Edith Simon

What the record establishes about Edith Simon.

Edith Simon is recorded with the occupation painter. Havelock Ellis : a biographical and critical survey / by Isaac Goldberg; with a supplementary chapter on Edith Ellis; illustrated & documented. is dated 1926 and held by Wellcome Collection. The apocalyptics : cancer and the big lie how environmental politics controls what we know about cancer / by Edith Efron. is dated [1984] and held by Wellcome Collection. In the kitchen, 1550-1800 : reading English cooking at home and abroad / edited by Madeline Bassnett and Hillary M. Nunn. is dated [2022] and held by Wellcome Collection. French Women in Politics: Writing Power : Paternal Legitimization and Maternal Legacies / Raylene L. Ramsay. is dated 2003 and held by Wellcome Collection. Edith Simon is recorded with the citizenship of United Kingdom and United Kingdom of Great Britain and Ireland.

Bowl with Cover and Stand is dated 1928 and held by The Art Institute of Chicago (inventory 1949.40). Fell, Dame Honor Bridget (1900-1986) is dated 1919-1988 and held by Wellcome Collection. Pieta is dated n.d. and held by The Art Institute of Chicago (inventory 1922.5480). Shade is dated 2010 and held by The Art Institute of Chicago (inventory 2010.452). Birth Control Organisations is dated 1927-1974 and held by Wellcome Collection. The Art Institute of Chicago records 5 objects associated with this heading.

Edith Simon is recorded as historian, artist, sculptor, writer and painter. Ketzer, Bauern, Jesuiten. Reformation und Gegenreformation is dated 1984. Wellcome Collection records 11 objects associated with this heading. Personal is dated 1909-1984 and held by Wellcome Collection. Open Library catalogues 19 works under this name. The making of Frederick the Great is dated 1963.

The Anglo-Saxon manner is dated 1972. The piebald standard is dated 1959. Besinnliche Gedanken is dated 1967. The golden hand is dated 1952. Wings deceive is dated 1944. The saints is dated 1968.

What Edith Simon produced.

The Art Institute of Chicago catalogues 5 works under this heading. Wikidata Query Service catalogues 1 work under this heading. Wellcome Collection catalogues 8 works under this heading. Open Library catalogues 18 works under this heading.

The identifiers under which Edith Simon may be traced in institutional catalogues.

Edith Simon is established in the international name authorities as Social Networks and Archival Context w6rk27vc, Gemeinsame Normdatei (GND) 124540422, Library of Congress n50023659, Libraries Australia 975701, ISNI 0000000110502328, IdRef 059522704, VIAF 30473449 and Wikidata Q5338676.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 5 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 11 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Simon Goldhill et Edith Hall (éd.), Sophocles and the Greek Tragic Tradition, Anabases, 2011. Simon Goldhill and Edith Hall, eds., Sophocles and the Greek Tragic Tradition, Classical Journal, 2011. The Saints. By Edith Simon. Delacorte Press, 1969. 121 pp. $3.95., Church History, 1971. Luther Alive. By Edith Simon. Garden City: Doubleday and Co., Inc., 1968., Church History, 1969. Sir Simon Harcourt, 1st Viscount Harcourt to Edith Pope [née Turner], 30 August 1718 [popealOU0010491a1c], Electronic Enlightenment Scholarly Edition of Correspondence, 2025.

Bibliographic registers publish measured figures for this heading: 4 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

Edith Simon studied at Slade School of Fine Art and Central School of Art and Design. the recorded working language is English.

The field of work recorded is visual arts, art of sculpture and belletristic literature.

Places of work recorded in the authority are London.