Rahi Masoom Raza
Rahi Masoom Raza (1 September 1927 – 15 March 1992) was an Indian Urdu and Hindi poet, writer and Bollywood lyricist. He won the Filmfare Award for Best Dialogue three times, for his work in Main Tulsi Tere Aangan Ki (1979), Tawaif (1985) and Lamhe (1991). He is best known for writing the screenplay and dialogues for the television series Mahabharat, which was based on the Sanskrit epic, the Mahabharata from ancient India.
Also recorded as Rahi Masoom Reza
Rahi Masoom Raza
- Name
- Rahi Masoom Raza
- Born
- 1 September 1927
- Birthplace
- Ganguali, United Provinces, British India (present-day Uttar Pradesh, India)
- Occupation
- Novelist, Urdu poet, and film songs lyricist
- Died
- 15 March 1992
- Place of death
- Bombay, Maharashtra, India
- Awards
- Won 3 Filmfare Award for Best Dialogue
- Nationality
- India · British Raj · Dominion of India
- Education
- Aligarh Muslim University
- Honours
- Filmfare Awards
- Languages
- Hindi
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Rahi Masoom Raza (1 September 1927 – 15 March 1992) was an Indian Urdu and Hindi poet, writer and Bollywood lyricist. He won the Filmfare Award for Best Dialogue three times, for his work in Main Tulsi Tere Aangan Ki (1979), Tawaif (1985) and Lamhe (1991). He is best known for writing the screenplay and dialogues for the television series Mahabharat, which was based on the Sanskrit epic, the Mahabharata from ancient India.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Rahi Masoom Raza (1925–1992) was a poet, screenwriter and writer, a national of the British Raj and the Dominion of India. The poet was born in Ghazipur and died in Mumbai. Rahi Masoom Raza was educated at Aligarh Muslim University.
Languages used include Hindi. Honours include Filmfare Awards.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Rahi Masoom Raza. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q3631305 · wikipedia · Rahi Masoom Raza
In this article
Key facts
Key facts
• Name — Rahi Masoom Raza • Born — 1 September 1927 • Birthplace — Ganguali, United Provinces, British India (present-day Uttar Pradesh, India) • Occupation — Novelist, Urdu poet, and film songs lyricist • Died — 15 March 1992 • Place of death — Bombay, Maharashtra, India • Years Active — 1945 – 1992 • Awards — Won 3 Filmfare Award for Best Dialogue • Relatives — Parvati Khan (daughter-in-law)
Early life and education
Early life and education
Raza was born on 1 September 1927 into a Muslim family in the village of Gangauli, located in the Ghazipur district of Uttar Pradesh. He was the younger brother of educationist Moonis Raza and scholar Mehdi Raza. Raza completed his early education in Ghazipur district before pursuing higher education at Aligarh Muslim University, where his academic focus was centered on Muslim theology. He earned a doctorate in Hindustani Literature and embarked on a literary career. He married Nayyar Jahan who had been previously married. Raza was told by many of his friends to break off ties with her. But he remained firm in his resolve and they were married, which led to a controversy that made Raza quit the Aligarh Muslim University job as a lecturer. Then the married couple decided to move to Bombay where Raza would work in films in 1967. Writing under the pseudonym Shahid Akhtar, he contributed novels to the Urdu magazine Rumani Duniya from Allahabad. Raza later became a lecturer in Urdu at Aligarh Muslim University before relocating to Bombay (now Mumbai).
Career
Career
Raza's career in Hindi films began with the romantic drama Mili (1975), directed by Hrishikesh Mukherjee. His dialogues in the film were praised, marking the beginning of his career in the Hindi film industry. He won his first Filmfare Award for Best Dialogue for Raj Khosla's drama Main Tulsi Tere Aangan Ki (1978), which dealt with themes of love, sacrifice, and societal expectations. His dialogues were instrumental in conveying the emotional depth and complexity of the film. After working for various successful films like Gol Maal (1979), Karz (1980), Judaai (1980) and Disco Dancer (1982), Raza's next prominent venture was the romantic drama Tawaif (1985), directed by B. R. Chopra. Showcasing the life and dilemmas of the life of a courtesan, his dialogues were instrumental in humanizing the characters and conveying the emotional depth of the narrative, contributing significantly to the film's critical acclaim. His work on the film earned him his second Filmfare Award for Best Dialogue. He gained recognition on Hindi television for writing the screenplay and dialogues for the television serial Mahabharat, which was based on the ancient Indian epic, the Mahabharata. The serial became one of the most popular TV shows in India, achieving a peak television rating of approximately 86%. Raza then collaborated with Honey Irani to write the screenplay and dialogues for Yash Chopra's musical romantic drama Lamhe (1991), which was a pioneering film that explored unconventional themes of love across generations. Raza's dialogues, which were pivotal in conveying Lamhes complex emotions and progressive themes, earned widespread critical acclaim upon the film's release. At the 37th Filmfare Awards, the film won a leading 5 awards, including a third Filmfare Award for Best Dialogue for Raza. Lamhe was Raza's final film to release in his lifetime, and over the years, it has been hailed as an all-time classic and the finest film of Chopra, Irani and Raza's careers.
