- Germany.
- Occupation
- painter.
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Suzanne Eisendieck (14 November 1906 — 15 June 1998) was a German Post-Impressionist painter native of Danzig.
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Note VALÉORINE
Suzanne Eisendieck (1906–1998) was a painter, of German nationality. The painter was born in Gdańsk and died in Paris. Suzanne Eisendieck was also known as Edzard-Eisendieck, Susanne and Edzard, Susanne.
Suzanne Eisendieck was educated at Berlin University of the Arts. The painter was associated with Post-impressionism. Languages used include German.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q20988913 · wikipedia · Suzanne Eisendieck
In this article
Key facts
Key facts
• Name — Suzanne Eisendieck • Birth Name — Suzanne Eisendick • Born — 14 November 1906 • Birthplace — Danzig (now Gdańsk Poland) • Died — 15 June 1998 • Place of death — Paris, France • Resting Place — Père Lachaise Cemetery, Paris • Field — Painting, drawing • Training — Berlin State Academy for Fine and Applied Arts • Movement — Post-Impressionism • Spouse — Dietz Edzard (1893–1963)
Biography
Biography
Suzanne Eisendieck was born at Holzraum Platz 2B in Danzig (now Gdańsk in Poland) to German parents Karl Eisendick and Anna Eisendick (née Klegus). At the age of 12, Suzanne Eisendieck became one of the youngest pupils of the painter Fritz August Pfuhle. When she was 21, she went to study for three years at Berlin State Academy for Fine and Applied Arts, attending the class of Maximilian Klewer, and whilst there took part in an exhibition with over 1400 objects displayed in a group collection. Only 9 were sold and 3 of these were her canvases. This successful show in Berlin enabled her later to travel to Paris, where she took residence in a tiny attic of Latin Quarters near the Place St. Michel and started painting. It was a continuous financial struggle for Suzanne until one friend organised for Madame Zak to visit her small studio. She immediately purchased 6 of her paintings and put them in her gallery, Galerie Zak, at the Place Saint Germain des Près. There they were so much admired that she arranged for the first exhibition of Suzanne Eisendieck works. That was followed later by few others in the Leicester Galleries in London. This was also the end of bitter hardship for young artist and the start of great success. Artistically, her work was inspired by the French Impressionists and is in many private collections, mostly in America. The majority of her drawings are rapid chalk or pen sketches due to the high demand for new artworks. Suzanne Eisendieck painted uniquely using oil paint and occasionally pastels. She became best of friends with Dietz Edzard. It was he who originally introduced Madame Zak to her art. They started painting so much alike that some had difficulty in telling their work apart. In 1938 Suzanne Eisendieck and Dietz Edzard (1893–1963) got married. They had two children whilst living in Paris, Christine Edzard-Goodwin (1945) married to Richard Goodwin (Sands Films, London) and Angélica Edzard-Károlyi (1947) married to Georges Károlyi, Hungarian ambassador to France (Joseph Károlyi Foundation, Hungary). Suzanne Eisendieck died in Paris in 1998 and was buried in the Père Lachaise Cemetery.
Gallery
Gallery
• Illustration — Leicester Galleries, London (1936) "Au Theatre" • Illustration — Leicester Galleries, London (1936) "Plage Orageuse" • Illustration — Marie Harriman Gallery, NY (1937) "A la gare" • Illustration — (1938) "Straw scoop" • Illustration — (1938) "At Bonwit Teller" Marshall Field • Illustration — (c.1938-1939) "Zoppot Beach" • Illustration — (1941) terminus ante quem • Illustration — (1947) "The Tuileries Gardens"
Exhibitions
Exhibitions
• 1929 – Jury Free Art Show, Berlin • 1932 – Madame Zak at the Place Saint Germain des Près, Paris • 1934 – Leicester Galleries, London 1936 – Leicester Galleries, London 1938 – Leicester Galleries, London • 1937 – Marie Harriman Gallery, New York 1939 – Marie Harriman Gallery, New York 1940 – Marie Harriman Gallery, New York • 1942 – Galerie Benezit, Paris • 1946 – Perls Galleries, New York 1948 – Perls Galleries, New York 1949 – Perls Galleries, New York • 1950 – Gallery Vigeveno, Los Angeles • 1954 – Exposition Publique Tableaux Moderners, Paris • 1955 – Galerie Petrides, Paris • 1956 – O'Hana Gallery, London • 1959 – Hammer Galleries, New York • 1959 – Findlay Galleries, New York • 1959 – Findlay Galleries, Chicago • 1959 – Findlay Galleries, Palm Beach • 1961 – Adams Gallery, London • 1962 – Galerie Abels, Cologne
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Gdańsk.
Birth place
Paris.
Death place
Literature
• "Juryfreie Kunstschau Berlin 1929". Malerei, Graphik, Plastik und Architektur; Landes-Ausstellungsgebäude am Lehrter Bahnhof; Verlag, Berlin 1929 • "The Studio" Suzanne Eisendieck — Individualist. Vol. CXII – Nr. 522. September 1936 • "Art Digest" Dainty Femininity in Eisendieck Exhibit. 1 December 1937 • "Time" Suzannes. 13 December 1937 • "Allgemeines Lexicon der Bildenden Kunstler des XX. Jahrhundrerts", E. A. Seemann, Leipzig, 1953–62, vol. 2, p. 25 • "Fritz Pfuhle". Eun Maler aus Danzig von Eberhard Lutze; Holzner Verlag, Würzburg 1966 • "Suzanne Eisendieck" Peintures Récentes, Préface de Waldemar George 1967 • "Emmanuel Bénézit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Paris, 1976, vol. 4, p. 134 • "Benezit Dictionary of Artists", Gründ 2006 Edition Paris, Vol. 5, p. 130
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."The Studio" Suzanne Eisendieck Photo in Paris. Vol. CXII – Nr. 522. September 1936
- 2."Allgemeies Künstler Lexicon", by K.G. Saur München Leipzig 2002
- 3."Adreßbuch für Danzig und Vororte" Pomeranian Digital Library
- 4."Fritz Pfuhle". Eun Maler aus Danzig by Eberhard Lutze; Holzner Verlag, Würzburg 1966
- 5.W.E. Rudge. The London Studio. 12. 135. 1936.
- 6.National Magazine Company. Studio International. 112. 135–. 1936.
- 7.Briton Hadden. Time. Time, Inc. 30. 41. 1937.
- 8.Studio Trust. Studio International. 153. 145–. 1957.
- 9.Hatje Cantz. Die elegante Welt der Regina Relang: mode- und reportagefotografien. 274. 2005. 978-3-7757-1588-1.
- 10."The Studio" Suzanne Eisendieck — Individualist. Vol. CXII – Nr. 522. September 1936
- 11."Vogue" Magazine; Front Page ~ July 15, 1938
- 12."Vogue" Magazine; Front Page ~ January 15, 1939
- 13."Life" Magazine; Ad for diamonds from the De Beers Collection ~ June 23, 1941
- 14."Life" Magazine; Ad for Modess Sanitary Napkins ~ July 26, 1948
References
Citations
References
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Secondary witness
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Died at
1- ParisPlace
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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