Robert Turnbull Macpherson
Robert Turnbull Macpherson (27 February 1814 – 17 November 1872) was a Scottish artist and photographer who worked in Rome, Italy, in the 19th century.
Also recorded as Robert Macpherson · Robert Turnbull McPherson · R. T. MacPherson · R. Macpherson
Robert Turnbull Macpherson

Robert Turnbull Macpherson · Yale Center for British Art · CC0
- Name
- Robert Turnbull Macpherson
- Born
- 27 February 1814
- Birthplace
- Dalkeith, Scotland
- Died
- 17 November 1872
- Place of death
- Rome, Italy
- Occupation
- Artist, photographer
- Spouse
- Louisa Gerardine Bate
- Nationality
- United Kingdom of Great Britain and Ireland · United Kingdom
- Education
- University of Edinburgh
- Languages
- English
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Robert Turnbull Macpherson (27 February 1814 – 17 November 1872) was a Scottish artist and photographer who worked in Rome, Italy, in the 19th century.
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Authority files
wikidata · Q7350504 · wikipedia · Robert Turnbull Macpherson
In this article
Biography
Biography
Robert Turnbull Macpherson studied at University of Edinburgh. The recorded working language is English. Places of work recorded in the authority are Rome. Work by Robert Turnbull Macpherson is recorded in the collections of National Gallery of Victoria, Art Institute of Chicago, The Nelson-Atkins Museum of Art, Museum of Modern Art and Metropolitan Museum of Art.

Robert Turnbull Macpherson - Arch of Titus, Roman Forum - B2016.11.6 - Yale Center for British Art
Robert Turnbull Macpherson · Yale Center for British Art

