Vilmos Zsigmond
Vilmos Zsigmond (June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer. His work helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. In 2003, he was voted as one of the ten most influential cinematographers in history by the members of the International Cinematographers Guild.
Vilmos Zsigmond

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- Name
- Vilmos Zsigmond
- Born
- 16 June 1930
- Birthplace
- Szeged, Kingdom of Hungary
- Died
- 1 January 2016
- Place of death
- Big Sur, California, U.S.
- Occupation
- Cinematographer
- Awards
- See below Vilmos Zsigmond (June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer.
- Nationality
- Hungary · United States
- Fields
- film
- Education
- University of Theatre and Film Arts
- Honours
- Academy Award for Best Cinematography · honorary citizen of Szeged · Corvin Chain · BAFTA Award for Best Cinematography
- Languages
- English · Hungarian
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Vilmos Zsigmond (June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer. His work helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. In 2003, he was voted as one of the ten most influential cinematographers in history by the members of the International Cinematographers Guild.
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In this article
Biography
Biography
Over his career he became associated with many leading American directors, such as Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino and Woody Allen. He won the Academy Award for Best Cinematography for Close Encounters of the Third Kind and the BAFTA Award for Best Cinematography for The Deer Hunter. He also won an Emmy Award for the HBO miniseries Stalin. His work on the films McCabe and Mrs. Miller, Close Encounters of the Third Kind and The Deer Hunter made the American Society of Cinematographers (ASC) list of the top 50 best-shot films from 1950–97. The ASC also awarded him with their Lifetime Achievement Award in 1998.
Vilmos Zsigmond studied at University of Theatre and Film Arts. The recorded working language is English and Hungarian. The field of work recorded is film. Distinctions recorded are Academy Award for Best Cinematography, honorary citizen of Szeged, Corvin Chain and BAFTA Award for Best Cinematography.

Cinematographer Vilmos Zsigmond (front right), a film crew and Fouad Said (front left) on MGM back lot with a Mark IV Cinemobile
Larry Bessel, Los Angeles Times
Key facts
Key facts
• Name — Vilmos Zsigmond • Honorific Suffix — ASC • Born — 16 June 1930 • Birthplace — Szeged, Kingdom of Hungary • Died — 1 January 2016 • Place of death — Big Sur, California, U.S. • Citizenship — * Hungary • United States (from 1962) • Occupation — Cinematographer • Years Active — 1955–2015 • Spouses — Elizabeth Fuzes (divorced) (2 children) Susan Roether (his death) • Awards — See below Vilmos Zsigmond (June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer. His work helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. In 2003, he was voted as one of the ten most influential cinematographers in history by the members of the International Cinematographers Guild. Over his career he became associated with many leading American directors, such as Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino and Woody Allen. He won the Academy Award for Best Cinematography for Close Encounters of the Third Kind and the BAFTA Award for Best Cinematography for The Deer Hunter. He also won an Emmy Award for the HBO miniseries Stalin. His work on the films McCabe and Mrs. Miller, Close Encounters of the Third Kind and The Deer Hunter made the American Society of Cinematographers (ASC) list of the top 50 best-shot films from 1950–97. The ASC also awarded him with their Lifetime Achievement Award in 1998.
Early life and education
Early life and education
Zsigmond was born in Szeged, Hungary, the son of Bozena (Illichman), an administrator, and Vilmos Zsigmond, a soccer player and coach. He became interested in photography at age 17 after an uncle had given him Művészi fényképezés (The Art of Light), a book of black-and-white photographs taken by Hungarian photographer Jenő Dulovits, but under the Soviet-imposed government of the Hungarian People's Republic he was not allowed to study the subject because his family was considered bourgeois. Instead, Zsigmond worked in a factory, bought a camera and taught himself how to take pictures, going on to organize a camera club for the workers. As a result he won the respect of local commissars and was allowed to study cinema at the Academy of Drama and Film in Budapest and received an MA in cinematography. He worked for five years in a Budapest feature film studio becoming director of photography.
