Piotr Potworowski
Piotr Tadeusz Potworowski (14 June 189824 April 1962) was a Polish abstract and figurative painter who lived and exhibited in Paris, Poland, Sweden and England. During his seven years in Paris he became personally acquainted with Pablo Picasso, Pierre Bonnard, Jean Cocteau, Constantin Brâncuși and attended for a short time Fernand Léger's studio. In 1943 he settled in London where he joined the London Group and exhibited regularly.
Also recorded as Tadeusz Piotr Potworowski · Peter Potworowski · Tadeusz. Piotr Potworowski · Piotr Tadeusz Potworowski
Piotr Potworowski

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- Born
- Piotr Potworowski was born, sources differ on the date (on 14 July 1898 and on 14 June 1898). · Warsaw.
- Died
- 1962. · Poznań.
- Nationality
- Poland.
- Occupation
- painter, scenographer, teacher, graphic artist, sculptor and art educator.
- Fields
- painting, art of sculpture and scenography.
- Honours
- Cross of Valour (1920).
- Languages
- Polish.
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Documentary summary
Piotr Tadeusz Potworowski (14 June 189824 April 1962) was a Polish abstract and figurative painter who lived and exhibited in Paris, Poland, Sweden and England. During his seven years in Paris he became personally acquainted with Pablo Picasso, Pierre Bonnard, Jean Cocteau, Constantin Brâncuși and attended for a short time Fernand Léger's studio. In 1943 he settled in London where he joined the London Group and exhibited regularly.
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wikidata · Q869846 · wikipedia · Piotr Potworowski
In this article
Life
Life
Potworowski worked between 1898 and 1962 across painter, scenographer, teacher, graphic artist and sculptor and 1 further recorded occupations. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
The recorded working language is Polish. The field of work recorded is painting, art of sculpture and scenography. Places of work recorded in the authority are Moscow, Kraków and Paris. Work by Piotr Potworowski is recorded in the collections of Tate, National Museum in Warsaw, Bristol City Museum & Art Gallery, Royal West of England Academy and Victoria Art Gallery. Distinctions recorded are Cross of Valour (1920).
Piotr Tadeusz Potworowski was born on 14 June 1898, in Warsaw, then part of the Russian Empire. The family owned an engineering factory and a summer villa on the River Wisła. He was considered a "difficult" child and attended a school for the disturbed. His mother was killed in a sledging accident in 1913 and in August 1914 at the start of the war he and his two brothers were sent for safety to relatives in Moscow. His sketches from that period show interest and talent which was put aside when he volunteered for the Polish Cavalry Brigade, part of the Russian Army, fighting first the Germans then the Ukrainians and finally the Bolsheviks. After the war in 1920 he studied design in the Warsaw University of Technology then in the following year moved to the Academy of Fine Arts in Kraków and discovered French painting. In 1924 he travelled to Paris as a member of Komitet Paryski (KP), a group of young painters, and stayed there for seven years immersing himself in avant garde culture of that period. For a short time he joined the studio of Fernand Léger and was a leader in organising the Bal Polonaise which was attended by Picasso, Braque and other artists. In 1927 he spent three months working on a French commercial schooner and followed this in 1928 with an exhibition of ships at the Claridge Gallery, London. He married Magdalena Mańkowska in 1929, and he returned to Poland in 1930, where their son Jan was born. They lived near Poznań in Rudki Palace which was owned by his wife's family and in which they hosted, for months on end, fellow artists and officers from his regiment. In 1935 the family moved to Grebanin, a village near the town of Kępno in which he initiated a regional museum and commenced a large fresco in the town hall. In 1936 Anusia, his daughter was born. He exhibited frequently in Poland and in 1937 was awarded a silver medal at the International Exhibition of Art and Technology in Paris. He fought in the 1939 campaign and when that collapsed attempted to reach allied forces in Narvik. When the fall of France made this impossible he settled in Sweden where he continued to paint and sculpt, and organised an exhibition of Polish-Norwegian Art. In 1941 his family joined him but in September 1943 he was ordered to join the Polish Army in Britain. On arriving in Scotland in a Mosquito, he was told that he was too old for front-line duty and was stationed in London. There he engaged with enthusiasm in the Polish cultural life, was appointed President of the Association of Polish Artists and joined the exclusive London Group. A number of exhibitions in London led to a position in the Bath Academy of Art, Corsham, where he significantly influenced the creative thinking of a new wave of British painters such as Peter Lanyon, William Scott, and Patrick Heron. Every two years he exhibited in the Gimpel Fils Gallery. In 1958 he was invited to work in Poland. There followed four very intensive years where he not only produced his most powerful paintings but also sculptures and scenography projects. He had his first exhibition at the National Museum in Poznań, 1958, then in National Museums of Kraków, Gdańsk, Warsaw, Wrocław and Szczecin. The very good reception of his work contributed to his decision to stay in the country. He exhibited in the Venice Biennale in 1960 receiving a silver medal and also in the Galerie Lacloche, Paris. He died on 24 April 1962, in Warsaw and was buried in the Powązki Cemetery in the Avenue of Merit.
