Mathias Goeritz
Werner Mathias Goeritz Brunner (4 April 1915, Danzig, German Empire – 4 August 1990, Mexico City) was a German and Mexican painter and sculptor. After spending much of the 1940s in North Africa and Spain, he and his wife, photographer Marianne Gast, immigrated to Mexico in 1949.
Also recorded as Werner Mathias Goeritz Brünner · Matthias Göritz · Werner Mathias Goeritz Brunner
Mathias Goeritz

Foto de la familia del usuario. · Archivo familiar del usuario. · CC0
- Born
- 4 April 1915
- Birthplace
- Danzig
- Died
- 4 August 1990
- Place of death
- Mexico City, Mexico
- Education
- Humboldt University of Berlin
- Known for
- Visual arts
- Spouse
- Marianne Gast
- Nationality
- Germany and Mexico.
- Occupation
- architect, sculptor, painter and writer.
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Documentary summary
Werner Mathias Goeritz Brunner (4 April 1915, Danzig, German Empire – 4 August 1990, Mexico City) was a German and Mexican painter and sculptor. After spending much of the 1940s in North Africa and Spain, he and his wife, photographer Marianne Gast, immigrated to Mexico in 1949.
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Note VALÉORINE
Mathias Goeritz (1915–1990) was an architect, painter and sculptor, among other activities, of German and Mexican nationality.
Composed from admitted, traceable facts · 27 September 2026
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gnd · 1212946391 · wikidata · Q64487 · wikipedia · Mathias Goeritz
In this article
Key facts
Key facts
• Born — 4 April 1915 • Birthplace — Danzig • Died — 4 August 1990 • Place of death — Mexico City, Mexico • Education — Humboldt University of Berlin • Known for — Visual arts • Notable Works — * Torres de la Ciudad Satélite • Ruta de la Amistad • Spouse — Marianne Gast
Early life and education
Early life and education
Mathias Goeritz was born in Danzig, German Empire (now Gdańsk, Poland) in 1915 and spent his childhood in Berlin. He began studying philosophy and the history of art at Berlin's Friedrich-Wilhelm-Universität, now known as the Humboldt University of Berlin, in 1934. He received a doctorate in art history from this institution in 1940. His doctoral dissertation on the nineteenth-century German painter Ferdinand von Rayski was published as Ferdinand Von Rayski und die Kunst des Neunzehnten Jahrhunderts. During the course of his studies, Goeritz also trained as an artist at the Kunstgewerbe- und Handwerkerschule in Berlin-Charlottenburg (Applied arts and tradesmen's school), where he studied drawing with German artists Max Kaus and Hans Orlowski.
Career
Career
Upon completion of his doctorate, Goeritz worked at Berlin's Nationalgalerie (National Gallery), now the Alte Nationalgalerie, under the supervision of nineteenth-century art specialist Paul Ortwin Rave. In early 1941, in the midst of the Second World War, Goeritz left Germany, settling first in Tetuan, Morocco. In 1942 he married photographer Marianne Gast, and the couple settled in Granada, Spain, just after the war ended in 1945. In June 1946, he had his first solo exhibition at the Librería-Galería Clan in Madrid under the pseudonym "Ma-Gó". in 1947 the Goeritzs relocated to Madrid. There, Goeritz developed a close friendship with Spanish sculptor Ángel Ferrant. • Illustration — Torres de Satélite, Ciudad Satelite, México, by Luis Barragán and Mathias Goeritz • Illustration — Yellow wall at El Eco's patio • Illustration — El pájaro de fuego (The fire bird) by Goeritz. In Guadalajara, Jalisco, Mexico. View from south. In the summer of 1948, Goeritz and Ferrant traveled to visit the prehistoric paintings of the Cave of Altamira in the north of Spain, along with writer Ricardo Gullón and others. At that time Goeritz proposed the founding of an Escuela de Altamira (Altamira School), an association of artists and writers who would meet annually near the Cave, in 1948. The Escuela de Altamira would ultimately hold two meetings, in 1949 and 1950. In 1949, through the intervention of Mexican architect Ignacio Díaz Morales, Goeritz was offered a job teaching art history to the students of the newly founded the school of architecture (now part of CUAAD, University of Guadalajara) in Guadalajara, Mexico. In 1953, he first presented his "Manifiesto de la Arquitectura Emocional" (Emotional Architecture Manifesto) at the pre-inauguration of the Museo Experimental El Eco in Mexico City, which he designed in 1952–53. During the 1950s, Goeritz also collaborated with Luis Barragán to make monumental abstract sculptures in reinforced concrete, including El animal del Pedregal (The Animal of the Pedregal, 1951) and the Torres de la Ciudad Satélite (Towers of Satellite City, 1957). In 1989,Goeritz became an honorary member of the Mexican Academia de Artes.
Personal life and death
Personal life and death
In 1942, he married photographer Marianne Gast. Mathias Goeritz died on August 4, 1990, in Mexico City at the age of 75.
Identity and origins
Identity and origins
His recorded languages were Spanish and German.
Identity
Identity
Mathias Goeritz is recorded with the occupation architect. Recorded as architect, sculptor, painter and writer.