Hungarian Revolution and move to the United States
Hungarian Revolution and move to the United States
Zsigmond, along with his friend and fellow student László Kovács, borrowed a 35-millimeter camera from their school and chronicled the events of the 1956 Hungarian Revolution in Budapest by hiding the camera in a shopping bag and shooting footage through a hole they had cut in the bag. The two men shot thirty thousand feet of film and escaped to Austria shortly afterwards. In 1958 Zsigmond and Kovács arrived in the United States as political refugees and sold the footage to CBS for a network documentary on the revolution narrated by Walter Cronkite. In 1962, Zsigmond became a naturalized citizen of the United States. He settled in Los Angeles and worked in photo labs as a technician and photographer.
Early cinematography credits
Early cinematography credits
The first film he worked on in the United States was the 1963 black-and-white exploitation film The Sadist, starring Arch Hall Jr. Throughout the 1960s, he worked on many low-budget independent and educational films as he attempted to break into the film industry. \ Some of the films that he worked on during this period credited him as "William Zsigmond", including The Sadist, the classic horror B movie The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, and the Second City satirical science fiction movie The Monitors.
New Hollywood
New Hollywood
Kovács, who shot the 1969 film Easy Rider for Peter Fonda and Dennis Hopper, recommended Zsigmond to Fonda for his 1971 Western film The Hired Hand. Later that same year Zsigmond was hired by Robert Altman for his revisionist western film McCabe & Mrs. Miller, which became Zsigmond's breakthrough film and marked his first time working on a major Hollywood production. Over the following decade, Zsigmond became one of the most in-demand cinematographers in Hollywood. Some of the major films he shot in the 1970s include John Boorman's Deliverance, Altman's The Long Goodbye and Brian De Palma's Obsession, as well as Steven Spielberg's The Sugarland Express and Close Encounters of the Third Kind, the latter of which won him the Academy Award for Best Cinematography at the 50th Academy Awards. In 1978, Zsigmond worked on Michael Cimino's drama The Deer Hunter, starring Robert De Niro, Meryl Streep and Christopher Walken. Zsigmond's visual work on the film earned him the 1980 BAFTA Award for Best Cinematography and another Academy Award nomination. Zsigmond again worked with Cimino on his 1980 epic Western Heaven's Gate. Zsigmond continued to be in demand in the years that followed, working multiple times with several directors. He again worked with De Palma on his films Blow Out, The Bonfire of the Vanities, and The Black Dahlia. He worked with Mark Rydell on Cinderella Liberty, The Rose, The River, and Intersection. He worked with George Miller on The Witches of Eastwick and with Kevin Smith on Jersey Girl. He also worked with Woody Allen on Melinda and Melinda, Cassandra's Dream, and You Will Meet a Tall Dark Stranger.
Later career
Later career
Zsigmond's television work includes the HBO miniseries Stalin, for which he won the 1993 Emmy Award for Outstanding Individual Achievement in Cinematography for a Miniseries or a Special. He was nominated for an Emmy for his work on 2001 miniseries The Mists of Avalon. Zsigmond also shot 24 episodes of The Mindy Project between 2012 and 2014. Vilmos' life and career was featured in No Subtitles Necessary: Laszlo & Vilmos, a bio-documentary that aired on PBS's Independent Lens in 2009. In 2011 Zsigmond co-founded the Global Cinematography Institute in Los Angeles, along with fellow cinematographer Yuri Neyman. The Institute provided an advanced cinematography educational program for postgraduate students and veteran filmmakers.
Death
Death
On January 1, 2016, Zsigmond died at his home in Big Sur, California, at the age of 85.
Television
Television
• Year — Title — Director — Notes • 1969 — The Bold Ones: The Protectors — Robert Day — Episode "A Case of Good Whiskey at Christmas Time" • 2001 — The Mists of Avalon — Uli Edel — Miniseries • 2012–14 — The Mindy Project — Charles McDougall Michael Weaver Michael Spiller — Episodes "Pilot", "Girl Next Door" and "Danny and Mindy"
Life and career
Dated record
Life and career
Explore 1930–2016
The full dated record · 8 entries
1930
Vilmos Zsigmond born at Szeged.
1974
Cinematographers: Laszlo Kovacs, Vilmos Zsigmond. (1974) is digitised and catalogued by Open Library.