Robert Turnbull Macpherson - Bas-relief of the Biga, Arch of Titus - B2016.11.12 - Yale Center for British Art
Robert Turnbull Macpherson · Yale Center for British Art
Key facts
Key facts
• Name — Robert Turnbull Macpherson • Born — 27 February 1814 • Birthplace — Dalkeith, Scotland • Died — 17 November 1872 • Place of death — Rome, Italy • Occupation — Artist, photographer • Spouse — Louisa Gerardine Bate
Early life
Early life
Robert Turnbull Macpherson was born on 27 February 1814 in Dalkeith, Scotland, outside the city of Edinburgh. Although family friend and author Margaret Oliphant described him as a close relative of Clan Macpherson chief Ewan Macpherson of Cluny and "the nearest male relative" of poet James Macpherson, the exact relationships are uncertain. Nothing is known of Macpherson's childhood until his study in medicine at the University of Edinburgh between 1831 and 1835. He apparently did not complete his medical studies, and subsequently studied art at the Royal Scottish Academy in Edinburgh, where he exhibited portraits between 1835 and 1839. His only known surviving work from this period is Templar Knight at Roslin Chapel, an oil painting dated 1836. In 1840 he left Scotland for Rome, Italy.
Early career in Rome
Early career in Rome
During his initial years in Rome, Macpherson continued to practice as a painter. While records exist of several works between 1840 and 1845, only one is known to survive from Macpherson's time in Rome—a large oil painting of the Roman Campagna, dated 1842. In addition to painting, he worked as an art dealer. His most notable acquisition was a large, dark panel which he purchased in 1846. After cleaning the piece, it was identified as The Entombment of Christ, an unfinished work by Michelangelo. Macpherson smuggled the painting out of Rome, and in 1868 sold it to the National Gallery in London for £2000. In 1847, Macpherson met and fell in love with seventeen-year-old Louisa Gerardine ("Geddie") Bate, who had travelled from London to Rome in the company of her aunt, the art historian Anna Jameson. Macpherson and Bate continued the relationship after Bate's return to England, despite her parents' and aunt's objections, and were married in September 1849, in Ealing.
Later life
Later life
By the late 1860s Macpherson's fortunes were in decline. His health had deteriorated due to malaria, and the increasing political instability in Rome reduced the stream of British tourists that made up much of his customer base. At the same time, technical advances in photography moved the medium from the realm of artists to that of a commodity. Robert Macpherson died on 17 November 1872. His funeral was held at the artists' church Santa Maria del Popolo in Rome, and he was buried at Campo Verano though his grave has since been lost. He was survived by his wife Gerardine and children William (who appears in the Italian record as "Guglielmo"), Joseph ("Giuseppe"), Ada ("Aida"), and Francis or Frank ("Francesco"). Over the course of his photography career, Macpherson catalogued 1,019 photographs. Today, significant numbers may be found at George Eastman House, the J. Paul Getty Museum, the Courtauld Institute of Art, and the British School at Rome. Smaller collections are found worldwide.
Identity and origins
Identity and origins
The authorities additionally record the headings Robert Macpherson, Robert Turnbull McPherson, R. His recorded language was English. His recorded confession was Catholic Church. He married Gerardine Macpherson.
Identity
Identity
Robert Turnbull Macpherson is recorded as a citizen of United Kingdom of Great Britain and Ireland. Recorded with the occupation antiquarian seller.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1814
Robert Turnbull Macpherson was born on 27 February 1814.
1872
Robert Turnbull Macpherson died on 17 November 1872.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Dalkeith.
Birth place
Rome.
Death place
Photography
• Illustration — Forum of Trajan In 1851, having failed to achieve notice as a painter, Macpherson turned to the new art of photography, using albumin on glass negatives. By 1856 he had transitioned to collodio-albumin, allowing the easier transport of dry plates. He typically used large-format negatives and long exposure times to attain exceptional detail of Roman architecture, monuments, ruins, landscapes, and sculptures. His work emphasised careful composition of scenes to capture three-dimensional architectural relationships on the two-dimensional photographic medium. Macpherson emphasised the artistic aspects of his photography, stating in 1863 that "I remain a photographer to this day, without any feeling that by doing so I have abandoned art, or have in any way forfeited my claim to the title of artist." By the early 1860s, Macpherson's photographic career was near its zenith, with exhibitions in Edinburgh and London. His work received critical acclaim, with "subjects chosen with fine taste and the pictures executed with skill and delicacy." Macpherson was the first photographer permitted to photograph inside the Vatican, and in 1863 published Vatican Sculptures, Selected and Arranged in the Order in which they are Found in the Galleries, a guide book to 125 Vatican sculptures featuring woodcut illustrations carved by his wife from his photographs. Although resident in Rome, Macpherson remained an active member of the Photographic Society of Scotland. However, The Scotsman newspaper noted in his obituary that he was "the father of photography in the Eternal City [Rome]."
Primary material
Documents and archives
reference work
- “Robert Turnbull Macpherson”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q7350504: Robert Turnbull Macpherson
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Crawford 1999, p. 356. The date remains uncertain. Earlier references, for example Munsterberg 1986, often give Macpherson's birth as 1811 and either Inverness or Forfarshire. A family note gives 29 February 1816.
- 2.Macpherson 1878, p. xiii
- 3.Crawford 1999, pp. 356–357, suggests that Macpherson's father John may be the illegitimate son of James Macpherson.
- 4.Munsterberg 1986, p. 142
- 5.Crawford 1999, p. 357
- 6.Nisbet 2010, p. 2. There remains some doubt as to whether this work, signed "R T McPHERSON", is authentic or was painted by the subject of this article.
- 7.Munsterberg 1986, p. 143.
- 8.Crawford 1999, pp. 379–383.
- 9.Gerardine Macpherson would later write Memoirs of the life of Anna Jameson, a biography of Jameson.
- 10.Munsterberg 1986, pp. 145–146.
- 11.Macpherson 1863, Introduction
- 12.Crawford 1999, pp. 359–360.
- 13.Crawford 1999, p. 360.
- 14.Munsterberg 1986, pp. 147–148.
- 15.Crawford 1999, p. 365-368.
- 16.Crawford 1999, p. 362.
- 17.The Athenaeum, p. xxxvii, 9 August 1862, 181, as cited in Munsterberg 1986, p. 150.
- 18.Crawford 1999, p. 364.
- 19.Getty Museum. Robert Macpherson.
- 20.Death of Mr. R. Macpherson, of Rome. The Scotsman. 26 November 1872.
- 21.Crawford 2008, p. 35.
- 22.Crawford 1999, p. 395.
- 23.Crawford 1999, p. 401.
- 24.Crawford 2008, p. 46. Freeman 1883, p. 231, gives the burial location San Lorenzo fuori le Mura, which is adjacent to Campo Verano.
- 25.Crawford 2008, p. 44.
Bibliography printed in the source article · 10
- Becchetti, Pietro and Carlo Pietrangeli, Robert Macpherson: Un inglese fotografo a Roma; Rome: Quasar Editions, 1987.
- Crawford, Alistair, "Robert Macpherson 1814–72, The Foremost Photographer of Rome", in Papers of the British School at Rome, Vol. 67 (1999); pp. 353–403.
- Crawford, Alistair, "Robert Macpherson 1814–1872: The Final Proof", in Jubilee – 30 Years ESHPh; Congress of Photography in Vienna, 2008.
- Freeman, James, Gatherings from an Artist's Portfolio in Rome, Vol. 2; Boston: Roberts Brothers, 1883.
- Macpherson, Gerardine, Memoirs of the life of Anna Jameson; Boston: Roberts Brothers, 1878.
- Macpherson, Robert, Vatican Sculptures, Selected and Arranged in the Order in which they are Found in the Galleries; London: Chapman & Hall, 1863.
- McKenzie, Ray, "Scottish Photographers in Nineteenth-century Italy. Robert Macpherson and his Contemporaries", in History of Photography, Vol. 20 (Spring, 1996); pp. 33–40.
- Munsterberg, Marjorie, "A Biographical Sketch of Robert Macpherson", in The Art Bulletin, Vol. 68, No. 1 (March 1986); pp. 142–153.
- Nisbet, Jeff, "The Rosslyn Templar", in Girnigoe: Scotland’s Clan Sinclair Magazine, August 2010.
- Wooters, David, "The Quiet Art of Robert Macpherson: An Explication", in History of Photography, Vol. 20 (Spring, 1996); pp. 2–3.
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Robert Turnbull Macpherson is connected to 1 other published record in the VALÉORINE Encyclopedia.
Recognition and collections
Work by Robert Turnbull Macpherson is
National Gallery of Victoria, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Museum of Modern Art
Within the Encyclopedia
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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