Mary Evans
Mary Evans (born 1963) is a contemporary artist who lives and works in England and utilises in her subject matter both her African heritage and European upbringing.
Mary Evans
- Born
- 1963 · Lagos.
- Nationality
- Nigeria · United Kingdom
- Occupation
- artist · painter
- Movements
- contemporary art
- Education
- Rijksakademie van beeldende kunsten · Gloucestershire College · Goldsmiths and University of London
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Mary Evans (born 1963) is a contemporary artist who lives and works in England and utilises in her subject matter both her African heritage and European upbringing.
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Note VALÉORINE
Mary Evans (born 1963) is an artist and painter, of Nigerian and British nationality. The artist was born in Lagos.
Mary Evans was educated at Gloucestershire College, Goldsmiths, University of London and Rijksakademie van beeldende kunsten. The artist worked in Amsterdam and England. Mary Evans is associated with contemporary art. Works are held at Rijksmuseum Twenthe and Studio Museum in Harlem.
Composed from admitted, traceable facts · 27 September 2026
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Associated With · outgoing
contemporary art
Term
Educated At · outgoing
Gloucestershire College
Organisation
Born In · outgoing
Lagos
Place
Educated At · outgoing
Rijksakademie van beeldende kunsten
Organisation
Citizen Of · outgoing
United Kingdom
Place

Educated At · outgoing
University of London
Organisation
Transferred from en.wikipedia to Commons by Jóna Þórunn .
Documentary evidence
Documentary basis
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wikidata · Q6779497
In this article
Early life and education
Early life and education
Mary Evans studied at Rijksakademie van beeldende kunsten, Gloucestershire College and Goldsmiths, University of London. Places of work recorded in the authority are Amsterdam and England. Work by Mary Evans is recorded in the collections of Rijksmuseum Twenthe and Studio Museum in Harlem.
Evans was born in Lagos, Nigeria in 1963. After a foundation course at St Helens College of Art & Design (1981–82), she studied painting for her B.A. at Gloucestershire College of Arts and Technology (1982–85), and attained her M.A. in Fine Art at Goldsmiths' College (1987–89). She subsequently did a postgraduate residency at the Rijksakademie, Amsterdam (1991–93).
Career
Career
Evans has received a number of significant commissions, awards and residencies, including a Smithsonian Artists Research Fellowship, National Museum of African Art, Washington, DC, in 2010. She typically uses paper as her medium, producing large-scale, site-specific work — sometimes with reference to highly charged subjects, such as lynching in the Deep South. Her work has been exhibited extensively across the UK, as well as internationally — in the United States, the Netherlands, Mexico and China, including Farewell to Post-Colonialism at the 3rd Guangzhou Triennale in 2008, Port City (2007) at the Arnolfini, Bristol, and A Fiction of Authenticity: Contemporary Africa Abroad (2003), Contemporary Art Museum St. Louis. Reviewing her solo exhibition Cut and Paste (2012, Tiwani Contemporary, London), critic Stephanie Baptist wrote: "Her mixed media artworks reveal not just her story, but African ancestral stories that are not often told. I will liken Evans to a griot. This role is an important one, as she is both historian and storyteller. She carries the collective narratives of the village, the tragic and the triumphant. She who remembers can reinterpret the unwritten histories and share the untold stories of the un-namable that may have otherwise been forgotten." In 2020 Evans was included in the show Paper Routes: Women to Watch 2020 at the National Museum of Women in the Arts. Evans is the director of the Slade School of Fine Art at UCL in London
Selected exhibitions
Selected exhibitions
• 1993: Mary Evans - Art & Project, Rotterdam • 1997: Filter, Leighton House, London • 2000: Because a Fire Was in my Head, South London Gallery, London • 2000: Continental Shift, Ludwig Forum fur Internationale Kunst, Aachen, Germany • 2001: Scope, Café Gallery Projects • 2003: A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum St. Louis • 2005: 5 Continents and 1 City, Museum of Mexico City, Mexico City, Mexico • 2007: Freedom & Culture, South Bank Centre, London • 2007: Port City, Arnolfini, Bristol • 2008: Meditations, Baltimore Museum of Art, Baltimore • 2012: Cut and Paste, Tiwani Contemporary, London • 2016: Thousands Are Sailing, EVA International Biennial • 2023: GILT, Zeitz MOCAA, Capetown
Publications
• Filter, London: InIVA and the Royal Borough of Kensington and Chelsea, 1997.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Smithsonian Artist Research Fellowship Program, at Mary Evans website.
- 2.Olu Oguibe, The Culture Game, University of Minnesota Press, 2003. ,
- 3.Exhibition preview on Artnet.Com
- 4.Mary Evans biography at Tiwani Contemporary.
- 5.Stephanie Baptist, "Mary Evans | Cut and Paste", Art & Culture, 5 October 2012.
- 6.Paper Routes : Women to Watch 2020 : National Museum of Women in the Arts : October 8, 2020-January 18, 2021. 38–39. 9780940979536.
- 7.Biographical note, Arnolfini.
- 8.Mary Evans. AWARE Women artists / Femmes artistes.
- 9.https://zeitzmocaa.museum/exhibition/mary-evans-gilt/?v=7885444af42e
- 10."Filter" - Mary Evans, InIVA website.
Bibliography printed in the source article · 1
- Olu Oguibe, "Studio Call: Mary Evans", Nka: Journal of Contemporary African Art, Number 10, Spring/Summer 1999, pp. 38–39.
References
Citations
References
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authority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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