Pablo Podestá

Cecilio Pablo Fernando Podestá was born 22 November 1875 in Montevideo, Uruguay into a family of performers headed by María Luísa Torterolo and Pedro Podestá. The couple had nine children: Luis, Pedro, "Pepe", Graciana, Amadeo, and Pablo, the youngest brother. The family were circus performers and when Graciana married Alejandro Scotti, an acrobat and circus impresario, they formed the Podestá-Scotti Troupe. The group began performing in 1878, when Pablo was only three and he performed as a clown. In 1884, they were touring in Buenos Aires, with the Circus of Humberto Primo. Three of the brothers, including Pablo, were billed as the "Condors of the Trapeze", and "Pepé" created the character he would portray to great acclaim for many years, "Pepino 88". The difficulty of finding performers, forced the Carlo Brothers International Circus, who were performing in their own troupe, to ask the Podestá brothers to join with them for thirteen performances including a pantomime about Juan Moreira. After these performances the entire company, including the Carlo Brothers toured in Brazil and Uruguay. In 1886 they were back in Buenos Aires, where they premiered for the first time with a written script, which "Pepé" had prepared. That script became a melodrama and led to an entire genre of "gaucho melodramas", which would be copied by many artists in future years. His script about Moreira was performed in a 42 performance streak in Montevideo in 1889. Later that same year, the brothers premiered at the Teatro San Martin, where Pablo, now 14, was performing in acrobatics and fell from the trapeze, which required a three-month recuperation. Around 1900, the circus troupe finally dissolved and Pablo followed "Pepé" into acting. In 1901, the Podestá Brothers' Company was premiering numerous works including the play Fumadas by Enrique Buttaro, in which Pablo performed tango dances; La tía de Carlos, by Walter Brandon Thomas, where Pablo successfully played a comic transvestite character. In 1905, Pablo attempted drama rather than comedy in Barranca abajo, by Florencio Sánchez and earned praise. In addition to their performances at the Teatro Apolo, the brothers successfully trained other actors, until around 1906, when Pablo decided to form his own company. While he was working at the Teatro Apolo, he met Olinda Bozán, a child actress. They married in 1908, when she was 14, he was 34; the marriage lasted less than six months. That same year, Podestá performed Muerte civil, by Paolo Giacometti in Montevideo to wide critical acclaim. In 1912, Julio Sánchez Gardel wrote La montaña de las brujas specifically for Podestá, to highlight his expressive body in performance. Podestá ventured into silent films in 1913, starring in Tierra baja with Elías Alippi. In 1914, he released La leyenda del Kacuy by Carlos Schaefer Gallo in which he used his cello to simulate a bird cry. Podestá was talented musician, though he played by ear. He played guitar, cello, and violin and his music compositions inspired his brother Antonio into composing music. His next film, Mariano Moreno y la revolución de Mayo (1915) was directed by the playwright Enrique García Velloso and he made his final film El capataz Valderrama in 1917 under the direction of José Marcos Pallache. That same year, he opened the play La fuerza ciega by Vicente Martínez Cuitiño to the praise of French director Aurélien Lugné-Poe, who lamented that he could not convince Podestá to perform in Paris. Pablo operated own company until 1919, when his syphilis began to incapacitate him and his mind began deteriorating. He began to suffer from delusions, confusing faces and characters, reality and his acting. On 12 August 1919, the International Variety Artists' Society, a charitable organization run by Carlos Gardel and José Razzano held a benefit event for Podestá. The program featured plays, a comic monologue from Florencio Parravicini, songs from Teresita Maravall "La Zazá", dances by Antonia Mercé Y Luque, a speech by playwright Enrique García Velloso and numerous other tributes. The performance lasted five hours and was hoped to raise funds to pay for his care in the Gonzalo Bosch Sanitarium. Pablo died 26 April 1923.

• Tierra baja (1913) • Mariano Moreno y la revolución de Mayo (1915) • El capataz Valderrama (1917)

Pablo Podestá was recorded at birth as Cecilio Pablo Fernando Podestá. The authorities additionally record the heading Pablo Podesta. His recorded language was Spanish. He was the child of Pedro Podestá and María Teresa Torterolo. He married Olinda Bozán. Other recorded relations include Blanca Podestá and María Podestá.

Pablo Podestá is recorded as actor, singer, sculptor, painter and acrobat. Established in Library of Congress under n84180501. Established in FAST under 145326.