Works
Works
His works include:
Novels
Novels
• Aadha Gaon (The Divided Village) • Dil Ek Saada Kaghaz • Topi Shukla • Os Ki Boond • Katra Bi Arzoo • Scene No. 75
Poetry
Poetry
• Mauz-e-ghul mauz-e-saba (Urdu) • Ajnabee shahar: ajnabee raste (Urdu) • Main ek Feriwala (Hindi) • Sheeshe ke Makaan Wale (Hindi)
Autobiography
Autobiography
• Chotey aadmi ki badee kahaani ("Big Story of a Small Man")
Movie and TV scripts
Movie and TV scripts
• Neem ka Ped – novel and TV serial of the same name • Kissi Se Na Kehna • Main Tulsi Tere Aangan Ki (1978) • Disco Dancer (1982) • Mahabharat (1988)
Movie dialogues
Movie dialogues
• Mili (1975) • Alaap (1977) • Main Tulsi Tere Aangan Ki (1978) • Gol Maal (1979) • Karz (1980) • Judaai (1980) • Hum Paanch (1980) • Jeevan Dhaara (1982) • Aaj Ka M.L.A. Ram Avtar (1984 film) • Tawaif (1985) • Dosti Dushmani (1986) • Anokha Rishta (1986) • Baat Ban Jaye (1986) • Naache Mayuri (1986) • Awam (1987) • Lamhe (1991) • Parampara (1993) • Aaina (1993)
Movie Lyrics
Movie Lyrics
• Alaap (1977) • Des Mein Nikla Hoga Chand (Jagjit Singh & Chitra Singh)
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Ghazipur.
Birth place
Mumbai.
Death place
Death and legacy
Rahi Masoom Raza died on 15 March 1992 at age 62. After his death, Raza's dialogues were featured in two more of Yash Chopra's productions, Parampara (1992) and Aaina (1993). According to Indian Cinema Heritage Foundation (Cinemaazi.com) website: "Regarded as nothing less than a national treasure, 'a scholar who strayed into Bollywood', his contributions to literature, poetry and films remains enormous".
Primary material
Documents and archives
reference work
- “Rahi Masoom Raza”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3631305: Rahi Masoom Raza
General reference · Wikidata
Awards
• Year — Award — Category — Film — Result — Ref. Reference • 1979 — 26th Filmfare Awards — Best Dialogue — Main Tulsi Tere Aangan Ki — style="text-align:center;" • 1986 — 33rd Filmfare Awards — Tawaif — style="text-align:center;" • 1992 — 37th Filmfare Awards — Lamhe — style="text-align:center;"
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.NCERT. संचयन भाग 2. 47. 81-7450-665-9.
- 2.Chishti, Seema. It's 1947 still in Dr. Rahi Masoom Reza's Aadha Gaon. Indian Express newspaper. 1 May 2007.
- 3.Hasan, Mushirul. Legacy of a Divided Nation: India's Muslims Since Independence. C. Hurst & Co. Publishers. 159. 1997. 978-1-85065-304-2.
- 4.Oh, For an Original Story : Review of Scene 75. Book Review India. 22 March 2024.
- 5.Manwani, Akshay. The Show of Shows Producing India's greatest television show ever. Caravan magazine. 1 April 2013.
- 6.Rahi Masoom Raza profile and filmography. Indian Cinema Heritage Foundation (Cinemaazi.com) website.
- 7.राही मासूम रज़ा : मेरे बिना किस हाल में होगा, कैसा होगा चाँद (Famous Writer and Poet Rahi Masoom Raza Will Be Remembered Forever).
- 8.Filmfare Awards 1979 Winners. The Times of India. 0971-8257.
- 9.Filmfare Awards 1986 Winners. The Times of India. 0971-8257.
- 10.Filmfare Awards 1992 Winners. The Times of India. 0971-8257.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Books
38,988 published records in this field, each with its sources named.
- Ragnar HovlandAuthor
- Ragnvald SkredeAuthor
- Rahat IndoriAuthor
- Rahel VarnhagenAuthor
- Rahi Mo'ayyeriAuthor
- RahimunnessaAuthor
- Rahman AbbasAuthor
- Rahman BabaAuthor
Best supported in this field
For owners
Own a work by Rahi Masoom Raza?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.