1978
Receives Academy Award for Best Cinematography.
1980
Receives BAFTA Award for Best Cinematography.
2001
Receives Corvin Chain.
2004
Receives honorary citizen of Szeged.
2016
Dies at Big Sur.
2016
Vilmos Zsigmond died at Big Sur.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Szeged.
Birth place
Big Sur.
Death place
Style and techniques
He was a longtime user and endorser of Tiffen filters, and is associated with the technique known as flashing or pre-fogging, which involves carefully exposing the film negative to a small, controlled amount of light in order to create a muted color palette.
Film
• Year — Title — Director — Notes • 1963 — The Sadist — James Landis • Living Between Two Worlds — Bobby Johnson — With Lee Strosnider • 1964 — What's Up Front! — Bob Wehling • The Time Travelers — Ib Melchior • The Nasty Rabbit — James Landis • 1965 — Deadwood '76 — With Lew Guinn • Tales of a Salesman — Don Russell — Uncredited • Summer Children — James Bruner • Rat Fink — James Landis • Psycho A-Go-Go — Al Adamson • 1967 — The Road to Nashville — Will Zens — With Leif Rise • Blood of Ghastly Horror — Al Adamson — With Louis Horvath • 1968 — The Name of the Game Is Kill! — Gunnar Hellström • Jennie: Wife/Child — Robert Carl Cohen (Uncredited) James Landis (Uncredited) • 1969 — Satan's Sadists — Al Adamson — Uncredited • The Monitors — Jack Shea • Futz — Tom O'Horgan • Five Bloody Graves — Al Adamson • The Picasso Summer — Serge Bourguignon Robert Sallin (Uncredited) • 1970 — Horror of the Blood Monsters — Al Adamson — With William G. Troiano • 1971 — Red Sky at Morning — James Goldstone • McCabe & Mrs. Miller — Robert Altman • The Hired Hand — Peter Fonda • The Ski Bum — Bruce D. Clark • 1972 — Images — Robert Altman • Deliverance — John Boorman • Country Music — Robert Hinkle — With Gary Galbraith • 1973 — The Long Goodbye — Robert Altman • Scarecrow — Jerry Schatzberg • Cinderella Liberty — Mark Rydell • 1974 — The Sugarland Express — Steven Spielberg • The Girl from Petrovka — Robert Ellis Miller • 1975 — Funny Lady — Herbert Ross — Uncredited • 1976 — Sweet Revenge — Jerry Schatzberg • Obsession — Brian De Palma • 1977 — Close Encounters of the Third Kind — Steven Spielberg • 1978 — The Deer Hunter — Michael Cimino • 1979 — Winter Kills — William Richert • The Rose — Mark Rydell • 1980 — Heaven's Gate — Michael Cimino • 1981 — Blow Out — Brian De Palma • 1982 — Jinxed! — Don Siegel • 1983 — Table for Five — Robert Lieberman • 1984 — No Small Affair — Jerry Schatzberg • The River — Mark Rydell • 1985 — Real Genius — Martha Coolidge • 1987 — The Witches of Eastwick — George Miller • 1989 — Fat Man and Little Boy — Roland Joffé • 1990 — Journey to Spirit Island — László Pal • The Two Jakes — Jack Nicholson • The Bonfire of the Vanities — Brian De Palma • 1993 — Sliver — Phillip Noyce • 1994 — Intersection — Mark Rydell • Maverick — Richard Donner — Also made a cameo as Albert Bierstadt • 1995 — The Crossing Guard — Sean Penn • Assassins — Richard Donner • 1996 — The Ghost and the Darkness — Stephen Hopkins • 1998 — Playing by Heart — Willard Carroll • Illegal Music — Zane Zidel • 2001 — The Body — Jonas McCord • Life as a House — Irwin Winkler • 2002 — Bánk bán — Csaba Káel • 2004 — Jersey Girl — Kevin Smith • Melinda and Melinda — Woody Allen • 2006 — The Black Dahlia — Brian De Palma • 2007 — Cassandra's Dream — Woody Allen • 2010 — You Will Meet a Tall Dark Stranger • Louis — Dan Pritzker — Also made a cameo as "Hungarian Photographer" • 2011 — The Maiden Danced to Death — Endre Hules — With Zoltan Honti • 2013 — Compulsion — Egidio Coccimiglio • 2014 — Six Dance Lessons in Six Weeks — Arthur Allan Seidelman
Primary material
Documents and archives
institutional register
- Bibliothèque nationale de France authority file 13946114c
General reference · Bibliothèque nationale de France
- FAST authority file 283863
General reference · FAST
- GND (German National Library) authority file 128800003
