Pablo Serrano
Pablo Serrano Aguilar (8 March 1908, Crivillén, Teruel – 26 November 1985, Madrid) was a Spanish abstract sculptor.
Also recorded as Pablo Serrano Aguilar · Pablo Aguilar
Pablo Serrano

Fotografía: M.Peinado. Escultura: Pablo Serrano · CC BY 2.0
- Name
- Pablo Serrano
- Birth Name
- Pablo Serrano Aguilar
- Born
- 8 March 1908
- Birthplace
- Crivillén (Teruel), Spain
- Died
- 26 November 1985
- Place of death
- Madrid, Spain
- Occupation
- sculptor
- Nationality
- Spain.
- Fields
- figurative art.
- Movements
- abstract art.
- Known for
- La Hermana del Hombre Bóveda, statue of Valerius of Saragossa, Guardian Angel and Venida de la Virgen del Pilar by Pablo Serrano.
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Documentary summary
Pablo Serrano Aguilar (8 March 1908, Crivillén, Teruel – 26 November 1985, Madrid) was a Spanish abstract sculptor.
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Authority files
wikidata · Q581961 · wikipedia · Pablo Serrano
In this article
Key facts
Key facts
• Name — Pablo Serrano • Birth Name — Pablo Serrano Aguilar • Born — 8 March 1908 • Birthplace — Crivillén (Teruel), Spain • Died — 26 November 1985 • Place of death — Madrid, Spain • Occupation — sculptor • Website — http: www.pabloserrano.es/
Personal life
Personal life
1920–1925. Pablo Serrano studied as a boarder in the Escuelas Profesionales Salesianas in Sarriá (Barcelona). 1935–1954. He settled in Montevideo (Uruguay), Serrano had the opportunity to meet Joaquín Torres García and Lucio Fontana. 1955. Pablo Serrano was now to become a force within the Spanish artistic avant-garde. As evidence of this, in that same year, he won the III Biennial of Spanish American Art in Barcelona. 1957. His first solo exhibition was held at the Atheneum of Madrid. Together with Juana Francés and artists such as Manolo Millares, Manuel Rivera, and Antonio Saura he collaborated with El Paso Group. 1957–1958. The reflections that arose as a result of these series of pieces gave birth to a new project, which he christened Drama of the Object and Burning of the Object. In 1958, he exhibited in the Eduard Loeb Gallery in Paris and was invited to take part in the Art du XXI Siècle which was held in Charleroi, Belgium. • Illustration — Work at the Museum of Outdoor Sculpture of Alcala de Henares. Serrano's abstract introspection reached its zenith with the series Rhythms in Space, dynamic compositions constructed from stainless steel rods. In 1959, while taking part in one of Pierre Schaeffer's experimental music projects, Serrano presented his working models for these series, as well as the first Burning of an object entitled The Dis-occupation of the Space or the Presence of the Absence in the Galleria del Disegno in Milan, Italy. 1960. The reputation that he had by now firmly established lead him to be selected to take part in the New Spanish Painting and Sculpture exhibition that was on show for two years at first in MOMA in New York and later in Washington, Chicago and New Hampshire. He also took part in Current Art in Aschaffenburg, Germany. Pablo Serrano was invited in 1961 to The Pittsburg International in the Carnegie Institute in the United States, and to the II Exposition Internationale de Sculpture Contemporaine in the Rodin Museum in Paris. He received the González Critics Prize in the Saloon of May in Barcelona. He entered 23 pieces for the XXXI International Biennial in Venice in 1962, only to find himself a mere one vote short of the First Prize for Sculpture, which was to be won by Alberto Giacometti. 1967. Portrayal of Milton Rua. Concurrently, and in keeping with the aesthetic and philosophical line he had started at the beginning of the decade, he produced Men with Door, a logical continuation of his earlier Men-Vault. In this new period the character of Serrano's work became even more dichotomic. He participated in the Sculpture from Twenty Nations exhibition in the Guggenheim Museum in New York. 1969. The Juana Mordó Gallery in Madrid publishes Calvin Cannon's book Serrano in the Sixties. 1975. His sculptures were exposed in the Sala Gaudí Barcelona gallery, today Gaudifond Gallery, which collaborated exhibiting a sculpture in the famous La Rambla central Barcelona street and still owns several artworks of his. 1976. The series Yoke-Unit paved the way for the numerous sculptural projects like the piece entitled Spiritu mundi, Open Yoke-Unit sculpted for the University of Houston, Texas. 1982. That same year he was awarded the inaugural Príncipe de Asturias award for Art. Later he was to exhibit in the Hermitage Museum, in Leningrad. 1985. Serrano exhibited pieces from these last series at the Juana Mordó Gallery in Madrid, as well as their original plaster versions at the Guggenheim Museum in New York. Pablo Serrano died in Madrid on 26 November at the age of seventy seven. 1994. 27 May, the Foundation-Museum Pablo Serrano in Saragossa was officially opened.
