Moyo Okediji
Moyo Okediji is an art historian, painter and artist whose works contains a number of icons and signifiers of the deep aspects of Yoruba culture. He was part of Ona, an art movement at Obafemi Awolowo University.
Also recorded as Moyosore Okediji
Moyo Okediji
- Name
- Moyo Okediji
- Birth Name
- Moyosore Okediji
- Born
- 1956
- Birthplace
- Lagos
- Known for
- * Painting
- Training
- * Obafemi Awolowo University
- Movement
- African art
- Nationality
- Nigeria
- Occupation
- art historian · academic · painter
- Education
- University of Wisconsin–Madison · Obafemi Awolowo University · University of Benin
- Languages
- English · Yoruba · Nigerian Pidgin
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Moyo Okediji, storico dell'arte, artista e “painters (artists)”, nacque nel 1956 a Oyo.
Vita
La nascita è registrata dalla Bibliothèque nationale de France, dalla Deutsche Nationalbibliothek e dalla Getty Union List of Artist Names.
Istituzioni citate
Bibliothèque nationale de France · Deutsche Nationalbibliothek · Getty Union List of Artist Names
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Documentary evidence
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wikidata · Q21063924 · wikipedia · Moyo Okediji
In this article
Key facts
Key facts
• Name — Moyo Okediji • Birth Name — Moyosore Okediji • Born — 1956 • Birthplace — Lagos • Known for — * Painting • Mixed media • Training — * Obafemi Awolowo University • University of Benin • University of Wisconsin • Movement — African art • Website — https: www.moyookediji.com
Early life and education
Early life and education
Okediji was born in Lagos in 1956; his family hails from Oyo town, in Oyo state. His father, Oladejo Okediji, moved to Ile-Ife when Okediji was young and he spent most of his adolescent years in the ancient town. In 1977, he completed a degree in painting at the University of Ife, thereafter, he worked as a graduate assistant in the Faculty of Arts at the university. Okediji later earned a master's degree at University of Benin and returned to the University of Ife as a lecturer. While in Benin, he was influenced by the techniques of Guyanese painter Doris Rodgers who included decorative elements of African origin in her works.
Work
Work
In the late 1980s and early 1990s, Okediji, along with Kunle Filani and others were part of the art movement called Ona, the movement sought to reference Yoruba adages, proverbs, and visual concepts in their art works adjusted to modern Nigerian realities of the twentieth century. During the period, he also edited a short-lived magazine called Kurio Africana. The group held their first exhibition in March 1989 at the University of Ibadan. Okedeji went on to obtain a PhD at the University of Wisconsin in 1995. He was the Curator of African and Oceanic Arts at the Denver Art Museum from 2003 to 2008. He is currently an academic staff of the University of Texas, Austin.
Books
• Okediji, Moyo, 2011, Western Frontiers of African Art. Rochester, NY: University of Rochester Press.. • Okediji, Moyo. 2003. The Shattered Gourd: Yoruba Forms in 20th Century American Art. Seattle: University of Washington Press.. • Okediji, Moyo. 2002. African Renaissance: Old Forms, New Images in Yoruba Art. Boulder: University Press of Colorado..
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Moyo Okediji, revision 1343406105 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.University of California, Los Angeles. (1967). African arts. Vol 30, p43
- 2.Harris, M. D. (1996). Contemporary yoruba art in ile-ife: History, continuum, motive, and transformation. Available from ProQuest Dissertations & Theses Globa, p172
- 3.Harris p165
- 4.Leslie Lyon. Race, gender and sexuality in African art. University of Texas at Austen News. February 28, 2011.
References
Citations
References
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Secondary witness
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Knowledge graph
People, houses and institutions
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Studied at
1- University of Wisconsin–MadisonOrganisation
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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