Suzanne Alaywan
Suzanne Alaywan (born 1974) is a Lebanese-Iraqi poet and painter. She has admitted to Joan Miró as being inspiration to her work, in addition to Japanese art. She writes predominantly in Arabic.
Suzanne Alaywan
- Born
- 1974 · Beirut.
- Nationality
- Lebanon
- Occupation
- poet · writer · painter · journalist
- Education
- The American University in Cairo · American School of Paris
- Teachers
- Joan Miró
- Languages
- Arabic · English · French
Enciclopedia VALÉORINE
Il dossier documentario
Ogni enunciato è letto negli archivi di autorità delle istituzioni nominate. Scegliete «Prova» accanto a un enunciato per vedere la scheda da cui è tratto, il punto esatto e la data di lettura.
Suzanne Alaywan (nascita: 1974) figura come scrittrice, pittrice e giornalista negli archivi di autorità della Deutsche Nationalbibliothek.
Vita
La nascita di Suzanne Alaywan è registrata nel 1974 a Beirut.
Attività
La Deutsche Nationalbibliothek registra Beirut come luogo di attività.
Istituzioni citate
Deutsche Nationalbibliothek
Non indicato dalle fonti citate: nazionalità
Catena di lettura completa (JSON)Reference Check
Propose documentary evidence for Suzanne Alaywan. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q7650755 · wikipedia · Suzanne Alaywan
In this article
Personal life
Born in Beirut to an Iraqi father and Lebanese mother. Due to the Lebanese civil war, Alaywan spent her adolescent years between Andalus, Paris, and Cairo. She attended the American School of Paris, graduating in 1992. In 1997 she graduated from the faculty of Journalism and Media in the American University of Cairo.
Publications
Since 1994, Alaywan has published nine collections of poetry, several of which have been translated. • Café Bird (1994) • Angels’ Hideout (1995) • Unique (1996) • Temporary Sun (1998) • No Way Out (1999) • Provisional Sun (2000) • A Presence Called Love (2001) • Blind Lantern (2002) • Envisioning the Scene (2004) • Junk Words (2006). This has also been translated as "A Clutter of Words". • All Roads Lead to Salah Salem (2008). (Arabic language, has not been translated) • The Gazelle`s Throw (2011) Her works have been included in poetry collections and other collected volumes. • A poem titled "About Fear" appeared in Issue 14 of A Gathering of the Tribes (2013), a publication focused on art and culture from a diverse perspective. • Three poems titled "Montmartre", "Draft of a City", and "Degree Zero of the Desert" appeared in the winter 2013 issue of ArteEast Shadehat called City of Translation. • Her work appeared in Diván de poetisas árabes contemporáneas (Divan of Contemporary Arab Women Poets) (2016), a spanish language book which highlights the importance of poetic history beginning in the mid-20th century. The volume includes work by ten women poets including Alaywan. • A poem titled " A House made of Sugar" appeared in Lisan, a German-language publication focused on Arabic poetry and fiction in translation. • Three poems from her collection "A Clutter of Words" were published in Transference Vol. 5 (2017), an academic journal that focuses exclusively on poetic translations.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Suzanne Alaywan, revision 1370270792 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Featured Artist: Suzanne Alaywan LEBRECORD Lebanon Art Magazine. lebrecord.com.
- 2.Haven Books: Suzan Alaiwan
- 3.Youkhanna, Nina. Excerpts from The Clutter of Words by Suzanne Alaywan. Transference. 5. 1. 2017-12-14. 2325-5072.
- 4.جدلية, Jadaliyya-. Suzanne Alaywan's The Gazelle's Throw. Jadaliyya - جدلية.
- 5.TRIBES Issue #14 (2013) Digital Download. A Gathering of the Tribes Magazine.
- 6.ArteEast Quarterly Winter 2013 Art Agenda.
- 7.Casa Árabe Divan of Contemporary Arab Women Poets. en.casaarabe.es.
- 8.Alaywan, Suzanne. A House Made of Sugar. Lisan Magazine. Journal of Arabic Literature. 01. 11. 2006.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Born at
1- BeirutPlace
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Sushelnytska IrynaArtist
- Susie Bootja Bootja NapaltjarriArtist
- Susie M. BarstowArtist
- Suzanna OgunjamiArtist
- Suzanne de CourtArtist
- Suzanne DuchampArtist
- Suzanne EisendieckArtist
- Suzanne Estelle ApoilArtist
Best supported in this field
For owners
Own a work by Suzanne Alaywan?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.