Open-air works
Open-air works
• Statue of Indalecio Prieto (Madrid)
Work in museums
Work in museums
America • Museum of Modern Art, New York City. • Solomon R. Guggenheim Museum, New York City. • Hirshhorn Museum and Sculpture Garden, Washington D.C. • Brown University, Providence. • Wadsworth Atheneum, Hartford, Connecticut. • University of Houston–Clear Lake – Houston, Texas • Indianapolis Museum of Art 'IMA', Indianapolis, Indiana • Virginia Museum of Fine Arts, Richmond, Virginia • University of Río Piedras, Puerto Rico. • Ponce Museum, Puerto Rico. Europe • Museo Nacional Centro de Arte Reina Sofía, MNCARS, Madrid. • Museo de Escultura al Aire Libre de Alcalá de Henares • Centre Georges Pompidou, Paris. • Musée National d’Art Moderne de la Ville de Paris. • Galleria Nazionale d’Art Moderna, Roma. • Galleria d’Arte Moderna, Venecia. • Middelheim Museum, Antwerp. • Calouste Gulbenkian Foundation, Lisboa. • Hermitage Museum, Saint Petersburg. • Pushkin Museum, Moscow. • Stedelijk Museum, Amsterdam. • Pablo Serrano Museum, Saragossa.
Identity
Identity
Pablo Serrano is recorded as sculptor.

Iglesia del siglo XIII reconstruída en el siglo XVIII.
José Luis Filpo Cabana
Life and career
Dated record
Life and career
Explore 1908–1985
The full dated record · 10 entries
1908
Pablo Serrano born at Crivillén.
1969
Venida de la Virgen del Pilar by Pablo Serrano is dated 1969.
1969
Monument to Benito Pérez Galdós is dated 1969.
1969
monument to Francisco Javier is dated 1969.
1970
Gregorio Marañón is dated 1970.
1971
La Fuente y el Río is dated 1971.
1972
Unidades-Yunta is dated 1972.
1984
Monument to Indalecio Prieto, Madrid is dated 1984.
1985
Pablo Serrano died at Madrid.
1985
Monumento a Antonio Machado, Madrid is dated 1985.
Recognition and collections
Where the work is held
Recognition and collections
Pablo Serrano received Princess of Asturias Award for the Arts, Gold Medal of Merit in the Fine Arts and honorary doctor of the University of Zaragoza.
Documents and archives
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q581961: Pablo Serrano
Reputable secondary · Wikimedia Foundation
- “Pablo Serrano”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- Serrano, Pablo (1908–1985), Historical Dictionary of Contemporary Art, 2017
Scholarly · Crossref registry · 2017
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Pablo Serrano Aguilar. Gaudifondarte.com.
- 2.Pablo Serrano: Esculturas. Gaudifondarte.com.
- 3.Inauguración de un monumento a Indalecio Prieto en los Nuevos Ministerios. El País. 14 December 1984.
- 4.Serrano In The Sixties.
- 5.La Escultura de PABLO SERRANO. - WESTERDAHL, EDUARDO; PABLO SERRANO.
- 6.Maybe-art.com.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Verifiedreference work
Wikidata, structured authority record Q581961: Pablo SerranoWikimedia Foundation
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
He also worked under the name Aguilar, Pablo Serrano. His recorded language was Spanish. He married Juana Francés. His work is associated with abstract art. He belonged to Royal Academy of Fine Arts of San Fernando, El Paso and Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten. Work and production. Works recorded as notable number 4: La Hermana del Hombre Bóveda, statue of Valerius of Saragossa, Guardian Angel and Venida de la Virgen del Pilar by Pablo Serrano. His recorded genre is figurative.
Identity and origins
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Sculpture
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