Mathias Goeritz en Ciudad de México (México D.F.), septiembre de 1960, durante una reunión de amigos en casa de la familia Lemionet-Abascal. De la misma tarde son las siguientes fotografías: Ida Rguez Prampolini Ida Rguez Prampolini y Sergio Fdez Cárdenas Ida Rguez Prampolini y Sergio Fdez Cárdenas Sergio Fdez Cárdenas Antonio Peláez Antonio Peláez Antonio Peláez y Mathias Goeritz Mathias Goeritz
Foto de la familia del usuario. · Archivo familiar del usuario.

'Embedded Cubes' sculpture by Mathias Goerits on the campus of the National Autonomous University of Mexico.
Eduardo Ruiz Mondragón
Life and career
Dated record
Life and career
The full dated record · 2 entries
1915
Mathias Goeritz was born in 1915.
1990
Mathias Goeritz died at Mexico City.
Works and legacy
• Illustration — Las Torres, the main emblem of the School of High Studies (FES) Aragón of the National Autonomous University of Mexico Goeritz exhibited widely in Mexico and beyond throughout his life, and had a significant influence on younger Mexican artists such as Helen Escobedo and Pedro Friedeberg. • El animal del Pedregal (The Animal of Pedregal, 1951), sculpture in reinforced concrete, Jardines de Pedregal de San Ángel, Mexico City. • Los amantes (The Lovers), sculpture at the Hotel Presidente, Acapulco. • El bailarín (The Dancer). • La mano divina (The Divine Hand) and La mano codiciosa (The Covetous Hand), reliefs in the Iglesia de San Lorenzo, Mexico City. • El Eco Museo Experimental ("El Eco" Experimental Museum, 1953), Mexico City. • El Pájaro Amarillo (The Yellow Bird, 1957) Colonia Jardines del Bosque, Guadalajara. • Torres de la Ciudad Satélite (Towers of Satellite City, 1957) with Luis Barragán. • Stained Glass windows for the cathedrals of Mexico City and Cuernavaca, the churches of Santiago Tlatelolco and Azcapotzalco, and the Maguén-David synagogue, Mexico City. • Coordination of the sculptures of the Ruta de la Amistad (Route of Friendship), a major project of the Cultural Program of the 1968 Mexico City Olympics. • Osa Mayor (Ursa Major, 1968), Palacio de los Deportes, Mexico City. • Torres de Automex (Automex Towers, 1963–64), Carretera de Toluca. • Pirámide de Mixcoac (Mixcoac Pyramid, 1971), Mexico City. • Murals for the Arco Tower in Los Angeles, California, United States, 1970. • Corona de Bambi and Espacio Escultórico (Sculpture Space, 1979), Ciudad Universitaria, UNAM, Mexico City. • Laberinto de Jerusalén (Jerusalem Labyrinth), 1978-1980. • Massive bronze entry door for the John Lautner-designed residence "Marbrisa", Acapulco, 1973
Context
Primary material
Context
The circumstances in which Mathias Goeritz stands.
Documents and archives
Primary material
Documents and archives
authority file
- Gemeinsame Normdatei 1212946391, Mathias Goeritz, El Eco.
Unverified · Deutsche Nationalbibliothek
authority record
- Wikidata, structured authority record Q64487: Mathias Goeritz
Unverified · Wikidata
reference work
- “Mathias Goeritz”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Mathias Goeritz 1915-1990: El Eco: Bilder, Skulpturen, Modelle, ed. Christian Schneegass (Berlin: Akademie der Künste, 1992), 465.
- 2.Mathias Goeritz, Ferdinand Von Rayski und die Kunst des Neunzehnten Jahrhunderts(Berlin: Hans von Hugo, 1942).
- 3.Olivia Zúñiga, Mathias Goeritz (México, D.F.: Editorial Intercontinental, 1963), 15.
- 4.Primera Semana de Arte en Santillana del Mar: del 19 al 25 de septiembre, 1949 (Santander: Escuela de Altamira, 1950), and Segunda Semana de Arte en Santillana del Mar: del 20 al 26 de septiembre, 1950 (Santander: Escuela de Altamira, 1951).
- 5.Snyder, Michael. In and Around Guadalajara, Homes Like Sanctuaries. The New York Times. 2021-02-15. 0362-4331.
- 6.Mathias Goeritz. Portal de la Academia de Artes – Centro de Documentación de la Academia de Artes. 2024-07-11.
Bibliography printed in the source article · 6
- Olivia Zúñiga, Mathias Goeritz (México, D.F.: Editorial Intercontinental, 1963), English edition published 1964
- Mathias Goeritz 1915-1990: El Eco: Bilder, Skulpturen, Modelle, ed. Christian Schneegass (Berlin: Akademie der Künste, 1992 (in German)
- Mathias Goeritz, 1915-1990: Monographie mit Werkverzeichnis (Tuduv-Studien), Elke Werry (Author) 1994 (in German)
- Conversaciones con Mathias Goeritz, Mario Monteforte Toledo (Author) 1993 (in Spanish)
- Artspawn. "Biography of Mathias_Goeritz", Biographical information about Mathias_Goeritz on Artspawn.
- Jürgen Claus, Mathias Goeritz, in: "Liebe die Kunst. Eine Autobiografie in einundzwanzig Begegnungen", Kerber Verlag/ZKM, 2013,
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Gemeinsame Normdatei 1212946391, Mathias Goeritz, El Eco.Deutsche Nationalbibliothek
Partially resolvedauthority record
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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