Key exhibitions
Key exhibitions
• 1927: Salon des Indépendants, Grand Palais, Paris • 1937: International Exhibition, Polish Pavilion, Paris • 1947–1957: annual, Gimpel Fils Gallery, London • 1958 National Museum, Poznań • 1962 Galerie Lacloche, Paris • 1996 National Gallery of Contemporary Art, Warsaw • 2013 Galeria Studio, Palace of Culture, Warsaw
Works in state museums and galleries
Works in state museums and galleries
• Tate St Ives • Royal West of England Academy • Bristol City Museum and Art Gallery • National Museum of Warsaw • National Museum of Poznań • National Museum of Kraków • National Museum of Katowice • National Museum of Gdańsk
Life and work
Life and work
Potworowski worked as painter, scenographer, teacher and graphic artist, and the authority record catalogues a further 2 occupations under the same name, among them sculptor and art educator. Potworowski worked in Moscow, Kraków, Paris, London, Warsaw, Sweden, Great Britain and Poland. Potworowski worked in Polish. Potworowski died on 24 April 1962 in Poznań. Potworowski is buried at Powązki Cemetery.
Life and career
Dated record
Life and career
Explore 1898–1962
The full dated record · 11 entries
1898
Piotr Potworowski born at Warsaw.
1914
Recorded as work location: Moscow.
1922
Recorded as work location: Kraków.
1924
Recorded as work location: Paris.
1928
Recorded as work location: London.
1934
Recorded as work location: Warsaw.
1940
Recorded as work location: Sweden.
1943
Recorded as work location: Great Britain.
1958
Recorded as work location: Poland.
1962
Dies at Poznań.
1962
Piotr Potworowski died at Poznań.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Warsaw.
Birth place
Poznań.
Death place
Paintings, drawings and prints, 1930–1962
Catalogued output
Paintings, drawings and prints, 1930–1962
These are objects catalogued as visual works, each held or recorded by the institution named against it. 76 works carry dates between 1930 and 1962. The 1960s are the densest part of the run, with 49 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 88 titles in all, from 1930 to 1962. A selection is set out below and the complete run may be opened beneath it.