General reference · GND (German National Library)
- IdRef (French universities) authority file 060337656
General reference · IdRef (French universities)
- ISNI authority file 0000000121421582
General reference · ISNI
- Library of Congress authority file n91032164
General reference · Library of Congress
reference work
- “Vilmos Zsigmond”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Major awards
Major awards
Academy Awards • Year — Title — Category — Result • 1977 — Close Encounters of the Third Kind — Best Cinematography • 1978 — The Deer Hunter • 1984 — The River • 2006 — The Black Dahlia BAFTA Awards • Year — Title — Category — Result • 1971 — McCabe & Mrs. Miller — Best Cinematography • 1972 — Images • Deliverance • 1977 — Close Encounters of the Third Kind • 1978 — The Deer Hunter American Society of Cinematographers Awards • Year — Title — Category — Result • 1993 — Stalin — Outstanding Achievement in Cinematography in Motion Picture Made for Television • 1996 — The Ghost and the Darkness — Outstanding Achievement in Cinematography in Theatrical Releases • 2006 — The Black Dahlia Satellite Awards • Year — Title — Category — Result • 2006 — The Black Dahlia — Best Cinematography Primetime Emmy Awards • Year — Title — Category — Result • 1992 — Stalin — Outstanding Cinematography • 2001 — The Mists of Avalon
Other awards
Other awards
• Institution — Year — Title — Category — Result • CableACE Awards — 1994 — Stalin — Photography in a Movie or Miniseries • Camerimage Festival — 2002 — Bánk bán — Best Film Adaptation of an Opera • 2006 — The Black Dahlia — Golden Frog • 2010 — Louis • 2014 — God the Father • Hollywood Film Awards — 2006 — The Black Dahlia — Cinematographer of the Year • National Society of Film Critics Awards — 1972 — McCabe & Mrs. Miller — Best Cinematography — 3rd place • 1973 — Images — 2nd place • 1974 — The Long Goodbye • 1982 — Blow Out Lifetime Achievement Honors • 1997: Camerimage Festival • 1999: American Society of Cinematographers • 1999: Cinequest Film & Creativity Festival • 2010: Manaki Brothers Film Festival • 2014: Cannes Film Festival
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Bibliothèque nationale de France authority file 13946114cBibliothèque nationale de France
Secondary witnessinstitutional register
Secondary witnessinstitutional register
GND (German National Library) authority file 128800003GND (German National Library)
Secondary witnessinstitutional register
IdRef (French universities) authority file 060337656IdRef (French universities)
Secondary witnessinstitutional register
Secondary witnessinstitutional register
Library of Congress authority file n91032164Library of Congress
Secondary witnessreference work
Secondary witnessinstitutional register
General reference
Every cited source · 9
- 01
Bibliothèque nationale de France authority file 13946114c
institutional register · General reference · Bibliothèque nationale de France
Consult the source - 02
- 03
GND (German National Library) authority file 128800003
institutional register · General reference · GND (German National Library)
Consult the source - 04
IdRef (French universities) authority file 060337656
institutional register · General reference · IdRef (French universities)
Consult the source - 05
ISNI authority file 0000000121421582
institutional register · General reference · ISNI
Consult the source - 06
Library of Congress authority file n91032164
institutional register · General reference · Library of Congress
Consult the source - 07
“Vilmos Zsigmond”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 08
VIAF cluster 85511376 for Vilmos Zsigmond, aggregating national library name authorities.
institutional register · General reference · VIAF
Consult the source - 09
Wikidata, structured authority record Q963628: Vilmos Zsigmond
institutional register · General reference · Wikimedia Foundation
Consult the source
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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