Norah McGuinness

Norah McGuinness studied at National College of Art and Design. Subjects and genres recorded for the work are portrait. Work by Norah McGuinness is recorded in the collections of Auckland Art Gallery, National Gallery of Ireland, Herbert Art Gallery and Museum and Ulster Museum.

• Name — Norah McGuinness • Birth Name — Norah Allison McGuinness • Born — 7 November 1901 • Birthplace — County Londonderry, Ireland • Died — 22 November 1980 • Place of death — Dublin, Ireland • Education — Metropolitan School of Art, Chelsea Polytechnic • Known for — Painting, Illustration • Movement — Modern movement

Norah McGuinness was born in County Londonderry. She attended life classes at Derry Technical School and, from 1921, studied at the Dublin Metropolitan School of Art under Patrick Tuohy (1894–1930), Oswald Reeves (1870–1967), and Harry Clarke. Through Clarke, she obtained a commission to illustrate Sterne's A Sentimental Journey (London, 1926). She attended the Chelsea Polytechnic in London before spending the 1920s working in Dublin as a book illustrator and stage designer. She settled in 1925 in Wicklow and was involved in the literary and theatrical life of Dublin, designing for the Abbey and Peacock theatres and illustrating W. B. Yeats’s Stories of Red Hanrahan (London, 1927). On Mainie Jellett’s advice, she went to Paris in 1929 to study with André Lhôte and came under the influence of the École de Paris. She married the editor Geoffrey Phibbs, but they divorced in 1930 after Phibbs had left her more than once, notably for the poet Laura Riding. From there, she moved to London, where she was a member of Lucy Wertheim's 'Twenties Group' and of the avant-garde London Group. From 1937 to 1939, she lived in New York, where she exhibited her paintings, created illustrations for Harper’s Bazaar, and designed windows for Altman’s department store on Fifth Avenue. After New York, she returned to Ireland in 1939, settled in Dublin, and concentrated on painting. She died in County Dublin.

Although her work remained figurative, she painted vivid, highly coloured landscapes; her work shows the cubist influence of Lhote, and she was associated with the modern movement in Ireland. She helped found the Irish Exhibition of Living Art in 1943 and became its president in 1944 after the death of Mainie Jellett. With Nano Reid, she represented Ireland in the 1950 Venice Biennale. This was the first time Ireland participated in this international exhibition. By 2017, the official list of artists representing Ireland since 1950 showed that the majority of artists chosen in the years since McGuinness and Reid's participation were women. She was elected an honorary member of the Royal Hibernian Academy in 1957 but later resigned. She designed windows for Brown Thomas for over thirty years. There was a retrospective of her work in the Douglas Hyde Gallery, Trinity College Dublin, in 1968, and in 1973 the college awarded her an honorary doctorate. Her work featured in IMMA’s 2013 ‘Analysing Cubism’ exhibition.