The run opens with Portrait of the wife and closes with Composition
Portrait of the wife
1930
English landscape
1947
Rural settlement
1947
Hammock
1949
Landscape with a black goat
1951
Forest interior – Cornwall
1952
French Town
1953
Forest (Cornwall)
1954
Small street in Spain
1954
Landscape from Tarquinia
1955
Workroom corner, Cornwall
1955
The complete catalogue · 60
The run opens with Portrait of the wife and closes with Composition
Portrait of the wife
1930
English landscape
1947
Rural settlement
1947
Hammock
1949
Landscape with a black goat
1951
Forest interior – Cornwall
1952
French Town
1953
Forest (Cornwall)
1954
Small street in Spain
1954
Landscape from Tarquinia
1955
Workroom corner, Cornwall
1955
Girl from Iraq
1956
Waterfall in Niedzica
1957
Still life
1957
Blue room
1958
Night of Forefathers’ Eve
1958
Lake Łagowskie III
1958
White net, dated 1958. Łagów
1958
Black-white shield
1959
Leafy cross
1959
Vistula in Kazimierz
1959
Black-green arcs (Niedzica)
1959
Fragment of Łagowskie Lake
1959
Cottage in Podhale
1959
Mountains
1959
Dunajec
1959
Vistula
1960
Green Podhale
1960
Vertical elements
1960
Composition in white in grey and in red
1960
Marine platform
1960
Oval with a southern sea
1960
Horizontal elements
1960
Harvest landscape with a young ox
1960
Balcony
1960
Road (White road)
1960
Small spiral
1960
Seascape – narrow collage
1960
Green tree – Niedzica
1960
Dark figure
1960
Forests in Podhale
1960
Green vistula
1960
Small waterfall
1960
Girl on her knees
1960
Violet still life
1961
Vistula steamboat
1961
Kneeling girl
1961
Little girl with a dog
1961
Oval landscape, Italy
1961
Trace of war
1961
Self-portrait with a woodpecker
1961
Venice
1961
Red and blue squares
1961
Aix-en-Provence
1961
Landscape from Aix-en-Provence
1961
Pavement
1961
Figure of a saint
1961
Oval landscape I
1961
Boat on sea
1961
A further 16 recorded entries stand behind this article and are held on the record.
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
12 further works are catalogued under Potworowski's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Red and black girls
Sack with a grey sky
Sunset in Kazimierz
Château de Jumilhac-le-Grand, France
Marketplace at Jumilhac
Window on the Sun
Influence
Kenneth Armitage, fellow tutor at Corsham, said: "... while we were all individuals before his arrival we must have seemed, thereafter, rather ordinary compared to Piotr's personal approach to everything. He came from an outside world, from a longer time-life span; he brought a foreign flavour and his values and approach were different. Once or twice in a lifetime at just the right moment — somebody else can move into one's own small private world endowed with mysterious authority to push and pull in directions that, without such encouragement, one might only slowly (or even never) take necessary and positive action. Such a one was Peter... We became close friends". Adrian Heath, fellow tutor at Corsham said: "To this community (of artists at Corsham) he brought a catholic taste and breadth of understanding that can truly be described as cosmopolitan; a quality that was hungrily accepted by men who had been insulated from continental opinions by seven years of war".
Primary material
Documents and archives
reference work
- “Piotr Potworowski”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q869846: Piotr Potworowski
General reference · Wikidata
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hall, D. Art in exile. Sanson & Co. 313–336. 2008.
- 2.Gallery of Modern Art, Warsaw, Poland. O Piotrze Potworowskim w okresie angielskim [About Piotr Potworowski in the English period]. 11–44. 1998.
- 3.Napoleonv, Oświecim, Poland. Dzieje 1 Pułku Ułanów [History of 1st Lancers Regiment]. 2014.
- 4.Książnica. Straty Kultury Polskiej [Polish Cultural Losses]. 421–428. 1945.
- 5.National Gallery of Modern Art. Potworowski. 1998. 83-86277-86-6.
- 6.Kępno Museum, Poland. 1943.
- 7.Hall, Douglas. Art in Exile: Polish painters in post-war Britain. 2008. 978-1-904537-66-3.
- 8.Kępno Museum, Poland. 1959.
- 9.Sansom. Art in Exile: Polish painters in post-war Britain. 331. 2008. 978-1-904537-66-3.
- 10.Sansom. Art in Exile: Polish painters in post-war Britain. 318. 2008. 978-1-904537-66-3.
- 11.Arkady. Piotr Potworowski. 6–28. 1978.
- 12.Instytut Teatralny. Piotr Potworowski. Encyklopedia Teatru Polskiego.
- 13.Griffiths, Haydon. Bath Academy of Art 1946-1955. University of London, Master's Thesis. 67, 69. 1975.
- 14.Corsham Report, Master of Arts Report. University of London. 1979.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Distinctions
1- Cross of ValourTerminology
Established from a fact already recorded on a verified source.
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Piotr Potworowski received Cross of Valour (1920). Recorded as painter, scenographer, teacher, graphic artist and sculptor.
Recognition and collections
Work by Piotr Potworowski is
Tate, National Museum in Warsaw, Bristol City Museum & Art Gallery and Royal West of England Academy
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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